{"id":15596,"date":"2014-11-28T12:30:17","date_gmt":"2014-11-28T12:30:17","guid":{"rendered":"https:\/\/alreadyheard.com\/staging\/something-for-the-weekend-already-heard\/"},"modified":"2014-11-28T12:30:17","modified_gmt":"2014-11-28T12:30:17","slug":"something-for-the-weekend-already-heard","status":"publish","type":"post","link":"https:\/\/alreadyheard.com\/staging\/something-for-the-weekend-already-heard\/","title":{"rendered":"Something for the Weekend (‘Already Heard Recommends: Volume 2’ Special)"},"content":{"rendered":"

Following up the release of our\u00a0‘Already Heard Recommends: Volume 2 compilation’<\/em>, we’ve decided to resurrect ‘Something for the Weekend’ to provide info on the bands featured on the release. Guiding you through each band and speaking on behalf of the site is Assistant Editor Aaron Lohan.<\/p>\n<\/p>\n

‘Already Heard Recommends: Volume 2’<\/em><\/strong> is available to download for FREE from Bandcamp<\/a> and Soundcloud<\/a>.<\/p>\n

If your label, band or company would like to become a guest writer for Something For The Weekend – contact Rosie Kerr<\/a> to find out more information.<\/em><\/p>\n

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Walleater<\/strong>
I first caught wind of\u00a0Walleater<\/strong>\u00a0when I saw them open a show at an underground jazz bar between a corner shop and a nightclub last November. \u00a0A dodgy sound system caused hazy opinions from me, but the potential was there. The same could be said about their demo\u00a0\u2018A Masking Aura\u2019<\/em>. A creative spark was pretty much screaming out, though it was yet to be unearthed. By April this year, the band unveiled their first official self-titled record, produced by Bob Cooper; it\u2019s an absorbing listen and one of the finest EPs of 2014.\u00a0Walleater<\/strong>\u00a0specialise in placing the warmth of shoegaze within an absorbing alt rock structure. This isn\u2019t an uncommon thing in this age, yet\u00a0<\/p>\n

Walleater<\/strong>\u00a0do it seamlessly by the flick of a switch. The EP isn\u2019t the only thing to convince you, but also their live show, especially when the setting is perfect for them. I watched them swell the walls with fuzz last July in a small living room. Combined with the ecstatic crowd, it was a superbly orchestrated DIY show to behold. Last month they finished recording a new record, working with Bob Cooper again for the second time. Chances are this record will be brilliant.<\/p>\n

Walleater<\/strong> links: Facebook<\/a>|Twitter<\/a>|Tumblr<\/a>|Bandcamp<\/a><\/p>\n

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Bluebird<\/strong>
This Nottingham quartet are still a fairly young band, nevertheless they\u2019re onto a pure winner.\u00a0Bluebird<\/strong>\u00a0mould intricate math rock with delicate and endearing emo. Now I know what you\u2019re thinking, a gazillion (if such a number exists) bands have done this style to the point where it\u2019s died from overexposure. The fact is though\u00a0Bluebird<\/strong>\u00a0are quite brilliant at it; they know what it takes to make this style sound good, furthermore they might hold the key to revitalising it. Debut EP\u00a0\u2018Giraffidae\u2019<\/em>\u00a0(wrong animal guys!), released by\u00a0Wolf Town DIY<\/strong>\u00a0last year, was a solid start to their career, sowing the seeds for emo lovers\u2019 new favourite band. You\u2019re probably wondering why I\u2019m so optimistic about this. Well, the emo punks clasped my attention as if they caught a butterfly with the song\u00a0\u2018Prey\u2019<\/em>. Taken from their recent 10\u201d split with Sleepers, alongside\u00a0\u2018Predator\u2019<\/em>, it\u2019s got all the qualities for a great song in this style, thus filling a Crash of Rhinos shaped hole in all our sad indie emo hearts.<\/p>\n

