{"id":1408,"date":"2017-08-24T14:08:52","date_gmt":"2017-08-24T14:08:52","guid":{"rendered":"https:\/\/alreadyheard.com\/staging\/review-cloakroom-time-well\/"},"modified":"2017-08-24T14:08:52","modified_gmt":"2017-08-24T14:08:52","slug":"review-cloakroom-time-well","status":"publish","type":"post","link":"https:\/\/alreadyheard.com\/staging\/review-cloakroom-time-well\/","title":{"rendered":"Review: Cloakroom &#8211; Time Well"},"content":{"rendered":"<p><figure class=\"tmblr-full\"><img decoding=\"async\" src=\"https:\/\/78.media.tumblr.com\/744275912d483f2085340cba25eafafe\/tumblr_ouzkcfv0wW1r8no6so4_1280.jpg\" width=\"250em\" alt=\"\" title=\"\"><\/figure>\n<p>Indiana-based <b>Cloakroom<\/b> have taken an uncompromising approach on sophomore full-length <i>\u2018Time Well&rsquo;<\/i>, with tracks averaging six minutes minutes in length, lyrics contemplating evolution, apocalypse and mental health, and a genre-hopping sound that sees americana, indie-rock and even shoegaze making an appearence.<\/p>\n<p>First up is the gloomy <i>\u2018Gone But Not Entirely&rsquo;<\/i>, a slow-builder that begins simply with Brian Busch on drums. Incorporating religious imagery of gods, sacrifice and removing <i>&ldquo;impurities&rdquo;<\/i>, it&rsquo;s a thought-provoking opener. Next <i>\u2018Big World&rsquo;<\/i> introduces a heavier sound alongside disillusioned lyrics. This resignation becomes a tangle of distorted guitars and eerie vocals, symbolically fading out as the layers dissolve into the mix.<\/p>\n<p><i>\u2018Concrete Gallery&rsquo;<\/i> is a grungy, melancholic effort that chugs on determinedly, despite little variation. Doyle Martin&rsquo;s sombre vocals accurately express his despondency but obscure references to a <i>&ldquo;compendium of concrete&rdquo;<\/i> may confuse listeners.<\/p>\n<p><!-- more --><\/p>\n<p>Unlike its predecessors, <i>\u2018Seedless Star&rsquo;<\/i> starts with a denser, post-punk sound. Later the metallic twangs of guitars melt into a distorted solo, the vocals disappear into overpowering static and a piano takes centre-stage &#8211; stark contrasts which perfectly capture a dystopian world.<\/p>\n<p>The album does drag at points, namely <i>\u2018Sickle Moon Blues&rsquo;<\/i> and <i>\u2018Hymnal&rsquo;<\/i>, which both become slightly monotonous. The former has a more uplifting, dreamy vibe scarcely heard elsewhere on <i>\u2018Time Well&rsquo;<\/i>, so it&rsquo;s a shame this wasn&rsquo;t embraced more.<\/p>\n<p>Album highlight <i>\u2018The Sun Won&rsquo;t Let Us Go&rsquo;<\/i> manages to combine the characteristics of folk, indie and slowcore; all while also displaying the minimalist style and vulnerability of singer-songwriters such as Bon Iver or City and Colour. Although gentle vocal harmonies launch the track, it ends with a drawn-out buzz, an unnerving sound that matches the record&rsquo;s malaise.<\/p>\n<p>With a run time totalling over 60 minute<i>\u2018Time Well&rsquo;<\/i> could prove to be a challenging listen for most. Nevertheless, it&rsquo;ll strike a chord with fans of bands such as Slowdive and Nothing, or contemplative music overall. <b>Cloakroom<\/b> have remained true to themselves and created a difficult but intriguing release.<\/p>\n<p>3\/5<\/p>\n<p><i>&lsquo;Time Well&rsquo;<\/i> by <b>Cloakroom<\/b> is out now on <b>Relapse Records<\/b>.<\/p>\n<p><b>Cloakroom<\/b> links: <a href=\"https:\/\/www.facebook.com\/cloakroomisaband\/\" target=\"_blank\" rel=\"noopener\">Facebook<\/a>|<a href=\"https:\/\/twitter.com\/Myndfuneral\" target=\"_blank\" rel=\"noopener\">Twitter<\/a>|<a href=\"https:\/\/cloakroom.bandcamp.com\/\" target=\"_blank\" rel=\"noopener\">Bandcamp<\/a>|<a href=\"https:\/\/www.instagram.com\/cloakroomisafuckinband\/\" target=\"_blank\" rel=\"noopener\">Instagram<\/a><\/p>\n<p>Words by Clare O&#8217;Shea (<a href=\"https:\/\/twitter.com\/Clare_OShea\" target=\"_blank\" rel=\"noopener\">@Clare_OShea<\/a>)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Indiana-based Cloakroom have taken an uncompromising approach on sophomore full-length \u2018Time Well&rsquo;, with tracks averaging six minutes minutes in length, lyrics contemplating evolution, apocalypse and mental health, and a genre-hopping sound that sees americana, indie-rock and even shoegaze making an appearence. First up is the gloomy \u2018Gone But Not Entirely&rsquo;, a slow-builder that begins simply [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":16585,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[15],"tags":[1182,1184,1183],"class_list":["post-1408","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-album-reviews","tag-cloakroom","tag-relapse-records","tag-time-well"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Review: Cloakroom - Time Well - Already Heard Staging<\/title>\n<meta name=\"description\" content=\"Indiana-based Cloakroom have taken an uncompromising approach on sophomore full-length \u2018Time Well&rsquo;, with tracks averaging six minutes minutes in\" \/>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Review: Cloakroom - 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