On Monday November 3rd, Midland hardcore punk band We Fight Like Kids release their
debut EP, 'Superficial Behaviour'. However we're premiering their new video for 'Falconer'
right here on Already Heard.
For Scottish quartet Alburn, their latest EP ('Mouthful of Glass') has been a longtime coming. Having undergone a slight line-up since their formation in 2007, 'Mouthful of Glass'
showcases a significant amount of growth and maturity. We spoke to Pete Duthie to ask him about the bands background, that inevitable Brand New comparison, the Scottish music
scene and more.
On first listen we fell in love Noyo Mathis and knew that 'Endure' needed to be heard. It's post hardcore meets emo meets indie meets math rock. Take a listen to the full EP right here.
Without a doubt Neck Deep are one of this years breakout bands. After kicking off the year
with the release of their debut LP, 'Wishful Thinking', the Wrexham pop-punk five piece haven’t stopped touring since. From festival appearances throughout the UK and Europe to 2 months in North America as part of the Vans Warped Tour. We caught up with vocalist Ben Barlow and bassist Fil Thorpe-Evans at the Leeds Festival. They discussed their past festival experiences, supporting Blink-182, their up and coming UK headline tour and being
“leaders” of the UK pop-punk movement.
Packing stadium sized rock anthems with an incredibly striking emotional punch, and graced with one of the most staggeringly unique vocal talents to have graced the UK Rock scene in a long time, Cambridge’s Lonely The Brave have become one of the single most talked about new bands to emerge in recent years. With their debut album ‘The Day’s War’ finally released this week, Already Heard caught up with lead guitarist Mark Trotter and Bassist
Andrew Bushen at last weekend’s Leeds Festival.
Having never heard of these guys, I decided to do some research about them before listening to the album. With the genre described as ‘Punk/Ska’, I got the album on straight away and gave it a good listen.
The first thing I thought was that there really isn’t much of a ska vibe to the music - sure, there’s a trumpet - but I wasn’t hearing the ‘ska’. I’m not saying I was disappointed, because they genuinely are a really great band, I was just hearing something different to what I was expecting. Although it is pretty evident of the ska influence, I would class them more of a heavier pop-punk band, but pulling it off more effectively than the hordes of bands trying to break through in the genre.
The album starts off with ‘Dust On The Hourglass’, a song with pop-punk at its core, hints of Four Year Strong and A Day to Remember, but without the screaming. A great song; you will definitely find yourself singing along. The trumpets come in and you can hear the ska influence, but you’ll find yourself wondering whether it’s still an element strong enough to call it ska, although it definitely gives the music a great edge. Chanted vocal breaks - you can’t go wrong when it’s done right - and this song has it down.
The end of 'Dust On The Hourglass' has an audio clip, almost an introduction to the next track, which I can’t help but think would work great as an introduction to the album, with ‘I Want You To Hit Me As Hard As You Can 1’ as the opening track; it has the definite ska vibe to it. These are evidently talented musicians – the drummer’s prowess is at the forefront throughout most of the music – and with the guitar work and singing all working great together, it’s no wonder this album has been on repeat, these guys have something good, and they’re doing everything right.
'Live Like Mitch' is a great track too, with ska shining through. Whoever this ‘Mitch’ guy is, he sounds like a cool dude. As the album continues the ska influence is more and more evident. As in all ska music, you can’t help but enjoy listening to it, it sounds too happy. I would love to see this band live; I have no doubt they’d be bloody good.
'Hellbound And Helpless'- a track with a chorus that will have you singing along to, an anthem that would be a great crowd pleaser. It’s also another track that shows the true potential of the drummer, still hearing that break through to the forefront of the tracks. It’s refreshing to be impressed by a member of a band who doesn’t shove their talent in your face. If this band weren’t so great I’d definitely wonder why he wasn’t doing something else to show off his skills. You could say the same for the guitarist too.
'If I Can't Smoke Or Swear, I'm Fucked' has a blistering guitar solo that blows my ears away every time I hear it. I’m a guitarist myself, so whenever I listen to music guitarists’ styles and techniques are what I listen for, and from the start it was pretty evident this guy could play some great riffs, but this solo… just WOW. It seems a little self indulgent, but in respect to the track - the fast paced essence of it- the solo fits perfectly and doesn’t take anything away from the song at all, quite the opposite in fact.
'Dead End' is another track with a great hook, catchy chorus style outtro, written to get the chorus sang back to them. Mission accomplished. And once again, in 'Do What You Love…'. These guys can write great hooks.
Straight into the next track, ‘…And Fuck The Rest’, an intro to 'Delta. Oscar. Whiskey. November.', are heavily ska sounding. I take back my first assumptions - They’ve got the ska, they’ve got the pop-punk, and they’ve fused them together perfectly.
And finally onto the last track of this album, ‘The Ghost That Haunted Me’. I am honestly sad there are no more songs. It’s a short track in respect to the others, but a great way to end the album.
To summarise, my first apprehensions of the lack of ska influence were quickly quashed. The fusion of harder pop-punk and ska works really well, and has a refreshing approach to an over-crowded scene. I’ll be sure to keep an eye on these guys, and will definitely look out for dates of them touring here.
'You Can't Hide The Sun' by We Are The Union is out now on Paper And Plastick.
Words by Callum McPhee.