This week Canterbury emo-rock four piece Moose Blood release their debut full-length.
Entitled 'I'll Keep You In Mind, From Time To Time', the record contains eleven songs that
wear their hearts on their sleeves and is wrapped in a plethora of catchy hooks. We spoke to two fourths of the band as drummer Glenn Harvey and bassist Kyle Todd discussed the
album, working with Beau Burchell, joining up with No Sleep Records, and more.
The new EP from Manchester's Hora Douse, 'Crash' is streaming right here on Already Heard. Give it a listen and relive those older days when post hardcore could be a little bit twangly.
Last month we were spoilt for choice when it came to picking our must hear releases for September, and October is no different. Find out what the Already Heard team picked out as their five essential releases for October.
On Monday November 3rd, Midland hardcore punk band We Fight Like Kids release their
debut EP, 'Superficial Behaviour'. However we're premiering their new video for 'Falconer' right here on Already Heard.
For Scottish quartet Alburn, their latest EP ('Mouthful of Glass') has been a longtime coming. Having undergone a slight line-up since their formation in 2007, 'Mouthful of Glass'
showcases a significant amount of growth and maturity. We spoke to Pete Duthie to ask him about the bands background, that inevitable Brand New comparison, the Scottish music
scene and more.
On first listen we fell in love Noyo Mathis and knew that 'Endure' needed to be heard. It's post hardcore meets emo meets indie meets math rock. Take a listen to the full EP right here.
Without a doubt Neck Deep are one of this years breakout bands. After kicking off the year
with the release of their debut LP, 'Wishful Thinking', the Wrexham pop-punk five piece haven’t stopped touring since. From festival appearances throughout the UK and Europe to 2 months in North America as part of the Vans Warped Tour. We caught up with vocalist Ben Barlow and bassist Fil Thorpe-Evans at the Leeds Festival. They discussed their past festival experiences, supporting Blink-182, their up and coming UK headline tour and being
“leaders” of the UK pop-punk movement.
Bob Nanna appears to be on a inverted curve of progressive catharsis. From Braid to Certain People I Know by way of Hey Mercedes, his fragile yet strangely soothing tones have proved the spine unto which have stuck the earlier math-emo of sorts as well as the indie-pop leanings of Hey Mercedes and new project Certain People I Know. Anyone expecting a return to the more aggressive nature of Braid might be disappointed, while enthusiasts of Hey Mercedes will find that many of its musical elements re-emerge here along with a couple of healthy additions.
Certain People I Know's approach is emphatically melodic with Nanna's laid-back vocal presence less focal than usual with the inclusion of Lauren LoPiccolo's tender sound (she also (wo)mans the synth). 'Neverlasting' is a confident introduction to the band: breathy, quirky with a hint of what the French call blasé. Nanna and LoPiccolo’s sweet harmonies perfectly embody their cocktail of punk undertones and fragile sensibility. The latter is allowed more time to put her own stamp on to great success. The track feels effortless and the chorus might well have been stripped straight out of a Wes Anderson film, but it’s also Certain People I Know at their most accomplished.
'NYE' is the album’s first foray outside of the simplest rhythmics. The track is simply more inspired instrumentally and allows for elegant pauses, a sweet chorus and verses that simmer with a bit more vigor. ‘King Of Shots’ is Certain People I Know going back to basics, and it is therefore unsurprising to see them leaning towards a punkier sound. ‘Rowdy-Pivotal’ and ‘Make It Up’, sadly, are mostly filler but they clear the way for closer ‘How Was The Show (Politics)’. LoPiccolo is at the forefront here over a soft, swooning combination of guitar arpeggios and background organ. It’s an unexpected move, and its a successful one in the form of a pretty and earnest lullaby .
Certain People I Know is a short first taste of the quirky, emo-lite indie-pop from Nanna and co, but it’s also too close an extension of Hey Mercedes to be truly compelling as a progression. On its own merits though, Certain People I Know is highly competent, often sweet to the ear and, on occasion, quite fantastic. Guided by an elegant flow, the album ends quickly, so there’s time to go back to the little gems and moments when they truly shine.
'Certain People I Know' by Certain People I Know is available now through Count Your Lucky Stars Records.
Certain People I Know links: Facebook
Words by James Berclaz-Lewis (@swissbearclaw)