This week Canterbury emo-rock four piece Moose Blood release their debut full-length.
Entitled 'I'll Keep You In Mind, From Time To Time', the record contains eleven songs that
wear their hearts on their sleeves and is wrapped in a plethora of catchy hooks. We spoke to two fourths of the band as drummer Glenn Harvey and bassist Kyle Todd discussed the
album, working with Beau Burchell, joining up with No Sleep Records, and more.
The new EP from Manchester's Hora Douse, 'Crash' is streaming right here on Already Heard. Give it a listen and relive those older days when post hardcore could be a little bit twangly.
Last month we were spoilt for choice when it came to picking our must hear releases for September, and October is no different. Find out what the Already Heard team picked out as their five essential releases for October.
On Monday November 3rd, Midland hardcore punk band We Fight Like Kids release their
debut EP, 'Superficial Behaviour'. However we're premiering their new video for 'Falconer' right here on Already Heard.
For Scottish quartet Alburn, their latest EP ('Mouthful of Glass') has been a longtime coming. Having undergone a slight line-up since their formation in 2007, 'Mouthful of Glass'
showcases a significant amount of growth and maturity. We spoke to Pete Duthie to ask him about the bands background, that inevitable Brand New comparison, the Scottish music
scene and more.
On first listen we fell in love Noyo Mathis and knew that 'Endure' needed to be heard. It's post hardcore meets emo meets indie meets math rock. Take a listen to the full EP right here.
Without a doubt Neck Deep are one of this years breakout bands. After kicking off the year
with the release of their debut LP, 'Wishful Thinking', the Wrexham pop-punk five piece haven’t stopped touring since. From festival appearances throughout the UK and Europe to 2 months in North America as part of the Vans Warped Tour. We caught up with vocalist Ben Barlow and bassist Fil Thorpe-Evans at the Leeds Festival. They discussed their past festival experiences, supporting Blink-182, their up and coming UK headline tour and being
“leaders” of the UK pop-punk movement.
Ambition and technical proficiency, 22 display a considerable amount of both. On their debut album 'Flux', the Norwegian foursome unleash some of the most rapid-fire, untamed, rock you’re likely to hear this year. The band’s signature lies in a combination of complex progressive elements and an effortless pop sensibility, with a taste for finely-tuned hooks of gargantuan proportions.
Any sceptics regarding the band’s ability to mold what is, at times, downright math rock into exciting pop gems need not wait long to be proven wrong. 'Plastik' mischievously starts in a measured ethereal manner, a peaceful introduction that is brutally brought to an end by a barrage of off-kilter riffs. Twisting and turning, 22’s instrumentals often border on elusiveness.
However, the delicate balance the band strike isn’t always entirely successful. ‘Chrysalis’, for example, gets lost in the effects and, because of the song’s more straight-forward approach, suffers from comparison with 'Flux's other tracks. On the other hand, a couple of tracks here share a distinctive sound, exciting musicianship and a Matt Bellamy-esque knack for stretching vocals that propel them into excellency territory. 'Kneel Estate' is a stand-out track, from a groovy spine of bass 22 intertwines whispers and a terrific chorus.
The instrumentals in title track 'Flux' are nothing short of amazing as the band swerve between time signatures with the mechanical proficiency of a Rolex. It’s not everyday that we hear of Norway’s rock scene, but if the scene is anything like 22 then we might as well retire our ears. Technically impressive, uncompromisingly math, conjured by unending pits of energy, 22 is math pop like you’ve (most probably) never heard it. So hear it.
'Flux' by 22 is available now on Best Before Records.
Words by James Berclaz-Lewis (@swissbearclaw)