{"id":161,"date":"2018-02-14T14:07:54","date_gmt":"2018-02-14T14:07:54","guid":{"rendered":"https:\/\/alreadyheard.com\/staging\/review-feed-the-rhino-the-silence\/"},"modified":"2018-03-21T22:10:56","modified_gmt":"2018-03-21T22:10:56","slug":"review-feed-the-rhino-the-silence","status":"publish","type":"post","link":"https:\/\/alreadyheard.com\/staging\/review-feed-the-rhino-the-silence\/","title":{"rendered":"Review:\u00a0Feed the Rhino &#8211; The Silence"},"content":{"rendered":"<p><figure class=\"tmblr-full\"><img decoding=\"async\" src=\"https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2018\/02\/tumblr_oczgq9lfGb1r8no6so6_r71_1280.jpg\" width=\"250em\" alt=\"\" title=\"\"><\/figure>\n<\/p>\n<p>Four years after 2014&rsquo;s <i>\u2018The Sorrow and the Sound&rsquo;<\/i> and <b>Feed the Rhino<\/b> have returned to a very different climate of rock and metal than the one that they last thrived in. From being the standout \u2018heavy band&rsquo; in a landscape permeated by Mallory Knox and Blitz Kids to a world where Code Orange and Employed to Serve call the shots, the Kent quintet need to prove their worth on fourth full length <i>\u2018The Silence&rsquo;<\/i>.<\/p>\n<p>As Papa Roach eloquently stated, <i>\u2018you gotta change, or die,&rsquo;<\/i> and <b>FTR<\/b> have taken that advice head on to create a more grandiose record than the assertive hardcore that defined its predecessors. Right from the space-station intro of opener <i>\u2018Timewave Zero&rsquo;<\/i>, <i>\u2018The Silence&rsquo;<\/i> presents itself as the most ambitious record the band have ever pushed themselves to make.<\/p>\n<p><!-- more --><\/p>\n<p>Showing a near-perfect balance of battering-ram metal grooves and sophisticated melodic choruses, <b>Feed the Rhino<\/b> have mastered the craft of anthemic songwriting with tracks like <i>\u2018Heedless&rsquo;<\/i> and <i>\u201868&rsquo;<\/i>. Much akin to Parkway Drive&rsquo;s adaptation of their riffage into arena bothering arrangements on \u2018Ire&rsquo;, <b>FTR<\/b> realise the only way is up, and the icy alt-metal craft of <i>\u2018Fences&rsquo;<\/i> suggests they have the songs to drive them in a similar direction. Even in the more aggressive outings <i>\u2018Nerve of a Sinister Killer&rsquo;<\/i> and swinging closer <i>\u2018Featherweight&rsquo;<\/i> strip back any indulgence in favour of bounce-by-the-ounce riffs, providing maximum impact in their simplicity.<\/p>\n<p>Four years after <b>Feed the Rhino<\/b> seemed perched to dominate modern metal, many punters of the time may have moved on to something new, but <i>\u2018The Silence&rsquo;<\/i> is a reward for anyone that&rsquo;s stuck by them. Lee Tobin&rsquo;s cynical commentary on society and himself still punctuates the band&rsquo;s razor sharp delivery, but this is more than an album he can scream in people&rsquo;s faces while running about topless. It&rsquo;s a major step up that puts <b>FTR<\/b> back in the centre of the best of the UK&rsquo;s heavy climate.<\/p>\n<p>4.5\/5<\/p>\n<p><i>\u2018The Silence&rsquo;<\/i> by <b>Feed the Rhino<\/b> is released on 16th February on <b>Century Media Records<\/b>.<\/p>\n<p><b>Feed the Rhino<\/b> links: <a href=\"http:\/\/www.feedtherhino.co.uk\/\" target=\"_blank\" rel=\"noopener\">Website<\/a>|<a href=\"https:\/\/www.facebook.com\/feedtherhino\/\" target=\"_blank\" rel=\"noopener\">Facebook<\/a>|<a href=\"https:\/\/twitter.com\/feedtherhino\" target=\"_blank\" rel=\"noopener\">Twitter<\/a>|<a href=\"https:\/\/www.instagram.com\/feedtherhino\/\" target=\"_blank\" rel=\"noopener\">Instagram<\/a><\/p>\n<p>Words by Andy Davidson (<a href=\"https:\/\/twitter.com\/AndyrfDavidson\" target=\"_blank\" rel=\"noopener\">@AndyrfDavidson<\/a>)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Four years after 2014&rsquo;s \u2018The Sorrow and the Sound&rsquo; and Feed the Rhino have returned to a very different climate of rock