This week Canterbury emo-rock four piece Moose Blood release their debut full-length.
Entitled 'I'll Keep You In Mind, From Time To Time', the record contains eleven songs that
wear their hearts on their sleeves and is wrapped in a plethora of catchy hooks. We spoke to two fourths of the band as drummer Glenn Harvey and bassist Kyle Todd discussed the
album, working with Beau Burchell, joining up with No Sleep Records, and more.
The new EP from Manchester's Hora Douse, 'Crash' is streaming right here on Already Heard. Give it a listen and relive those older days when post hardcore could be a little bit twangly.
Last month we were spoilt for choice when it came to picking our must hear releases for September, and October is no different. Find out what the Already Heard team picked out as their five essential releases for October.
On Monday November 3rd, Midland hardcore punk band We Fight Like Kids release their
debut EP, 'Superficial Behaviour'. However we're premiering their new video for 'Falconer' right here on Already Heard.
For Scottish quartet Alburn, their latest EP ('Mouthful of Glass') has been a longtime coming. Having undergone a slight line-up since their formation in 2007, 'Mouthful of Glass'
showcases a significant amount of growth and maturity. We spoke to Pete Duthie to ask him about the bands background, that inevitable Brand New comparison, the Scottish music
scene and more.
On first listen we fell in love Noyo Mathis and knew that 'Endure' needed to be heard. It's post hardcore meets emo meets indie meets math rock. Take a listen to the full EP right here.
Without a doubt Neck Deep are one of this years breakout bands. After kicking off the year
with the release of their debut LP, 'Wishful Thinking', the Wrexham pop-punk five piece haven’t stopped touring since. From festival appearances throughout the UK and Europe to 2 months in North America as part of the Vans Warped Tour. We caught up with vocalist Ben Barlow and bassist Fil Thorpe-Evans at the Leeds Festival. They discussed their past festival experiences, supporting Blink-182, their up and coming UK headline tour and being
“leaders” of the UK pop-punk movement.
Gainesville, Florida is well renowned for producing excellent punk music. It is from here that Dikembe try to carve their way out of the legendary city and differentiate themselves from the wealth of other bands in the area.
‘Nothing. Stuff’ is a brooding and bubbling opening track, serving as little more than an introductory track from which ‘Apology Not Fucking Accepted’ can explode into. With the lyrical earnestness of Into It. Over It crossed with the passion of The Wonder Years tinged with the musical style of Hey Mercedes, it is a rabid opener to the album.
Single ‘We Could Become River Rats’ is about life growing up in Gainesville, about spending time with your best friends and every other familiar pop-punk trope you can care to shake a snap-back at. There is earnestness to this kind of writing, a simplicity that lends itself to very unpretentious and joyfully organic songs. If you like to hear someone singing about their best friends, you’ll enjoy this album ever the more however to me it is a well-worn shtick that only half-works for Dikembe here.
With song titles like ‘Librarians Kill For That Kind Of Quiet’ (for my money, the best track on the album) Dikembe show themselves to be self-aware, intelligent and thoughtful song-writers and there’s a lot of promise in 'Broad Shoulders' that goes somewhat unfulfilled. Closing track ‘Sorry, I Can’t Stick Around’ is another neat pop-punk track, well realised but somehow not quite fantastic.
I wish I could enthuse more about this album because Dikembe have a very likeable sound that will take them places but in the end 'Broad Shoulders' ends up being only a good album, not a great one. It’s a perfectly enjoyable album but without a real magic moment or stand out track. It’s an album worth checking out as it is very much above average, however it lacks true brilliance.
'Broad Shoulders' by Dikembe is available now on Tiny Engines.
Words by Tom White (@WhiteyWitters)