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This week Canterbury emo-rock four piece Moose Blood release their debut full-length.
Entitled 'I'll Keep You In Mind, From Time To Time', the record contains eleven songs that
wear their hearts on their sleeves and is wrapped in a plethora of catchy hooks. We spoke to two fourths of the band as drummer Glenn Harvey and bassist Kyle Todd discussed the
album, working with Beau Burchell, joining up with No Sleep Records, and more.
The new EP from Manchester's Hora Douse, 'Crash' is streaming right here on Already Heard. Give it a listen and relive those older days when post hardcore could be a little bit twangly.
Last month we were spoilt for choice when it came to picking our must hear releases for September, and October is no different. Find out what the Already Heard team picked out as their five essential releases for October.
On Monday November 3rd, Midland hardcore punk band We Fight Like Kids release their
debut EP, 'Superficial Behaviour'. However we're premiering their new video for 'Falconer' right here on Already Heard.
For Scottish quartet Alburn, their latest EP ('Mouthful of Glass') has been a longtime coming. Having undergone a slight line-up since their formation in 2007, 'Mouthful of Glass'
showcases a significant amount of growth and maturity. We spoke to Pete Duthie to ask him about the bands background, that inevitable Brand New comparison, the Scottish music
scene and more.
On first listen we fell in love Noyo Mathis and knew that 'Endure' needed to be heard. It's post hardcore meets emo meets indie meets math rock. Take a listen to the full EP right here.
Without a doubt Neck Deep are one of this years breakout bands. After kicking off the year
with the release of their debut LP, 'Wishful Thinking', the Wrexham pop-punk five piece haven’t stopped touring since. From festival appearances throughout the UK and Europe to 2 months in North America as part of the Vans Warped Tour. We caught up with vocalist Ben Barlow and bassist Fil Thorpe-Evans at the Leeds Festival. They discussed their past festival experiences, supporting Blink-182, their up and coming UK headline tour and being
“leaders” of the UK pop-punk movement.
It’s a brisk, windy, and miserable day in the hub known as the centre of Manchester and plus there’s not much else to do. The relief of such irksome boredom can be found by the metallic pleasantries that have just arrived at Moho Live, a venue which is going through the middle of a rebrand.
Local Mancunians, Trojan Horse unfurl a back pack full of interesting shapes that are formed by one’s imagination and sounds that can confuse or dazzle the ears of the intrigued on-lookers that are watching them. Their arsenal contains a hybrid of pedantic 70s space rock with the jazzy noise rock of modern progressive post hardcore a la Jupiter era Cave In and The Mars Volta. While their aforementioned sound is an interesting sight to behold on the stage they stand, the sheer length of their songs can be somewhat tedious to swallow.
Sludge metal infused hardcore troupe Iron Witch from Liverpool provide a disgustingly good display of pulsating thick basslines, the grooves of which go through an individual like a knife, and slow trudging drum beats, layered with the wickedest screams. Their marsh covered set is layered with plenty of warning signs of how deadly their sound but it’s just too hard to not get sucked in such a menacing and tasty spectacle of dirty sounds.
Like Baroness, Floridan metallers Torche really know how to combine honest and beautifully melodic pop structures with the heaviest and meatiest of riffs which helps to produce a wonderfully artistic combination. Tonight they show off their work with the loudest and most buzz filled of performances in this small room. From their fingers they manage to create a broad palette of colourful sounds that span across their discography from the self-entitled that laid the starting blue prints to the brilliant sludge pop antics of their newest record ‘Harmonicraft’.
The first half is shimmering with the grandest of anthems creating a rather summery shoegazesque atmosphere which soon descends into fast hectic whimsical riffs layered with pop undertones to rolling basslines and thudding percussion that shifts the light of the first half into an incoming marvellous thunderstorm of delight. After all this has passed by the signs of a dimmering backlight and the withdrawal of the fog machines, you realise that this indeed is the heaviest pop band on the planet.
Words by Aaron Lohan (@ooran_loohan)