This week Canterbury emo-rock four piece Moose Blood release their debut full-length.
Entitled 'I'll Keep You In Mind, From Time To Time', the record contains eleven songs that
wear their hearts on their sleeves and is wrapped in a plethora of catchy hooks. We spoke to two fourths of the band as drummer Glenn Harvey and bassist Kyle Todd discussed the
album, working with Beau Burchell, joining up with No Sleep Records, and more.
The new EP from Manchester's Hora Douse, 'Crash' is streaming right here on Already Heard. Give it a listen and relive those older days when post hardcore could be a little bit twangly.
Last month we were spoilt for choice when it came to picking our must hear releases for September, and October is no different. Find out what the Already Heard team picked out as their five essential releases for October.
On Monday November 3rd, Midland hardcore punk band We Fight Like Kids release their
debut EP, 'Superficial Behaviour'. However we're premiering their new video for 'Falconer' right here on Already Heard.
For Scottish quartet Alburn, their latest EP ('Mouthful of Glass') has been a longtime coming. Having undergone a slight line-up since their formation in 2007, 'Mouthful of Glass'
showcases a significant amount of growth and maturity. We spoke to Pete Duthie to ask him about the bands background, that inevitable Brand New comparison, the Scottish music
scene and more.
On first listen we fell in love Noyo Mathis and knew that 'Endure' needed to be heard. It's post hardcore meets emo meets indie meets math rock. Take a listen to the full EP right here.
Without a doubt Neck Deep are one of this years breakout bands. After kicking off the year
with the release of their debut LP, 'Wishful Thinking', the Wrexham pop-punk five piece haven’t stopped touring since. From festival appearances throughout the UK and Europe to 2 months in North America as part of the Vans Warped Tour. We caught up with vocalist Ben Barlow and bassist Fil Thorpe-Evans at the Leeds Festival. They discussed their past festival experiences, supporting Blink-182, their up and coming UK headline tour and being
“leaders” of the UK pop-punk movement.
Coliseum’s fourth album, ‘Sister Faith’, drops at the end of this month and it is a damn good one. Full to bursting with fuzz-laden riffs, driving drums, and powerful vocals, this record will make for excellent listening across the summer months. The album absolutely explodes into being; dirty guitars come crashing from the start as ‘Disappearing from Sight’ sets the tone for the rest of the record. Throughout ‘Sister Faith’ what Coliseum showcase is their ability to keep things fresh. For every time something seems predictable, there’s something you didn’t see coming, it can be something as simple as an unexpected chord that keeps the entire album safe from growing boring.
Something else Coliseum seem to have made a habit of is fantastically gritty bass intros. ‘Under the Blood of the Moon’ comes with the pick of the bunch. It’s thunderous sludge and soon matched by similarly roaring backing. This album twists and turns often without ever straying too far from the solid path set from the beginning. On bass or guitar there’s a riff for every occasion on ‘Sister Faith’ – provided every occasion calls for a wonderful amount of distortion and grit, something every occasion could probably do with.
‘Late Night Trains’ is a stand out track. Those fuzzy riffs are at their mighty best here and the vocals nail it harder than ever before, with swells and drops rarely matched elsewhere on the album. Again, on ‘Everything Glass’, Coliseummaintain this fire whilst flitting seamlessly between vocals so huge they’re almost sing-along and slower sections so grimy you’ll think back fondly on your last shower. Well worth checking out if you’re interested in Coliseum.
'Sister Faith’ isn’t always so strong, however; occasionally it does allow itself to feel a little repetitive. I do love a dirty bass intro but the three in a row of ‘Love Under Will’, ‘Under the Blood of the Moon’, and ‘Used Blood’ do stand out as a little too continuous. These are three mighty songs, with three mighty basslines, but three in a row gives the impression that perhaps no one gave a thought to the fluidity of the record as a whole. As well as this one relatively minor complaint, the vocals occasionally hit an unusual step – on ‘Love Under Will’ I found myself imagining something of a Punx Jarvis Cocker moving his way through the track. They’re not bad vocals by any means, they just sit a tad odd.
Regardless of these negligible matters this is a strong album from start to finish, a distorted monster straight out of your sleazy nightmares.
'Sister Faith' by Coliseum is out on the 30th April on Holy Roar Records in the UK and on Temporary Residence Ltd. in the US.
Words by Tom Knott