Bluebird<\/strong> links: Facebook<\/a>|Twitter<\/a>|Bandcamp<\/a><\/p>\n

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Woahnows<\/strong>
About two months ago, after ManchFester 3, outside Satan\u2019s Hollow in Manchester, I and Luke from Doctrines had a fairly drunk conversation with\u00a0Woahnows<\/strong>\u00a0frontman Tim Rowing-Parker. The former Crazy Arm bassist spoke fondly of his punk roots, but also expressed his desire for forming\u00a0Woahnows<\/strong>\u00a0in the first place; the desire to expand beyond the realm of punk through other musical outlets. For what it\u2019s worth, this Plymouth trio have an incredible sound based on the two EPs they released thus far,\u00a0\u2018Foma\u2019<\/em>\u00a0in 2012 and last year\u2019s\u00a0\u2018The Joy Disorder\u2019<\/em>.\u00a0Woahnows<\/strong>\u00a0engulf pop, noise and indie with a punk fire which is so addictively good that you\u2019ll be relishing in the scorched earth created by their craft. For the past year,\u00a0Woahnows<\/strong>\u00a0have been busy working on their debut album, something which I have been personally anticipating all year. Our first tastes,\u00a0\u2018Life in Reverse\u2019<\/em>\u00a0and\u00a0\u2018Watching Accidents\u2019<\/em>\u00a0ensures Woahnows will be releasing a helter skelter LP next year. Mark my words.<\/p>\n

Woahnows<\/strong> links: Facebook<\/a>|Twitter<\/a>|Tumblr<\/a>|Bandcamp<\/a><\/p>\n

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Doe<\/strong>
London indie punks\u00a0Doe<\/strong>\u00a0have been a firm fixture in my consciousness since I saw them play a tight set over a year ago with Well Wisher (RIP), Great Cop, Doctrines and others. The intertwining guitar melodies and boy-girl harmonies are charming and familiarly wonderful; you’ll hardly notice the lack of bassline! Recently all of this trio\u2019s EPs got neatly compiled on an LP put out by\u00a0Specialist Subject Records<\/strong>; it acts as a look back at their continuing growth and a solid introduction to them as a band. Of course, the most important thing is the solid value of the songwriting itself.\u00a0Doe<\/strong>\u00a0are on the ball on how write anthems, like\u00a0\u2018Julia Survived\u2019<\/em>, a song shifting from quiet to loud in a sweetly fashion. What holds the harmonies from being too treacly is the underlying \u201cumph\u201d at heart; this ladies and gents is how you write great pop music.<\/p>\n

Doe<\/strong> links: Website<\/a>|Facebook<\/a>|Twitter<\/a><\/p>\n

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Noyo Mathis<\/strong>
One of my favourite moments in the DIY scene is when I come across a band who sound too impressive to be playing bars and basements.\u00a0Noyo Mathis<\/strong>\u00a0happens to fit such a description. This trio concoct math rock structure with melodious post hardcore\/indie rock; this wasn\u2019t perfected overnight however. Their 2012 demo and first EP\u00a0\u2018Tethers\u2019<\/em>\u00a0were nervously felt affairs yet the seeds could be identified under the musical microscope. Last year\u2019s\u00a0Animal Defence Records<\/strong>\u00a0debut, the\u00a0\u2018Ages\u2019<\/em>\u00a0EP expanded these blue prints, showing a more confident band, even earning the trio a mention in our \u201cSomething for the Weekend\u201d feature.\u00a0\u2018Ages\u2019<\/em>was full of calculating ambition and lean musicianship, containing a supernova bursting to explode. And explode it did, with latest EP\u00a0\u2018Endure\u2019<\/em>. I was thoroughly impressed with what\u00a0Noyo Mathis<\/strong>\u00a0accomplished on this release. This South Coast trio finally unfurled an unfathomable magic from the inside out. It features enticing riffs, bass and drums graciously moving from light to dark beaming with heart and soul, thanks to Toby Savill\u2019s magnetic voice, giving Minus the Bear\u2019s Jake Snider a run for his money. I, and I\u2019m sure the rest of the team also, would be woeful if\u00a0Mathis<\/strong>\u2019 talents go unnoticed.<\/p>\n

