FIVES: THE BEST WONDER YEARS SONGSThis week Lansdale, Pennsylvania’s The Wonder Years released their fourth album - ‘The Greatest Generation,’ a record that sees the pop punk quintet reach their creative peak in a number of ways. With a wealth of material in their discography, Already Heard's Sean Reid and Tom Knott took on the tricky task of picking out the five best songs from The Wonder Years. Find out what we picked and let us know if you agree or disagree?
INTERVIEW: MALLORY KNOXFollowing the release of their superb 'Signals' album, Mallory Knox have certainly become ones to watch in recent months. We caught up with the band to discuss joining Search & Destroy Records, how vital the festival season and touring are, what it feels like to be a part
of the expanding British rock scene and much more.
ALREADY HEARD RECOMMENDS: OVER THE OCEANOver The Ocean have crafted a compelling, brooding record with their latest effort ‘Be Given To The Soil.’ With intense specific precision and delicate accuracy that echoes the likes of Explosions In The Sky and Sigur Ros. Jesse Hill from the band to discusses how the
album came together, the importance of precision, being compared to post-rock pioneers and more.
VERSUS: BRING ME THE HORIZON - 'THERE IS A HELL...' VS 'SEMPITERNAL'After a top ten UK album and an outstanding UK tour with festival dates on both sides of the Atlantic to follow, Bring Me The Horizon are having a fantastic 2013 and are now featured in the latest edition of "Versus." It's ‘There is a Hell, Believe Me I’ve Seen It. There is a Heaven, Let’s Keep it a Secret’ vs the bands latest release, 'Sempiternal.'
ALREADY HEARD TRACK GUIDE: ALEXANDER - SAY HELLOWe catch up with Newcastle Indie Rock quartet Alexander to find out more about their debut album 'Say Hello' for a “Already Heard Track Guide” feature.
INTERVIEW: TITLE FIGHTHaving briefly returned to the UK for the Hit The Deck Festival before starting a European
tour, we caught up with vocalist/bassist Ned Russin to discuss the bands progression in sound, differences between UK and US festivals, their recent split with Touché Amoré,
having friends on tour and more.
Album Review: Certain People I Know - Certain People I Know
Bob Nanna appears to be on a inverted curve of progressive catharsis. From Braid to Certain People I Know by way of Hey Mercedes, his fragile yet strangely soothing tones have proved the spine unto which have stuck the earlier math-emo of sorts as well as the indie-pop leanings of Hey Mercedes and new project Certain People I Know. Anyone expecting a return to the more aggressive nature of Braid might be disappointed, while enthusiasts of Hey Mercedes will find that many of its musical elements re-emerge here along with a couple of healthy additions.
Certain People I Know’s approach is emphatically melodic with Nanna’s laid-back vocal presence less focal than usual with the inclusion of Lauren LoPiccolo’s tender sound (she also (wo)mans the synth). ‘Neverlasting’ is a confident introduction to the band: breathy, quirky with a hint of what the French call blasé. Nanna and LoPiccolo’s sweet harmonies perfectly embody their cocktail of punk undertones and fragile sensibility. The latter is allowed more time to put her own stamp on to great success. The track feels effortless and the chorus might well have been stripped straight out of a Wes Anderson film, but it’s also Certain People I Know at their most accomplished.
‘NYE’ is the album’s first foray outside of the simplest rhythmics. The track is simply more inspired instrumentally and allows for elegant pauses, a sweet chorus and verses that simmer with a bit more vigor. ‘King Of Shots’ is Certain People I Know going back to basics, and it is therefore unsurprising to see them leaning towards a punkier sound. ‘Rowdy-Pivotal’ and ‘Make It Up’, sadly, are mostly filler but they clear the way for closer ‘How Was The Show (Politics)’. LoPiccolo is at the forefront here over a soft, swooning combination of guitar arpeggios and background organ. It’s an unexpected move, and its a successful one in the form of a pretty and earnest lullaby .
Certain People I Know is a short first taste of the quirky, emo-lite indie-pop from Nanna and co, but it’s also too close an extension of Hey Mercedes to be truly compelling as a progression. On its own merits though, Certain People I Know is highly competent, often sweet to the ear and, on occasion, quite fantastic. Guided by an elegant flow, the album ends quickly, so there’s time to go back to the little gems and moments when they truly shine.
3.5/5
‘Certain People I Know’ by Certain People I Know is available now through Count Your Lucky Stars Records.
Certain People I Know links: Facebook
Words by James Berclaz-Lewis (@swissbearclaw)
