On Monday November 3rd, Midland hardcore punk band We Fight Like Kids release their
debut EP, 'Superficial Behaviour'. However we're premiering their new video for 'Falconer'
right here on Already Heard.
For Scottish quartet Alburn, their latest EP ('Mouthful of Glass') has been a longtime coming. Having undergone a slight line-up since their formation in 2007, 'Mouthful of Glass'
showcases a significant amount of growth and maturity. We spoke to Pete Duthie to ask him about the bands background, that inevitable Brand New comparison, the Scottish music
scene and more.
On first listen we fell in love Noyo Mathis and knew that 'Endure' needed to be heard. It's post hardcore meets emo meets indie meets math rock. Take a listen to the full EP right here.
Without a doubt Neck Deep are one of this years breakout bands. After kicking off the year
with the release of their debut LP, 'Wishful Thinking', the Wrexham pop-punk five piece haven’t stopped touring since. From festival appearances throughout the UK and Europe to 2 months in North America as part of the Vans Warped Tour. We caught up with vocalist Ben Barlow and bassist Fil Thorpe-Evans at the Leeds Festival. They discussed their past festival experiences, supporting Blink-182, their up and coming UK headline tour and being
“leaders” of the UK pop-punk movement.
Packing stadium sized rock anthems with an incredibly striking emotional punch, and graced with one of the most staggeringly unique vocal talents to have graced the UK Rock scene in a long time, Cambridge’s Lonely The Brave have become one of the single most talked about new bands to emerge in recent years. With their debut album ‘The Day’s War’ finally released this week, Already Heard caught up with lead guitarist Mark Trotter and Bassist
Andrew Bushen at last weekend’s Leeds Festival.
Ambition and technical proficiency, 22 display a considerable amount of both. On their debut album 'Flux', the Norwegian foursome unleash some of the most rapid-fire, untamed, rock you’re likely to hear this year. The band’s signature lies in a combination of complex progressive elements and an effortless pop sensibility, with a taste for finely-tuned hooks of gargantuan proportions.
Any sceptics regarding the band’s ability to mold what is, at times, downright math rock into exciting pop gems need not wait long to be proven wrong. 'Plastik' mischievously starts in a measured ethereal manner, a peaceful introduction that is brutally brought to an end by a barrage of off-kilter riffs. Twisting and turning, 22’s instrumentals often border on elusiveness.
However, the delicate balance the band strike isn’t always entirely successful. ‘Chrysalis’, for example, gets lost in the effects and, because of the song’s more straight-forward approach, suffers from comparison with 'Flux's other tracks. On the other hand, a couple of tracks here share a distinctive sound, exciting musicianship and a Matt Bellamy-esque knack for stretching vocals that propel them into excellency territory. 'Kneel Estate' is a stand-out track, from a groovy spine of bass 22 intertwines whispers and a terrific chorus.
The instrumentals in title track 'Flux' are nothing short of amazing as the band swerve between time signatures with the mechanical proficiency of a Rolex. It’s not everyday that we hear of Norway’s rock scene, but if the scene is anything like 22 then we might as well retire our ears. Technically impressive, uncompromisingly math, conjured by unending pits of energy, 22 is math pop like you’ve (most probably) never heard it. So hear it.
'Flux' by 22 is available now on Best Before Records.
Words by James Berclaz-Lewis (@swissbearclaw)