Noyo Mathis<\/strong> links: Facebook<\/a>|Twitter<\/a>|Bandcamp<\/a><\/p>\n

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Axes<\/strong>
<\/strong>I was introduced to\u00a0Axes<\/strong>\u00a0through a friend, not an interesting way to discover a band, but it was the discovery itself which interested me. Last year\u2019s debut mini-album featured crafty guitar sections and groovy basslines, colourful elements which dance in the most playful way. Whilst it was a fun record, the punk inspired lo-fi quality didn\u2019t quite capture\u00a0Axes<\/strong>\u2019 talents, plus the ambition went a little overboard in parts. In contrast, their debut album\u00a0<\/p>\n

\u2018Glory\u2019<\/em>, released earlier this month, is a more accomplished effort. The stop and start mathematical core is still the beating heart, but now\u00a0Axes<\/strong>expand expansively on both mood and unknown territories on a much bigger scale. It\u2019s tricky for instrumental music to convey emotion without language; however,\u00a0Axes<\/strong>\u00a0achieve this like the best in the business. The quieter parts feel reflective, whilst the heavier parts promote an earnest rage. In regards to the unknown continents they explore, the London quartet stray into hard hitting rock and experimental rhythmic time signatures. It\u2019s a feast for the ears thus justifying their place as one of the best new British bands in the last couple of years.<\/p>\n

Axes<\/strong> links: Website<\/a>|Facebook<\/a>|Twitter<\/a>|Bandcamp<\/a><\/p>\n

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Crows-An-Wra<\/strong>
Over the years, the likes of Kasa, Crocus, Ravachol, and more recently Vales, have established Cornwall as an unprecedented haven when it comes to birthing passionate screamo bands.\u00a0Crows-An-Wra<\/strong>\u00a0are the latest band to be added to this exceptional pantheon. Featuring former members of the aforementioned Crocus and Ravachol,\u00a0Crows-An-Wra<\/strong>\u00a0take screamo to a spacious new level. Following up a blueprinted debut EP,\u00a0\u2018Kalopsia\u2019<\/em>\u00a0is one of the freshest sounding debut albums I\u2019ve heard all year. Socio-political themes are channelled along jangly melodic riffs, foreboding to turbulent atmospheres, and irrefutable futuristic intensity. All of which is neatly packaged by Lewis Johns\u2019 production wizardry. I\u2019ve yet to watch this band live, but as with their\u00a0Barely Regal<\/strong>\u00a0label mates\u00a0Plaids<\/strong>, I\u2019ve heard nothing but positive praise.\u00a0Crows-An-Wra<\/strong>\u00a0are one of those bands who make you feel grateful and giddy to be a music fan, so all I can suggest to you now is to submit to this post hardcore quartet\u2019s progressive excellence.<\/p>\n

Crows-An-Wra<\/strong> links: Website<\/a>|Facebook<\/a>|Twitter<\/a>|Bandcamp<\/a><\/p>\n

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Old Skin<\/strong>
<\/strong>In my opinion,\u00a0Old Skin<\/strong>\u00a0are the freshest sounding act in heavy music right now. This Manchester metallic hardcore band culminates crust, ambience, groove, and avant-garde into a unique experimental soundscape. Debut EP\u00a0\u2018M\u00e6re\u2019<\/em>, a favourite of mine last year, illustrated all these elements rather well, especially since it was produced by the ever growing Joe Clayton, who\u2019s fast becoming a household name within the metal and hardcore community. Not only is the ferocity tasteful, but also the eclectic passion in innovating styles.\u00a0Old Skin<\/strong>\u00a0hasn\u2019t done much over the past year, apart from the \u2018:consume:\u2019 EP, released for a limited time in the last week of May. A smart idea, especially when both songs were so damn good! One of those songs, \u2018Snakeswallower\u2019, is the track the band has contributed here. Perfect choice if I say so myself; sidewinding riffery and d-beat brutality is sure to unleash the beast inside you. So where do\u00a0Old Skin<\/strong>\u00a0go from here? Well, with former drummer Dan leaving to focus on other projects like Denim & Leather and Crywank, the band will now be joined by Derrick Flanagin from Florida hardcore group Centuries. Next, they shall begin recording their debut album next month. Based on the\u00a0 small yet strong output, I have a feeling we\u2019ll all need new bodies as\u00a0Old Skin<\/strong>\u00a0seem ready to decimate us in the most interesting way.<\/p>\n

