This week Canterbury emo-rock four piece Moose Blood release their debut full-length.
Entitled 'I'll Keep You In Mind, From Time To Time', the record contains eleven songs that
wear their hearts on their sleeves and is wrapped in a plethora of catchy hooks. We spoke to two fourths of the band as drummer Glenn Harvey and bassist Kyle Todd discussed the
album, working with Beau Burchell, joining up with No Sleep Records, and more.
The new EP from Manchester's Hora Douse, 'Crash' is streaming right here on Already Heard. Give it a listen and relive those older days when post hardcore could be a little bit twangly.
Last month we were spoilt for choice when it came to picking our must hear releases for September, and October is no different. Find out what the Already Heard team picked out as their five essential releases for October.
On Monday November 3rd, Midland hardcore punk band We Fight Like Kids release their
debut EP, 'Superficial Behaviour'. However we're premiering their new video for 'Falconer' right here on Already Heard.
For Scottish quartet Alburn, their latest EP ('Mouthful of Glass') has been a longtime coming. Having undergone a slight line-up since their formation in 2007, 'Mouthful of Glass'
showcases a significant amount of growth and maturity. We spoke to Pete Duthie to ask him about the bands background, that inevitable Brand New comparison, the Scottish music
scene and more.
On first listen we fell in love Noyo Mathis and knew that 'Endure' needed to be heard. It's post hardcore meets emo meets indie meets math rock. Take a listen to the full EP right here.
Without a doubt Neck Deep are one of this years breakout bands. After kicking off the year
with the release of their debut LP, 'Wishful Thinking', the Wrexham pop-punk five piece haven’t stopped touring since. From festival appearances throughout the UK and Europe to 2 months in North America as part of the Vans Warped Tour. We caught up with vocalist Ben Barlow and bassist Fil Thorpe-Evans at the Leeds Festival. They discussed their past festival experiences, supporting Blink-182, their up and coming UK headline tour and being
“leaders” of the UK pop-punk movement.
"This must be absolutely smashing live!" are the handful of words that, almost necessarily, come to mind when one’s ears are confronted to the noise-rock sonorities of Die! Die! Die! Adequately equipped with the traditional garage-rock set-up, the Dunedin-hailing lads provide angular, abrasive, shoegaze-tinged, alternative rock that isn’t averse to tasteful endeavours into melodic territory. Considering ‘Harmony’ is the New Zealand outfit’s fourth album, it should come to no surprise that their sound and songwriting have now reached such perfectly-honed levels, arguably placing the threesome on a podium of contemporary masters of the genre (fitting somewhere alongside the Raveonettes and The Jesus And Mary Chain).
‘Oblivious Oblivion’ opens to the sort of wavering noise that consistently finds itself the warm background of a large portion of their musical output. Driven by its bass, the energetic (yet measured) track introduces a lean, garage-style, approach that is considerably less effect-laden than the rest of the album, an experiment they complete with a simple Pixies-esque chorus. ‘Harmony’, on the other hand, is unrelentingly noisy and packed with enough effects to shame the Transformer movies. Effortlessly working transitions between the deceptively abrasive verse and poppy choruses, the track is a shining example of Die! Die! Die!’s ability to meld sweet melodies with the somewhat uninviting surface of noise-rock to great effect. It is joined, to similar success, by ‘Trinity’, and downright superb closer ‘Get Back’, which successively provides all of the album’s most visceral wall-of-noise moments.
However, lovers of the rougher end of noise rock FEAR NOT! The band do provide a couple of fine moments of caustic rock, as is the case on ‘Erase Waves’, its guitar scratching and screeching to the beat of tribalistic drums. ‘No One Owns A View’s energy thrives on angles and leaping vocals, as well as the unconditional support of an emphatically dirty bass. The real, yet not unwelcome surprise, comes courtesy of ballad of sorts ‘Seasons Revenge’. Indeed, amidst the controlled cacophony, Die! Die! Die! tone up the melody in order to accommodate the unusually touching character of the lyrics, without falling into pathos.
‘Harmony’ (the album), is another step forward away from the narrower hardcore approach of their beginnings toward an alt-rock experience that encompasses everything from gravelly noise to engrossing melodies, and all the space in between. Comfortable with experience, Die! Die! Die! appear to have nothing left to learn, yet their sonic exploration suggests a healthy curiosity, resulting in the admirable variety on display. Noise/shoegaze/punk/rock/whatever concoctions don’t really fit in the most accessible end of the musical spectrum, but this New Zealand lot are putting in a huge shift toward making it a more attractive affair.
'Harmony' by Die! Die! Die! is released on 1st April on Smalltown America.
Words by James Berclaz-Lewis (@swissbearclaw)