This week Lansdale, Pennsylvania’s The Wonder Years released their fourth album - ‘The Greatest Generation,’ a record that sees the pop punk quintet reach their creative peak in a number of ways. With a wealth of material in their discography, Already Heard's Sean Reid and Tom Knott took on the tricky task of picking out the five best songs from The Wonder Years. Find out what we picked and let us know if you agree or disagree?
Following the release of their superb 'Signals' album, Mallory Knox have certainly become ones to watch in recent months. We caught up with the band to discuss joining Search & Destroy Records, how vital the festival season and touring are, what it feels like to be a part
of the expanding British rock scene and much more.
Over The Ocean have crafted a compelling, brooding record with their latest effort ‘Be Given To The Soil.’ With intense specific precision and delicate accuracy that echoes the likes of Explosions In The Sky and Sigur Ros. Jesse Hill from the band to discusses how the
album came together, the importance of precision, being compared to post-rock pioneers and more.
After a top ten UK album and an outstanding UK tour with festival dates on both sides of the Atlantic to follow, Bring Me The Horizon are having a fantastic 2013 and are now featured in the latest edition of "Versus." It's ‘There is a Hell, Believe Me I’ve Seen It. There is a Heaven, Let’s Keep it a Secret’ vs the bands latest release, 'Sempiternal.'
We catch up with Newcastle Indie Rock quartet Alexander to find out more about their debut album 'Say Hello' for a “Already Heard Track Guide” feature.
Having briefly returned to the UK for the Hit The Deck Festival before starting a European
tour, we caught up with vocalist/bassist Ned Russin to discuss the bands progression in sound, differences between UK and US festivals, their recent split with Touché Amoré,
having friends on tour and more.
Gainesville, Florida is well renowned for producing excellent punk music. It is from here that Dikembe try to carve their way out of the legendary city and differentiate themselves from the wealth of other bands in the area.
‘Nothing. Stuff’ is a brooding and bubbling opening track, serving as little more than an introductory track from which ‘Apology Not Fucking Accepted’ can explode into. With the lyrical earnestness of Into It. Over It crossed with the passion of The Wonder Years tinged with the musical style of Hey Mercedes, it is a rabid opener to the album.
Single ‘We Could Become River Rats’ is about life growing up in Gainesville, about spending time with your best friends and every other familiar pop-punk trope you can care to shake a snap-back at. There is earnestness to this kind of writing, a simplicity that lends itself to very unpretentious and joyfully organic songs. If you like to hear someone singing about their best friends, you’ll enjoy this album ever the more however to me it is a well-worn shtick that only half-works for Dikembe here.
With song titles like ‘Librarians Kill For That Kind Of Quiet’ (for my money, the best track on the album) Dikembe show themselves to be self-aware, intelligent and thoughtful song-writers and there’s a lot of promise in ‘Broad Shoulders’ that goes somewhat unfulfilled. Closing track ‘Sorry, I Can’t Stick Around’ is another neat pop-punk track, well realised but somehow not quite fantastic.
I wish I could enthuse more about this album because Dikembe have a very likeable sound that will take them places but in the end ‘Broad Shoulders’ ends up being only a good album, not a great one. It’s a perfectly enjoyable album but without a real magic moment or stand out track. It’s an album worth checking out as it is very much above average, however it lacks true brilliance.
‘Broad Shoulders’ by Dikembe is available now on Tiny Engines.
Words by Tom White (@WhiteyWitters)