and metal than the one that they last thrived in. From being the standout \u2018heavy band&rsquo; in a landscape permeated by Mallory Knox and Blitz Kids to a world where Code Orange and [&hellip;]<\/p>\n","protected":false},"author":11,"featured_media":16881,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[15],"tags":[15033,15021,128,97,127],"class_list":["post-161","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-album-reviews","tag-andrew-davidson","tag-andy-davidson","tag-century-media","tag-feed-the-rhino","tag-the-silence"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Review:\u00a0Feed the Rhino - The Silence - Already Heard Staging<\/title>\n<meta name=\"description\" content=\"Four years after 2014&rsquo;s \u2018The Sorrow and the Sound&rsquo; and Feed the Rhino have returned to a very different climate of rock and metal than the one\" \/>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Review:\u00a0Feed the Rhino - The Silence - Already Heard Staging\" \/>\n<meta property=\"og:description\" content=\"Four years after 2014&rsquo;s \u2018The Sorrow and the Sound&rsquo; and Feed the Rhino have returned to a very different climate of rock and metal than the one\" \/>\n<meta property=\"og:url\" content=\"https:\/\/alreadyheard.com\/staging\/review-feed-the-rhino-the-silence\/\" \/>\n<meta property=\"og:site_name\" content=\"Already Heard Staging\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/AlreadyHeard\/\" \/>\n<meta property=\"article:published_time\" content=\"2018-02-14T14:07:54+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2018-03-21T22:10:56+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/tumblr_oczgq9lfGb1r8no6so6_r71_1280.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1\" \/>\n\t<meta property=\"og:image:height\" content=\"1\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Andrew Davidson\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@alreadyhearduk\" \/>\n<meta name=\"twitter:site\" content=\"@alreadyhearduk\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Andrew Davidson\" \/>\n\t<meta name=\"twitter:label2\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Review:\u00a0Feed the Rhino - The Silence - Already Heard Staging","description":"Four years after 2014&rsquo;s \u2018The Sorrow and the Sound&rsquo; and Feed the Rhino have returned to a very different climate of rock and metal than the one","robots":{"index":"noindex","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"og_locale":"en_GB","og_type":"article","og_title":"Review:\u00a0Feed the Rhino - The Silence - Already Heard Staging","og_description":"Four years after 2014&rsquo;s \u2018The Sorrow and the Sound&rsquo; and Feed the Rhino have returned to a very different climate of rock and metal than the one","og_url":"https:\/\/alreadyheard.com\/staging\/review-feed-the-rhino-the-silence\/","og_site_name":"Already Heard Staging","article_publisher":"https:\/\/www.facebook.com\/AlreadyHeard\/","article_published_time":"2018-02-14T14:07:54+00:00","article_modified_time":"2018-03-21T22:10:56+00:00","og_image":[{"url":"https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/tumblr_oczgq9lfGb1r8no6so6_r71_1280.jpg","width":1,"height":1,"type":"image\/jpeg"}],"author":"Andrew Davidson","twitter_card":"summary_large_image","twitter_creator":"@alreadyhearduk","twitter_site":"@alreadyhearduk","twitter_misc":{"Written by":"Andrew Davidson","Estimated reading time":"2 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/alreadyheard.com\/staging\/review-feed-the-rhino-the-silence\/#article","isPartOf":{"@id":"https:\/\/alreadyheard.com\/staging\/review-feed-the-rhino-the-silence\/"},"author":{"name":"Andrew Davidson","@id":"https:\/\/alreadyheard.com\/staging\/#\/schema\/person\/e32d2500b34afa459324477cb4410353"},"headline":"Review:\u00a0Feed the Rhino &#8211; 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