{"id":1499,"date":"2017-07-27T13:48:24","date_gmt":"2017-07-27T13:48:24","guid":{"rendered":"https:\/\/alreadyheard.com\/staging\/review-manchester-orchestra-a-black-mile-to-the\/"},"modified":"2018-03-21T22:03:05","modified_gmt":"2018-03-21T22:03:05","slug":"review-manchester-orchestra-a-black-mile-to-the","status":"publish","type":"post","link":"https:\/\/alreadyheard.com\/staging\/review-manchester-orchestra-a-black-mile-to-the\/","title":{"rendered":"Review: Manchester Orchestra &#8211;\u00a0A Black Mile To The Surface"},"content":{"rendered":"<p><figure class=\"tmblr-full\"><img decoding=\"async\" src=\"https:\/\/78.media.tumblr.com\/0eea5d1630c90e8f63d8c8fb0809b4d2\/tumblr_oczgq9lfGb1r8no6so1_r81_1280.jpg\" width=\"250em\" alt=\"\" title=\"\"><\/figure>\n<p>Since emerging as teenagers with songwriting beyond their years, <b>Manchester Orchestra<\/b> have always had the knack of writing compelling alternative indie rock. 2006&rsquo;s <i>&lsquo;I&rsquo;m Like a Virgin Losing a Child&rsquo;<\/i> and its 2009 follow-up, <i>&#8216;Mean Everything to Nothing&rsquo;<\/i>, set the benchmark early on for frontman Andy Hull and company. While 2011&rsquo;s <i>&#8216;Simple Math&rsquo;<\/i> was almost on par, 2014&rsquo;s <i>&#8216;Cope&rsquo;<\/i> saw them abandon their familiar quiet-loud dynamic in favour of a straight bold rock sound. In the intervening years between <i>&#8216;Cope&rsquo;<\/i> and fifth album, <i>&#8216;A Black Mile to the Surface&rsquo;<\/i>, Hull and guitarist Robert McDowell worked on the voice-only soundtrack for <i>&#8216;Swiss Army Man&rsquo;<\/i>.<\/p>\n<p>Having familiarised themselves within a cinematic environment, <i>&#8216;A Black Mile\u2026&rsquo;<\/i> sees them embrace it, not through grandeur but through a seamless collection of layered songs that explore a surreal array of characters. From the uplifting opening track, <i>&#8216;The Maze&rsquo;<\/i> to the brooding conclusion that is <i>&#8216;The Silence&rsquo;<\/i>, <b>Manchester Orchestra<\/b> have the listener gripped throughout.<\/p>\n<p><!-- more --><\/p>\n<p>Songs such as <i>&#8216;The Gold&rsquo;<\/i>, <i>&#8216;The Moth&rsquo;<\/i> and <i>&#8216;The Wolf&rsquo;<\/i> are comforting in their familiarity; relying on soft verses giving way sonic soundscapes. While <i>&#8216;The Mistake&rsquo;<\/i> ebbs and flows hypnotically with Hull releasing the occasional &ldquo;woo!&rdquo; yet is underpinned by the band&rsquo;s brewing intensity.<\/p>\n<p><i>&#8216;The Alien&rsquo;<\/i> is a folky intimate and evocative number with haunting vocals. When it&rsquo;s expertly segued into <i>&#8216;The Sunshine&rsquo;<\/i> and <i>&#8216;The Grocery&rsquo;<\/i>, Hull&rsquo;s narrative songwriting really shines, with the latter serving as an emotional release. However, it is on <i>&#8216;The Parts&rsquo;<\/i> where Hull seemingly bares his all. Spacious and confessional, it&rsquo;s a gut-wrenching, stripped back highlight.<\/p>\n<p>By exploring their sonic tendencies and combining it with their exceptional songwriting prowess, <i>&#8216;A Black Mile\u2026&rsquo;<\/i> should, and demands to, be heard in full. It is a record that you live with for days, even weeks. With the initial aim to create a &ldquo;non-Manchester&rdquo; record, <b>Manchester Orchestra<\/b> have evolved and pushed themselves to deliver a career highlight. It is truly a compelling achievement of a record.<\/p>\n<p>5\/5<\/p>\n<p><i>&#8216;A Black Mile To The Surface&rsquo;<\/i> by <b>Manchester Orchestra<\/b> is released on 28th July on <b>Loma Vista Recordings<\/b>.