Old Skin<\/strong> links: Facebook<\/a>|Twitter<\/a>|Tumblr<\/a>|Bandcamp<\/a><\/p>\n

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Svalbard<\/strong>
<\/strong>The genres of post rock, stoner metal, crust and melodic hardcore have been amalgamated before, but never has it sounded as magnificent as this. Bristol quartet\u00a0Svalbard<\/strong>\u00a0are a band that I\u2019ve been ranting and raving about for over the past year and a half. In 2013, their second EP\u00a0\u2018Gone Tomorrow\u2019<\/em>, plus the\u00a0\u2018Flightless Birds\u2019<\/em>\u00a0single, clearly roared out the potential this band had. My suspicions were confirmed once this year\u2019s collaborative split with Pariso dropped. With help from esteemed producer Lewis Johns,\u00a0Svalbard<\/strong>\u00a0melted the ice caps holding their talent leading to a fantastic set of songs on their side of the split. The thing which makes me feel even giddier about how great a band they are is their live show. Never had I felt such power, passion and sheer talent emote in the warm, dark room of the Old Blue Last in London last July. It was cathartic; it was beautiful; and, sorry if I\u2019ve used this word already, it was magnificent.\u00a0Svalbard<\/strong>\u00a0are only just beginning a grand legacy, this will elevate further beyond timelessness once their debut full length is released next year.<\/p>\n

Svalbard<\/strong> links: Facebook<\/a>|Twitter<\/a>|Bandcamp<\/a><\/p>\n

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Plough Lines<\/strong>
I\u2019ve pretty much known each of these guys from 3 months to a year now. Furthermore, I\u2019ve only been listening to their music for less than that!\u00a0Plough Lines<\/strong>\u00a0essentially take inspiration from the golden age of 90s indie\/emo. Currently, the band features current and former members from Model Radio, Speedboat Salesman and FTWIHATHHTTS, as well as the recent addition of former Me vs Hero and current Doctrines drummer Ollie Bradley, who took over from Nai Harvest\u2019s Ben Thompson earlier this year. The two EPs the band has released thus far are from the original incarnation. What you\u2019ll find is moody, self-absorbed indie rock, lyrically looking within a social reflective sphere. There\u2019s an ambition coming out from this Manchester quartet, potential yearning to be reached. New song\u00a0‘Lounge’<\/em>\u00a0resonates those sentiments. It\u2019ll be found on an upcoming split with London alt punks Nudes, who feature Saam from playlounge. If my calculations are correct, then they\u2019re on the right track, so you, the listener, should be following them from this point onward.<\/p>\n

