On first listen we fell in love Noyo Mathis and knew that 'Endure' needed to be heard. It's post hardcore meets emo meets indie meets math rock. Take a listen to the full EP right here.
Without a doubt Neck Deep are one of this years breakout bands. After kicking off the year
with the release of their debut LP, 'Wishful Thinking', the Wrexham pop-punk five piece haven’t stopped touring since. From festival appearances throughout the UK and Europe to 2 months in North America as part of the Vans Warped Tour. We caught up with vocalist Ben Barlow and bassist Fil Thorpe-Evans at the Leeds Festival. They discussed their past festival experiences, supporting Blink-182, their up and coming UK headline tour and being
“leaders” of the UK pop-punk movement.
With the festival season more or less over for another year, it’s time for a whole load of
exciting releases to see the light of day. September sees a plethora of exciting releases, so much so that the Already Heard team were spoilt for choices when it came to picking this months must hear releases. Nevertheless they've completed the tricky task and picked out their five must-hear releases for the coming month.
With their combination of refreshingly introspective lyrics, crisp riffs and bouncy choruses, Homebound tick all the right boxes when it comes to promising UK pop-punk bands. Their debut EP, 'Coming of Age' sees the young band make a confident first mark on the ladder to greater things. We spoke to the band to discuss the importance of a debut release, and the comeback of pop-punk.
Packing stadium sized rock anthems with an incredibly striking emotional punch, and graced with one of the most staggeringly unique vocal talents to have graced the UK Rock scene in a long time, Cambridge’s Lonely The Brave have become one of the single most talked about new bands to emerge in recent years. With their debut album ‘The Day’s War’ finally released this week, Already Heard caught up with lead guitarist Mark Trotter and Bassist
Andrew Bushen at last weekend’s Leeds Festival.
We've got a full review, live photos and interviews from one of the highlights of the summer - Leeds Festival.
I gave Autumn Owls' ‘Between Buildings, Toward The Sea’ a few times before I sat down to read over the accompanying press release and was surprised to read that this sweeping, intricate record was put together by a three piece. This first full-length release by the Dubliners is brilliantly produced and proves rather addictive. I’ll admit that the first listen didn’t blow me away. The songs are slow, deep, and sorrowful and yet following my second listen and the many that came after, ‘Between Buildings…’ reveals itself as something special. Emotionally, if not musically, this album is reminiscent of early Portishead; music with undeniably melancholy overtones that gives the heartstrings a welcome tug.
Opening track ‘Semaphores’ is a difficult one. It’s a great track but clocking in just shy of five minutes it goes on perhaps a little too long to open such an album – attention is grabbed and then let slip. It’s fortunate then that Autumn Owls pull the whole thing back from the brink with the wonderful riff that runs throughout second track ‘Unconvinced’ and this is where the band states their intent. ‘Unconvinced’ is followed by stand out track ‘Spider’ – a haunting piece, carried along by intelligent drumming and more enigmatic guitar work.
‘Between Buildings, Toward The Sea’ continues along the same vain for almost a half hour more and never grows dull, never releases the attention it took back following its early shake. ‘All the Lights In New York’ proves that Autumn Owlscan keep the listener’s interest over a prolonged period – at 5:56 this is the best song on the album. Singer Gary McFarlane’s vocals are at their best here, showcasing his ability to move through and around the styles already proven earlier. Moving into a powerful, moving breakdown, ‘All The Lights In New York’ shows a band at their best – original, passionate, and intelligent
Fortunately, closing track ‘Borrowed Suit’ maintains the standard and closes out the album in style. There’s plenty of distortion, twang, and sweeping vocals to convince you that the right thing would be to hit play just one more time. This is certainly not a party record but it’s a record that will see you through times between in beautiful fashion. ‘Between Buildings, Toward the Sea’ is interesting, intricate, and well worth your time.
'Between Buildings, Toward The Sea' by Autumn Owls is out now on Epitonic Records.
Words by Tom Knott.