Review: Currents – I Let The Devil In EP
13th December 2018
Currents’ attempts at branch out and exploring don’t amount to much on ‘I Let The Devil In’.
Menu
Currents’ attempts at branch out and exploring don’t amount to much on ‘I Let The Devil In’.
“‘I’ is an engaging and thrilling metal album, not tied down by unnecessary gimmicks.”
“River Fury are moving a fairly auspicious direction.”
“one of the darkest, most breakneck hardcore releases of the year”
“SHVPES have hit something that’s more of their own”
“‘Abendigo’ is a suitable catalyst for John Nolan’s solo work… a consistently great and gripping listen”
a perfectly robust, melodic emo album yet ‘Truth In Comedy’ can feel a bit basic
‘Last Building Burning’ finds Cloud Nothings undoubtedly making the most of their melting-pot of sounds that should be better than this.
“Monuments produce an encouraging and solid display on ‘Phronesis'”
“’You Say I’m Too Much, I Say You’re Not Enough’ is about as strong a start as Estrons could hope for.”
“‘American Reckoning’ possibly the most inessential thing Anti-Flag could’ve released.”
“‘Tequila Sunrise’ is an album that’s easy to like and appreciate, but difficult to love”
For anyone that is an Alter Bridge fan, this is pretty much the ultimate collection to have
Aspiga show why they’re worth keeping an eye on with this irrefutably impressive set of rarities
There is still a lot of life and creative energy within El Ten Eleven as ’Banker’s Hill’ feels like the product of natural creation
The Survival Code show they have the hooks, melodies and enough much-needed grit to get by
‘Bleed Red’ does plenty to establish itself as one of the metal debuts of the year.
“‘The Great Depression’ is impressively detailed and nuanced album that’s well within As It Is’ wheelhouse”
Down By Law’s return is nothing more than aging punk rock with little to offer.
