This week Canterbury emo-rock four piece Moose Blood release their debut full-length.
Entitled 'I'll Keep You In Mind, From Time To Time', the record contains eleven songs that
wear their hearts on their sleeves and is wrapped in a plethora of catchy hooks. We spoke to two fourths of the band as drummer Glenn Harvey and bassist Kyle Todd discussed the
album, working with Beau Burchell, joining up with No Sleep Records, and more.
The new EP from Manchester's Hora Douse, 'Crash' is streaming right here on Already Heard. Give it a listen and relive those older days when post hardcore could be a little bit twangly.
Last month we were spoilt for choice when it came to picking our must hear releases for September, and October is no different. Find out what the Already Heard team picked out as their five essential releases for October.
On Monday November 3rd, Midland hardcore punk band We Fight Like Kids release their
debut EP, 'Superficial Behaviour'. However we're premiering their new video for 'Falconer' right here on Already Heard.
For Scottish quartet Alburn, their latest EP ('Mouthful of Glass') has been a longtime coming. Having undergone a slight line-up since their formation in 2007, 'Mouthful of Glass'
showcases a significant amount of growth and maturity. We spoke to Pete Duthie to ask him about the bands background, that inevitable Brand New comparison, the Scottish music
scene and more.
On first listen we fell in love Noyo Mathis and knew that 'Endure' needed to be heard. It's post hardcore meets emo meets indie meets math rock. Take a listen to the full EP right here.
Without a doubt Neck Deep are one of this years breakout bands. After kicking off the year
with the release of their debut LP, 'Wishful Thinking', the Wrexham pop-punk five piece haven’t stopped touring since. From festival appearances throughout the UK and Europe to 2 months in North America as part of the Vans Warped Tour. We caught up with vocalist Ben Barlow and bassist Fil Thorpe-Evans at the Leeds Festival. They discussed their past festival experiences, supporting Blink-182, their up and coming UK headline tour and being
“leaders” of the UK pop-punk movement.
Unlike his stadium-filling, Hollywood actress-marrying namesake in Coldplay, singer Chris Martin and his cohorts in Connecticut’s Hostage Calm have a very different existence altogether. Playing an energetic and flamboyant style of melodic hardcore that should please fans of The Smiths and The Wonder Years equally, they here release their sophomore record following up 2010’s impressive self-titled debut, and blows any preconceptions out the water with a phenomenal piece.
Combining influences from all over the place, from early Brand New to The Weakerthans, from The Beach Boys’ keen ear for melody to hooks the size of those deployed on Weezer’s 'Pinkerton,' this is a timeless album that perfectly depicts the frustration and the hopelessness of being young and living in America in 2012 in a time of recession and malaise. The diversity of what’s on offer here is astounding; whereas their compatriots seek to subvert the saturation of the same bands doing the same things endlessly but end up blending in, this truly sticks out like a sore thumb. It’s a paean to the motherland in the vein of The Boss, without becoming an exercise in aping; a tremendous insight into a band finally realising their potential.
It’s hard to identify standouts here, this needs to be treated as a whole to take in the array of elements on offer. 'On Both Eyes', 'Don't Die On Me Now' and 'Brokenheartland' start off proceedings in fine fettle, the type of songs sure to incite incendiary reactions at their upcoming appearance at Gainesville’s punk rock party, Fest 11. It’s in the latter part that the record really comes into its own, with 'The M Word' and album highlight 'Patriot' really pushing the envelope, the latter a purely acapella track, which is the closest we’ll get to The Beach Boys’ pop-perfection in the modern age. Finale ‘One Last Salute’ is a culmination of all the themes explored on the record, the huge riffs ringing out proceedings perfectly.
Like Balance And Composure’s 'Separation' last year, based on associated acts this is not an album I ever thought I would like, but its true class shines throughout. Hostage Calm have grown from a fairly run-of-the-mill post-hardcore band (their name comes from an obscure Quicksand b-side) that explores both sides of the pop-punk genre, and is sure to deservedly appear on several end-of-year lists even this late on in the calendar. As the days darken and the trees shed their leaves, this is a perfect autumn record. Like those oh-so-witty WW2 propaganda posters parodied left, right and centre in every corner of the internet, Please Remain Calm and Listen To Hostage Calm.
'Please Remain Calm' by Hostage Calm is out now on Run For Cover Records.
Words by Ollie Connors (@olliexcore)