{"id":1502,"date":"2017-07-27T10:12:34","date_gmt":"2017-07-27T10:12:34","guid":{"rendered":"https:\/\/alreadyheard.com\/staging\/interview-employed-to-serve\/"},"modified":"2023-01-24T15:02:39","modified_gmt":"2023-01-24T15:02:39","slug":"interview-employed-to-serve","status":"publish","type":"post","link":"https:\/\/alreadyheard.com\/staging\/interview-employed-to-serve\/","title":{"rendered":"Interview: Employed To Serve"},"content":{"rendered":"
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\u201cWe\u2019re very diverse people when it comes to our music tastes, we listen to everything, but with this band, it\u2019s all about being heavy and abrasive.\u201d<\/h1>\n

It\u2019s common knowledge that hardcore music lives in the underground, and like most genres, it goes through cycles of popularity. Nevertheless, 2017 has seen a resurgence of heavy bands bubbling underneath the surface. Amongst the wave of bands leading this upturn is Employed To Serve<\/b><\/a>.<\/p>\n

Formed out of a bedroom project by vocalist Justine Jones and guitarist Sammy Urwin in 2012, the Woking-based band released their second full-length, \u2018The Warmth of the Dying Sun<\/a>\u2019<\/i>, to plenty of acclaim this past Spring. \u201cThe response has been amazing. We\u2019ve been very happy. You always worry, as a band, that putting out your second record; are people going to like it as much as the first one?\u201d<\/i> says Sammy as we meet him and Justine at the recent 2000 Trees Festival. \u201cIt still has lots of elements of the first one had but we\u2019ve switched it up a little bit. People have welcomed the newer material we\u2019re doing.\u201d<\/i><\/p>\n

Coming just two years since the release of debut LP, ‘Greyer Than You Remember\u2019<\/i>; a frenzied outing with a technical undertone, ‘The Warmth of the Dying Sun\u2019<\/i> looked to subtly expand the band\u2019s pallet and were keen not to make the ‘Greyer\u2026\u2019<\/i> II. \u201cWe wanted it to be different but still maintain our sound. I feel we\u2019ve achieved that,\u201d<\/i> explains Justine with Sammy adding \u201cwe wanted to mix it up. We always want to be heavy and abrasive, to us, that\u2019s a very important element. We always want to be an extreme and heavy band, but we\u2019re also big fans of Will Haven and Deftones, bands who have got a bit more groove to them. We wanted to try our hand in something of that kind of vein. We\u2019re very diverse people when it comes to our music tastes, we listen to everything, but with this band, it\u2019s all about being heavy and abrasive.\u201d<\/i><\/p>\n

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Undoubtedly, ‘The Warmth of the Dying Sun\u2019<\/i> carries on the ferocious tone of its predecessor, even coming off as even heavier in places, yet it sees ETS<\/b> become more dynamic. For example, the album\u2019s title track includes a harmonious mid-point, while ‘Apple Tree\u2019<\/i> offers a downtrodden, sludgy build-up.<\/p>\n

When it comes to discussing the prospect of leading heavy music forward for UK bands, Justine explains it\u2019s not just down to them. \u201cWe\u2019re one of the few bands. There\u2019s Venom Prison and bands like that, there\u2019s a nice little collective of us that feel like we are pushing boundaries. It\u2019s great because a lot of press has been jumping on it, and that\u2019s amazing because you need heavy bands on those festival slots. You need your next wave of heavy bands to fill those slots.\u201d<\/i><\/p>\n

While ETS<\/b> have firmly found themselves at the forefront of UK hardcore, they have also shown a willingness to step out of it when it comes to touring. Their imminent run with grunge-pop quartet Milk Teeth and emotional rockers Wallflower is just the latest in a run of diverse bills ETS have found themselves on.<\/p>\n

\u201cThat\u2019s what we love, even though we\u2019ve been saying about being heavy, we do also try and not to pigeonhole ourselves too much. We\u2019ve been quite lucky to play with so many different bands,\u201d<\/i> states Sammy. \u201cThis year alone we\u2019ve played with people like Dragged Into Sunlight, then the next minute we\u2019ve done a tour with Black Peaks, then Mare and then we\u2019re doing a tour with Milk Teeth and Wallflower. So it has been such a variety of different bands.\u201d<\/i><\/p>\n

Understandably, Employed To Serve<\/b>\u2019s brand of abrasive hardcore isn\u2019t going to win over everyone they play to yet as Sammy explains it\u2019s vital to the band\u2019s growth to play to different crowds:<\/p>\n

\u201cI\u2019m sure there are people at those shows, we\u2019re not their cup of tea, but we\u2019ve always been pretty welcomed and dug it. It\u2019s great playing to different audiences, and I think as a band, it\u2019s important you do that if you want to grow.\u201d<\/i><\/p>\n

While Justine suggests gig-goers are now, in general, more impartial to styles of music, \u201cI think people are really open-minded, especially now with music so accessible with Spotify. People are open to new bands and listening to new things. You rarely see people leave while you play. They\u2019re often like ‘oh I\u2019ll check this out\u2019. It\u2019s important. Their favourite band has to start somewhere.\u201d<\/i><\/p>\n

For Justine, when she\u2019s not fronting Employed To Serve<\/b>, she can be found working at the band\u2019s label \u2013 Holy Roar<\/b>. Having worked for the label for three years, her experiences in both roles have been beneficial to its growing roster of bands. \u201cIt\u2019s great because from a label point of view, I know how a band is feeling; I\u2019ve been there and done that. It\u2019s easy to relate to bands, and Alex [Fitzpatrick – Holy Roar owner] has been in bands too. You know the lay of the land. It works very well together.\u201d<\/i><\/p>\n

As for Holy Roar<\/b> itself, 2017 has been an impressive year so far, with Jones enthusiastically stating the label has released an album every month for the past year. Amongst those releases are albums from Brutality Will Prevail, OHHMS, Wren and The Tidal Sleep. While the forthcoming release of ‘Debt\u2019<\/i> by Helpless is described Justine as \u201creally abrasive and very dark\u201d<\/i>. The label has also been making its first steps into America via a recent partnership with Deathwish Inc. \u201cWe can now give our bands a solid platform out there [in the States] and it\u2019s with such an amazing label like Deathwish. They\u2019re definitely one of the labels we looked up to,\u201d<\/i> says Justine.<\/p>\n

Like Holy Roar<\/b>, Employed To Serve<\/b> have aspirations of going over to the States, although it\u2019s not so straightforward for an independent hardcore band. \u201cIt\u2019s just getting the right timing. We definitely intend to get out there.\u201d<\/i> says Sammy with Justine expanding by saying, \u201cwe\u2019ve been working on it for awhile. The thing is with America, is that the visa application takes a lot longer than other countries, and then at the same time with DIY tours, it\u2019s hard to book that far in advance. There\u2019s a lot of obstacles but we will overcome them. We\u2019re trying our best.\u201d<\/i><\/p>\n

While the US may have to wait for Employed To Serve<\/b>, it\u2019s clear they have a determination to carry forward the momentum ‘The Warmth of the Dying Sun\u2019<\/i> has given the quintet. Whether it\u2019s leading the charge for heavy UK music or playing to diverse to audiences, you can\u2019t ignore Employed To Serve<\/b> and their growing importance.<\/p>\n