With Queens of the Stone Age in the middle of a UK arena tour, we’ve decided to highlight
five of the bands best tracks for this edition of "Fives".
We've got the new EP from Yorkshire riff merchants NOSE right here! Take a listen to 'Sick
Continuing our Reuben theme from last week’s Fives and in celebration of frontman Jamie Lenman’s new double solo album, we take a look at two of the albums for "Versus". Its
‘Racecar Is Racecar Backwards' against 'In Nothing We Trust'.
Calgary's debut EP 'Fight Fire With Fire' is a bright, warming collection of indie pop songs.
With comparisons to Hellogoodbye and John Mayer, the four tracks showcase a band with pop sensibilities and plenty of potential to breakthrough. We caught up with the band to find out more.
Returning with their first album in six years, 'Balancing' sees Hertfordshire’s The October Game showcase dynamic growth and versatility with a brooding undertone throughout. Already Heard recently spoke to Luke Williams and Nick Kozuch to discuss the album in
more detail; the writing process, its various packages, and working with Scylla Records.
The name Bleed Electric is enough to make me shudder, to be quite honest. The brain (dead) child of Chris Maguire or Mug5, the project was formed in 2008 with the addition of Silk and Siege. Mug5 spent two years putting “beats” together every time something highly emotional happened to him.
And this album, ‘This Is My Masterpiece’ doesn’t deserve anyones time of day at all. It’s a cheap and tacky sounding album, using headache-inducing beats that get so boring and tiresome after about half a minute. It makes me want to smack my head continuously against a brick wall; it makes me grind my teeth. Vocals are auto-tuned horrendously, making it sound like someone has no balls. And what I assume is meant to be rapping (who knows?) is thrown on top, with no real thought.
I can’t even bring myself to write about each track individually. Track one sounds exactly like the second, third, fourth, fifth and sixth track. They’re all annoying, whiny and repetitive – and not worth writing about. They sound like carbon copies of each other; how can someone distinguish which track is which when they all sound the same?
It’s with a sigh of relief when the mini-album finishes, easing my bleeding ears. And my verdict is that this is no masterpiece; my ears are ringing something terrible by the time the album is over. So here’s my advice – kids, save your money and don’t bother with this album; use it to buy good music.
‘This Is My Masterpiece’ by Bleed Electric is released on 31st October 2012.
Written by Jessica Tagliani (@JessTagliani)