<\/p>\n<p><b>Manchester Orchestra<\/b> links: <a href=\"http:\/\/themanchesterorchestra.com\/\" target=\"_blank\" rel=\"noopener\">Website<\/a>|<a href=\"https:\/\/www.facebook.com\/ManchesterOrchestra\/\" target=\"_blank\" rel=\"noopener\">Facebook<\/a>|<a href=\"https:\/\/twitter.com\/ManchesterOrch\" target=\"_blank\" rel=\"noopener\">Twitter<\/a>|<a href=\"https:\/\/www.instagram.com\/manchesterorchestra\/\" target=\"_blank\" rel=\"noopener\">Instagram<\/a><\/p>\n<p>Words by S\u00eaan Reid (<a href=\"https:\/\/twitter.com\/SeanReid86\" target=\"_blank\" rel=\"noopener\">@SeanReid86<\/a>)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Since emerging as teenagers with songwriting beyond their years, Manchester Orchestra have always had the knack of writing compelling alternative indie rock. 2006&rsquo;s &lsquo;I&rsquo;m Like a Virgin Losing a Child&rsquo; and its 2009 follow-up, &#8216;Mean Everything to Nothing&rsquo;, set the benchmark early on for frontman Andy Hull and company. While 2011&rsquo;s &#8216;Simple Math&rsquo; was almost [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":16528,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[15],"tags":[1321,826,431,12398],"class_list":["post-1499","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-album-reviews","tag-a-black-mile-to-the-surface","tag-loma-vista-recordings","tag-manchester-orchestra","tag-sean-reid"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Review: Manchester Orchestra -\u00a0A Black Mile To The Surface - Already Heard Staging<\/title>\n<meta name=\"description\" content=\"Since emerging as teenagers with songwriting beyond their years, Manchester Orchestra have always had the knack of writing compelling alternative indie\" \/>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Review: Manchester Orchestra -\u00a0A Black Mile To The Surface - 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Since 2008, he has been writing about a variety of bands from around the world for numerous publications. Away from music, S\u00eaan has several interests, most notably watching wrestling and football. You can find S\u00eaan on the following: Twitter | Facebook | Instagram","sameAs":["https:\/\/alreadyheard.com\/staging","https:\/\/www.facebook.com\/seanreidportfolio","seanreid86"],"url":"https:\/\/alreadyheard.com\/staging\/author\/sean\/"}]}},"_links":{"self":[{"href":"https:\/\/alreadyheard.com\/staging\/wp-json\/wp\/v2\/posts\/1499","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/alreadyheard.com\/staging\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/alreadyheard.com\/staging\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/alreadyheard.com\/staging\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/alreadyheard.com\/staging\/wp-json\/wp\/v2\/comments?post=1499"}],"version-history":[{"count":1,"href":"https:\/\/alreadyheard.com\/staging\/wp-json\/wp\/v2\/posts\/1499\/revisions"}],"predecessor-version":[{"id":38804,"href":"https:\/\/alreadyheard.com\/staging\/wp-json\/wp\/v2\/posts\/1499\/revisions\/38804"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/alreadyheard.com\/staging\/wp-json\/wp\/v2\/media\/16528"}],"wp:attachment":[{"href":"https:\/\/alreadyheard.com\/staging\/wp-json\/wp\/v2\/media?parent=1499"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/alreadyheard.com\/staging\/wp-json\/wp\/v2\/categories?post=1499"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/alreadyheard.com\/staging\/wp-json\/wp\/v2\/tags?post=1499"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}