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Next week Philadelphia indie punks The Menzingers release, 'Rented World,' one of the
highly anticipated records of 2014 so far. In parts, it picks up where 2012's 'On The
Impossible Past' left off but it also shows the bands growth as songwriters and musicians. We recently spoke to Greg Barnett to discuss the album, the pressure of following up 'On The Impossible Past', their forthcoming London show and the Grozerock Festival.
Despite only forming last year, Essex rockers New City Kings have already gathered plenty of attention from their debut EP - 'Change.' Their radio-friendly rock sound that has seen them compared to a range of bands; Foo Fighters, Deaf Havana, and The Gaslight Anthem.
Already Heard spoke to Mark Kovic to find out more about New City Kings.
With their return to the UK imminent, the latest edition of "Versus" sees us putting the
focus on Alkaline Trio. Self-confessed Trio MEGA fan Jay Sullivan tells us why 'From
Here to Infirmary' is the band’s finest work. Whilst Alex Phelan explains how 'Maybe
I'll Catch Fire' is a superb example of musical catharsis.
12 months from releasing their debut EP, we speak to Blackpool pop-punk/emo
quintet Boston Manor to discuss their influences, achievements so far and thoughts on their contemporaries.
With their latest EP 'Change Nothing, Regret Everything.', Woking five-piece Employed
To Serve have produced 12 minutes of frantic, unrelenting hardcore that finds the band somewhere between The Dillinger Escape Plan and The Chariot. We spoke to Justine from the band to find out how the band has transitioned from a duo to a quintet and she discussed
being part of the Holy Roar! roster, they chaotic yet contained live shows and more.
In the latest edition of our "Tour Tales" feature, Irish doom-punk band Hornets talk us
through their recent UK tour where they played 8 shows in 7 days.
Leeds-based four-piece Walleater are set to digitally release their debut self titled EP next Monday (14th April) through Close To Home Records. We've got the exclusive first play
right here on Already Heard.
As festival season fast approaches, a wealth of notable album releases are happening
in the coming months. We take a look at five must hear releases for April.
This edition of SFTW includes a heavily hyped Canadian punk band, a Philadelphian
lo-fi emo band and a brand new punk rock trio from the States who have recently released their first song.
When a band loses a member it can have a major effect especially when it’s your lead vocalist. However for We Are The Ocean, the departure of Dan Brown has surprisingly led the band to continue their natural progression as their third album 'Maybe Today, Maybe Tomorrow' is a triumphant and powerful British rock record.
For long time fans, last year’s 'Go Now And Live' shake off the Alexisonfire comparisons that had plagued the band in some circles with the end result being a well-structured record and saw the Essex band embrace melodies. Fans of that record will instantly be hooked by ‘Maybe Today, Maybe Tomorrow’ as the startlingly Liam Cromby has naturally stepped up to lead vocals and provides many melodic and soaring choruses throughout.
Despite the line-up change, the bands aggressive post-hardcore ethos still remains in tact as lead single 'Bleed' demonstrates with its fiery, bold chorus WATO kick the album into gear from the get go. While Cromby’s brilliant ability to step up to the role of frontman is shown on ‘Young Heart’ is bright and uplifting.
Throughout 'Maybe Today, Maybe Tomorrow' you’ll find blistering, urgent rock songs like 'Machine' with it’s pounding drums that dominate for the most part yet allow Cromby’s vocal talents to exceed when needed to and gives that “epic” tone that neatly rounds off the track making it a standout track amongst many highlights. Whilst the bands knack for providing infectious choruses is delivered in abundance with key examples being 'Story Of A Modern Child' and 'Pass Me By.'
Lyrically their seems to be a sense of positivity with the bands changes breathing new life into them with the end result giving the record a radiant, boisterous sound.
Production-wise the bands raw and relentlessly energy often wins over a subtle slickness as shown on ‘The Road’ with the title track ('Maybe Today, Maybe Tomorrow') somewhat embracing the polished sound in its chorus.
I’ll admit it’s hard to pick fault with 'Maybe Today, Maybe Tomorrow.' Sure the bands song-structure is slightly expected but they make up for it in song quality as WATO leave you hooked throughout as the album neatly flows back and forth between uptempo numbers and more melodic songs.
For some 'Maybe Today, Maybe Tomorrow' is a band in the middle of a change but from hearing the 10 songs on here, We Are The Ocean seem to have settled into their new skin with a collection of bold rock songs that are occasionally complimented by quiet introspective moments (see 'Chin Up, Son') with the end result being a varied, dynamic album that should be welcomed by old and new fans.
Despite what some might say, British rock is back on the up and in 'Maybe Today, Maybe Tomorrow,' We Are The Ocean have all the talent, capabilities and potential to be a frontrunner.
'Maybe Today, Maybe Tomorrow' by We Are The Ocean is out now on Hassle Records.
Words by Sean Reid (@seanreid86)