On first listen we fell in love Noyo Mathis and knew that 'Endure' needed to be heard. It's post hardcore meets emo meets indie meets math rock. Take a listen to the full EP right here.
Without a doubt Neck Deep are one of this years breakout bands. After kicking off the year
with the release of their debut LP, 'Wishful Thinking', the Wrexham pop-punk five piece haven’t stopped touring since. From festival appearances throughout the UK and Europe to 2 months in North America as part of the Vans Warped Tour. We caught up with vocalist Ben Barlow and bassist Fil Thorpe-Evans at the Leeds Festival. They discussed their past festival experiences, supporting Blink-182, their up and coming UK headline tour and being
“leaders” of the UK pop-punk movement.
With the festival season more or less over for another year, it’s time for a whole load of
exciting releases to see the light of day. September sees a plethora of exciting releases, so much so that the Already Heard team were spoilt for choices when it came to picking this months must hear releases. Nevertheless they've completed the tricky task and picked out their five must-hear releases for the coming month.
With their combination of refreshingly introspective lyrics, crisp riffs and bouncy choruses, Homebound tick all the right boxes when it comes to promising UK pop-punk bands. Their debut EP, 'Coming of Age' sees the young band make a confident first mark on the ladder to greater things. We spoke to the band to discuss the importance of a debut release, and the comeback of pop-punk.
Packing stadium sized rock anthems with an incredibly striking emotional punch, and graced with one of the most staggeringly unique vocal talents to have graced the UK Rock scene in a long time, Cambridge’s Lonely The Brave have become one of the single most talked about new bands to emerge in recent years. With their debut album ‘The Day’s War’ finally released this week, Already Heard caught up with lead guitarist Mark Trotter and Bassist
Andrew Bushen at last weekend’s Leeds Festival.
We've got a full review, live photos and interviews from one of the highlights of the summer - Leeds Festival.
With last year’s 'By Way of Introduction,' Berkeley, California’s The American Scene set the standard high with their confident brand of indie pop-rock. It was consistent yet lacked variation and at times it was too easy to compare the quartet to bands like The Dangerous Summer and The Starting Line.
On 'Safe For Now' TAS have the tricky task of topping it. However its clear from the start that this band has grown into a mature indie rock band that thrives on emotive lyrics, warmly delivered by Matthew Vincent. Early on tracks like 'Blood Orange' and 'Hungry Hands' show the bands more sincere and structured approach yet subtly keep the bands pop sensibilities with soaring choruses.
Elsewhere ‘When You’re Undone’ and 'Shape Shifter' contain a darker edge which is fittingly combined with cathartic lyrics; on 'Shape Shifter' Vincent sings "I heard you don’t believe in God anymore, I heard you fell out of love".
'The View From Here' is an album highlight with its pinging guitar notes, intense vocal delivery and haunting lyrics. It has a slight emo edge and some may even compare it to Brand New. Nevertheless it s the aforementioned combination that draws you in and makes you realise how much this band has progressed since ‘By Way of Introduction’.
For the later stages of ‘Safe For Now,’ TAS to an extent return to their pop-rock roots; 'Used to You' is an upbeat, bass-driven number that is a welcomed reminder of where they’ve come from and where they now are.
Although 'Safe For Now' isn’t quite as instant as its predecessor, given time both new and old listeners will embrace it as the bands sincere lyrical approach has been neatly combined with a honest matureness, which gives them a much needed varied sound. Whilst it’s not all-round perfect, the bands progression is coming along well and their potential will continue to grow with this release.
'Safe For Now' by The American Scene is available now on Pure Noise Records.
Words by Sean Reid (@SeanReid86)