Plough Lines<\/strong> links: Facebook<\/a>|Bandcamp<\/a><\/p>\n

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Claw the Thin Ice<\/strong>
In 2009, Well Wisher guitarist Ian Breen began\u00a0Claw the Thin Ice<\/strong>\u00a0in 2009, as a means of putting out meandering drone filled ideas which didn\u2019t fit in with his other band\u2019s indie emo shenanigans. By 2011, after releasing several online records under the name, Breen decided to re-incarnate\u00a0Claw<\/strong>\u00a0as a full band \/ poptastic juggernaut. The line up to this day includes guitarist\/backing vocalist John Simpson, bassist Toby Potter and former Beecher drummer Danny Jones. In 2013, the Manchester quartet released debut LP\u00a0\u2018Pony Walker\u2019<\/em>. Synth and drone still played a part, but they were moulded with other distinctive 90s sounds including Britpop, emo and a sprinkle of shoegaze. It was an accomplished result of contemporary pop songwriting, with an eclectic palette. However, it wasn\u2019t quite there yet as there were a few tinks to be ironed out. Over a year later, with Well Wisher retiring back in February, the band is now gearing up to release their second album\u00a0\u2018Exercise\u2019<\/em>\u00a0for February 2015 via\u00a0Barely Regal<\/strong>\u00a0and\u00a0Get into It Records<\/strong>.\u00a0Claw<\/strong>\u2019s contribution to this comp\u00a0(\u2018Canada\u2019<\/em>) is an exclusive outtake from said album\u2019s sessions. Basically, it\u2019s a crackingly good B-side showcasing them as no one trick pony. If you\u2019re hooked then check out the first single\u00a0\u2018Codeine\u2019<\/em>, which is a euphoric prog-pop gem; judging this, and the new material I\u2019ve heard live,\u00a0Claw the Thin Ice<\/strong>\u00a0have no doubt bettered their last effort. They seem more focused, confident and self-assured as a band.<\/p>\n

Claw the Thin Ice<\/strong> links: Facebook<\/a>|Twitter<\/a>|Bandcamp<\/a><\/p>\n

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Body Hound<\/strong>
<\/em>Over a year ago, I found\u00a0Body Hound<\/strong>\u2019s \u201cprogressive mix of math metal to be well honed\u201d when I witnessed their first ever show. Despite finding gaps to be filled, I did believe there was further potential to be dug out of the mountain they spiralled. Such predictions were answered marvellously by the band\u2019s first EP, the first release by\u00a0Brain Wave<\/strong>,\u00a0\u2018Rhombus Now\u2019<\/em>. Of course, who could doubt the distinguished musical ability by current Antares and former Rolo Tomassi members? Drawing you in with post rock crescendos, which then shake your surprise all around with riffs sneaking into your head to spine joint, snapping it off and making it land with bass thuds. These mathematical tendencies are weighted by drums which ensure delivery isn\u2019t a messy affair. This Yorkshire quartet are an instrumental cavalcade not to be reckoned with, so tread lightly when facing all future encounters.<\/p>\n

Body Hound<\/strong> links: Facebook<\/a>|Twitter<\/a>|Bandcamp<\/a><\/p>\n

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Manuals<\/strong>
The two piece band is a tricky code for all musicians to crack. The most obvious thing is a duo has to be good. Furthermore, if we want to go into semantics, the music has to lull you under a narcotic interesting spell. Although they\u2019ve only released two songs,\u00a0Manuals<\/strong>\u00a0manage this rather well. I was first exposed to the band at the same house show where I last saw\u00a0Walleater<\/strong>. Like their fellow Leeds peers,\u00a0Manuals<\/strong>\u00a0create a wall of distortion, but it is trapped with melody, whilst resting on percussive foundations. Watching, listening and indulging in this band makes you feel like you\u2019re walking through a barren volcanic landscape. All the while, through the smoke and ash, you can just see sunlight breaking through the smog. Their first two-track release evokes such imagery I feel. It\u2019s not much to go on, but this noise-emo style they play is a real treat. First song\u00a0\u2018In a Clean, Well-Lighted Place\u2019<\/em>\u00a0has got such dense layering to it you\u2019d be a fool to think it lacks substance.\u00a0\u2018A Room of Our Own\u2019<\/em>\u00a0meanwhile begins with screams and static only to dissipate into twinkling crackled tranquility. Basically, I am certain\u00a0Manuals<\/strong>\u00a0will win over new fans with this winning formula.<\/p>\n

Manuals<\/strong> links: Facebook<\/a>|Twitter<\/a>|Tumblr<\/a>|Bandcamp<\/a><\/p>\n

