As the festival season rolls on, this weekend the Hit The Deck Festival returns for its fourth outing. As always with over 40 bands playing across 6 stages, the Already Heard team has picked out 10 must-see bands to see at this weekend’s festival.
This Saturday the 2014 edition of Record Store Day takes place. With wealth of rare
releases to buy, Already Heard and Jon Tolley of Banquet Records have picked out 5 must by RSD 2014 releases.
Next week Philadelphia indie punks The Menzingers release, 'Rented World,' one of the
highly anticipated records of 2014 so far. In parts, it picks up where 2012's 'On The
Impossible Past' left off but it also shows the bands growth as songwriters and musicians. We recently spoke to Greg Barnett to discuss the album, the pressure of following up 'On The Impossible Past', their forthcoming London show and the Grozerock Festival.
Despite only forming last year, Essex rockers New City Kings have already gathered plenty of attention from their debut EP - 'Change.' Their radio-friendly rock sound that has seen them compared to a range of bands; Foo Fighters, Deaf Havana, and The Gaslight Anthem.
Already Heard spoke to Mark Kovic to find out more about New City Kings.
With their return to the UK imminent, the latest edition of "Versus" sees us putting the
focus on Alkaline Trio. Self-confessed Trio MEGA fan Jay Sullivan tells us why 'From
Here to Infirmary' is the band’s finest work. Whilst Alex Phelan explains how 'Maybe
I'll Catch Fire' is a superb example of musical catharsis.
12 months from releasing their debut EP, we speak to Blackpool pop-punk/emo
quintet Boston Manor to discuss their influences, achievements so far and thoughts on their contemporaries.
With their latest EP 'Change Nothing, Regret Everything.', Woking five-piece Employed
To Serve have produced 12 minutes of frantic, unrelenting hardcore that finds the band somewhere between The Dillinger Escape Plan and The Chariot. We spoke to Justine from the band to find out how the band has transitioned from a duo to a quintet and she discussed
being part of the Holy Roar! roster, they chaotic yet contained live shows and more.
In the latest edition of our "Tour Tales" feature, Irish doom-punk band Hornets talk us
through their recent UK tour where they played 8 shows in 7 days.
Leeds-based four-piece Walleater are set to digitally release their debut self titled EP next Monday (14th April) through Close To Home Records. We've got the exclusive first play
right here on Already Heard.
Unlike his stadium-filling, Hollywood actress-marrying namesake in Coldplay, singer Chris Martin and his cohorts in Connecticut’s Hostage Calm have a very different existence altogether. Playing an energetic and flamboyant style of melodic hardcore that should please fans of The Smiths and The Wonder Years equally, they here release their sophomore record following up 2010’s impressive self-titled debut, and blows any preconceptions out the water with a phenomenal piece.
Combining influences from all over the place, from early Brand New to The Weakerthans, from The Beach Boys’ keen ear for melody to hooks the size of those deployed on Weezer’s 'Pinkerton,' this is a timeless album that perfectly depicts the frustration and the hopelessness of being young and living in America in 2012 in a time of recession and malaise. The diversity of what’s on offer here is astounding; whereas their compatriots seek to subvert the saturation of the same bands doing the same things endlessly but end up blending in, this truly sticks out like a sore thumb. It’s a paean to the motherland in the vein of The Boss, without becoming an exercise in aping; a tremendous insight into a band finally realising their potential.
It’s hard to identify standouts here, this needs to be treated as a whole to take in the array of elements on offer. 'On Both Eyes', 'Don't Die On Me Now' and 'Brokenheartland' start off proceedings in fine fettle, the type of songs sure to incite incendiary reactions at their upcoming appearance at Gainesville’s punk rock party, Fest 11. It’s in the latter part that the record really comes into its own, with 'The M Word' and album highlight 'Patriot' really pushing the envelope, the latter a purely acapella track, which is the closest we’ll get to The Beach Boys’ pop-perfection in the modern age. Finale ‘One Last Salute’ is a culmination of all the themes explored on the record, the huge riffs ringing out proceedings perfectly.
Like Balance And Composure’s 'Separation' last year, based on associated acts this is not an album I ever thought I would like, but its true class shines throughout. Hostage Calm have grown from a fairly run-of-the-mill post-hardcore band (their name comes from an obscure Quicksand b-side) that explores both sides of the pop-punk genre, and is sure to deservedly appear on several end-of-year lists even this late on in the calendar. As the days darken and the trees shed their leaves, this is a perfect autumn record. Like those oh-so-witty WW2 propaganda posters parodied left, right and centre in every corner of the internet, Please Remain Calm and Listen To Hostage Calm.
'Please Remain Calm' by Hostage Calm is out now on Run For Cover Records.
Words by Ollie Connors (@olliexcore)