This week Canterbury emo-rock four piece Moose Blood release their debut full-length.
Entitled 'I'll Keep You In Mind, From Time To Time', the record contains eleven songs that
wear their hearts on their sleeves and is wrapped in a plethora of catchy hooks. We spoke to two fourths of the band as drummer Glenn Harvey and bassist Kyle Todd discussed the
album, working with Beau Burchell, joining up with No Sleep Records, and more.
The new EP from Manchester's Hora Douse, 'Crash' is streaming right here on Already Heard. Give it a listen and relive those older days when post hardcore could be a little bit twangly.
Last month we were spoilt for choice when it came to picking our must hear releases for September, and October is no different. Find out what the Already Heard team picked out as their five essential releases for October.
On Monday November 3rd, Midland hardcore punk band We Fight Like Kids release their
debut EP, 'Superficial Behaviour'. However we're premiering their new video for 'Falconer' right here on Already Heard.
For Scottish quartet Alburn, their latest EP ('Mouthful of Glass') has been a longtime coming. Having undergone a slight line-up since their formation in 2007, 'Mouthful of Glass'
showcases a significant amount of growth and maturity. We spoke to Pete Duthie to ask him about the bands background, that inevitable Brand New comparison, the Scottish music
scene and more.
On first listen we fell in love Noyo Mathis and knew that 'Endure' needed to be heard. It's post hardcore meets emo meets indie meets math rock. Take a listen to the full EP right here.
Without a doubt Neck Deep are one of this years breakout bands. After kicking off the year
with the release of their debut LP, 'Wishful Thinking', the Wrexham pop-punk five piece haven’t stopped touring since. From festival appearances throughout the UK and Europe to 2 months in North America as part of the Vans Warped Tour. We caught up with vocalist Ben Barlow and bassist Fil Thorpe-Evans at the Leeds Festival. They discussed their past festival experiences, supporting Blink-182, their up and coming UK headline tour and being
“leaders” of the UK pop-punk movement.
With last year’s 'By Way of Introduction,' Berkeley, California’s The American Scene set the standard high with their confident brand of indie pop-rock. It was consistent yet lacked variation and at times it was too easy to compare the quartet to bands like The Dangerous Summer and The Starting Line.
On 'Safe For Now' TAS have the tricky task of topping it. However its clear from the start that this band has grown into a mature indie rock band that thrives on emotive lyrics, warmly delivered by Matthew Vincent. Early on tracks like 'Blood Orange' and 'Hungry Hands' show the bands more sincere and structured approach yet subtly keep the bands pop sensibilities with soaring choruses.
Elsewhere ‘When You’re Undone’ and 'Shape Shifter' contain a darker edge which is fittingly combined with cathartic lyrics; on 'Shape Shifter' Vincent sings "I heard you don’t believe in God anymore, I heard you fell out of love".
'The View From Here' is an album highlight with its pinging guitar notes, intense vocal delivery and haunting lyrics. It has a slight emo edge and some may even compare it to Brand New. Nevertheless it s the aforementioned combination that draws you in and makes you realise how much this band has progressed since ‘By Way of Introduction’.
For the later stages of ‘Safe For Now,’ TAS to an extent return to their pop-rock roots; 'Used to You' is an upbeat, bass-driven number that is a welcomed reminder of where they’ve come from and where they now are.
Although 'Safe For Now' isn’t quite as instant as its predecessor, given time both new and old listeners will embrace it as the bands sincere lyrical approach has been neatly combined with a honest matureness, which gives them a much needed varied sound. Whilst it’s not all-round perfect, the bands progression is coming along well and their potential will continue to grow with this release.
'Safe For Now' by The American Scene is available now on Pure Noise Records.
Words by Sean Reid (@SeanReid86)