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Plaids<\/strong>
The task of combining the grit with the poetic is not easy. This is where\u00a0Plaids<\/strong>\u00a0come in. Since 2012, this Nottingham quartet have been channelling their influences through the 80s DC revolution summer era. Near spoken rhetoric, fanatic punk tempos and raw passion; these are the ingredients for the band\u2019s structure. They\u2019ve produced solid splits with the likes of football, etc. and Xaxaxa, toured relentlessly across this island and the mainland, which leads us to now.\u00a0Plaids<\/strong>\u2019 self-titled debut full length is the best album of 2014 which the majority will never hear and that\u2019s a damn shame. They take their previous influences and expand them with subtle space rock. It creates an energy that is both pedantic and soothing. The fact their songs are titled as numbers shows song titles are meaningless. The content is what counts and\u00a0Plaids<\/strong>\u00a0have the artistic DIY skills to produce great songs. Although, I haven\u2019t seen them myself, a few of our writers confirm they are a special punk band to witness live. If you\u2019re intrigued and made it this far, then I suggest you pick up a record and go catch them if they\u2019re passing by your town.<\/p>\n

Plaids<\/strong> links: Facebook<\/a>|Twitter<\/a>|Tumblr<\/a>|Bandcamp<\/a><\/p>\n

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Bonehouse<\/strong>
Bonehouse<\/strong><\/strong>\u00a0are a band whose name I\u2019ve known about for a while now, so I pretty much feel very silly for not getting into them sooner. When I heard\u00a0\u2018A God That It Points To\u2019<\/em>, the first cut from their debut LP\u00a0\u2018Tomorrow\u2019s Worn Out Blues\u2019<\/em>, I whole heartedly knew that I stumbled on to something special. Here I am then sharing this special act with you.\u00a0Bonehouse<\/strong>are a four-piece hailing from Dundee, they mine the most obscure yet earthly rich elements of emo, indie and post hardcore into a magnificent sound. The aforementioned album they just released flows seamlessly from near spoken rhetoric and intricate moments to escalating emotive cadences. On this record overall,\u00a0Bonehouse<\/strong>\u00a0sound masterfully professional in the most DIY way. Furthermore, I can imagine in the next decade many will attempt to replicate this phenomenal band; who could blame them?\u00a0Bonehouse<\/strong>\u00a0are sublime.<\/p>\n

Bonehouse<\/strong> links: Facebook<\/a>|Bandcamp<\/a><\/p>\n

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The Blue Period<\/strong>
From what I can gather, the Nottingham music scene is bursting with musical life right now. Aforementioned acts\u00a0Plaids<\/strong>\u00a0and\u00a0Bluebird<\/strong>\u00a0are proof of this, but if you need further proof then I urge you check out\u00a0The Blue Period<\/strong>. Although still in their infancy, this indie quartet muster serene emotion in a sweetly lo-fi setting, making you swoon into submission. Their 2013 demo, co-released by\u00a0Wolf Town DIY<\/strong>\u00a0and\u00a0strictly no capital letters<\/strong>, was a satisfactory start by the band. Melodically slowcore guitars, ample keys, touching harmonies and relaxing tones create the perfect mix in potentially great indie rock. However, this summer just gone, the band released\u2018300Hz\u2019<\/em>; this twee tune made my ears prick up and listen! It\u2019s like riding along a tranquil carousel, so comforting and homely to the touch. Taken from their first official release, the 12\u201d EP\u00a0\u2018And Suddenly the Days Draw Long Like Light-Years\u2019<\/em>, a lovely record which\u2019ll grab your heart. Therefore I encourage you to let\u00a0The Blue Period<\/strong>\u2019s new record whisk you away.<\/p>\n

The Blue Period<\/strong> links: Facebook<\/a>|Bandcamp<\/a><\/p>\n

‘Already Heard Recommends: Volume 2’<\/em><\/strong>\u00a0is available to download for FREE from Bandcamp<\/a> and Soundcloud<\/a>.<\/p>\n

Words by Aaron Lohan (@ooran_loohan<\/a>)<\/p>\n","protected":false},"excerpt":{"rendered":"

Following up the release of our\u00a0‘Already Heard Recommends: Volume 2 compilation’, we’ve decided to resurrect ‘Something for the Weekend’ to provide info on the bands featured on the release. 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