{"id":1903,"date":"2017-06-26T11:48:28","date_gmt":"2017-06-26T11:48:28","guid":{"rendered":"https:\/\/alreadyheard.com\/staging\/live-review-download-festival-2017-day-two\/"},"modified":"2023-01-17T18:45:01","modified_gmt":"2023-01-17T18:45:01","slug":"live-review-download-festival-2017-day-two","status":"publish","type":"post","link":"https:\/\/alreadyheard.com\/staging\/live-review-download-festival-2017-day-two\/","title":{"rendered":"Live Review: Download Festival 2017 (Day Two) – 10\/06\/2017"},"content":{"rendered":"
\"\"<\/figure>\n

Photo credit: Matt Eachus<\/small><\/p>\n

There\u2019s expectation in the air as Creeper<\/b><\/a> make the leap from fourth to the main stage with ease. However, this is a band that has plenty to give and make their 30 minutes matter. Their ferocious brand of gloom, melodic punk rock proves to be a big draw, as the Southampton band continue to justify their hype. With old and new favourites (\u2018Suzanne\u2019<\/i>, ‘VCR\u2019<\/i>) on display, you realise Creeper<\/b> really are the special band many make them out to be. The mix of bold horror punk and subtle theatrics is compelling, while frontman Will Gould\u2019s stage presence continues to grow as he walks down the catwalk with confidence to address the crowd sincerely in-between songs. While ‘Misery\u2019<\/i>, as always, aims to steal the show uniting the growing crowd. Preceded with a message of hope, the poignant words of ‘I Choose To Live\u2019<\/i> echo across Donington, with Creeper<\/b> departing having thrown their hat as outsiders into the discussion of potential future headliners. (4.5\/5) (SR)<\/p>\n

With their first album in 11 years, ‘The Future In Whose Eyes\u2019<\/i>, fresh out in the open, SikTh<\/b><\/a> bring their frantic, twisted brand of tech metal to the main stage. With Mikee Goodman\u2019s growls, plucky bass lines and rapid riffs, the Watford sextet bring a dense wall of sound. While they don\u2019t pull in the biggest crowd, there is still a dedicated presence. Supplying a \u201cgreatest hits\u201d set, SikTh<\/b> use their slot ideally. ‘Skies of Millennium Night\u2019<\/i>, ‘Flogging the Horses\u2019<\/i> and ‘Philistine Philosophies\u2019<\/i> are pulled out alongside recent single, ‘Golden Cufflinks\u2019<\/i>. Whilst second vocalist, Joe Rosser. sounds more confident than before, as he and Goodman take advantage of the large stage. Although they might not be the biggest main stage pull of the weekend, SikTh<\/b> show intent and even invite former vocalist Justin Hill to end their set with ‘Bland Street Bloom\u2019<\/i>. (3\/5) (SR)<\/p>\n

Those enticed into the Dogtooth tent by the fact that Junior<\/b><\/a> feature current WWE UK star Mark Andrews on bass, were rewarded by a landmark set in the career of a trio just starting to make some real waves on the exploding UK pop-punk scene. You can\u2019t be from South Wales and play any kind of pop-punk or pop-rock without solid performance or songwriting chops, not if you want to be taking seriously anyway. Thankfully these lads have it in spades. Live they have a much heavier bite than they do on record, while the aforementioned Mr Andrew\u2019s off the scale charisma infects his bandmates as well resulting in a composed and entertaining showing. \u2019A House That\u2019s Not Quite Home\u2019<\/i> packs the sort of belting hook that\u2019s ideal for festival singalongs, while surprise sightings of WWE stars No Way Jose and Jack Gallagher rocking out in the pit (the latter doing so in a gentlemanly fashion naturally) and some post set shenanigans involving Andrews and his long-time nemesis Pete Dunne all rounded out a performance that was as memorable for the fans as the band themselves. (4\/5) (DW)<\/p>\n

<\/p>\n

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\nPhoto credit: Ross Silcocks<\/small><\/p>\n

What a difference a few years makes, when AH first saw Trash Boat<\/b><\/a> make their tentative steps onto the UK festival circuit they were raw, rough around the edges and a little unpredictable quality wise. Now though their ringing pop-punk riffs and flailing frontman Toby own the tent with composure and self-assurance. Returning to the UK after a lengthy run stateside, the lads look right at home in their spot as one of the brightest lights of UK pop-punk. Their newer material in particular does sterling work of stirring up the tent from front to back, with a triumphant closing performance of \u2019Strangers\u2019<\/i> reinforcing just how far they\u2019ve come. (3.5\/5) (DW)<\/p>\n

With Scot-Rock gods Biffy Clyro due to headline the next day, we got a look at one of the absolute best of the newer generation bands from North of the border rapidly making a name for themselves in The LaFontaines<\/b><\/a>. You can\u2019t deny that the lads from Glasgow just might be the coolest outfit to have graced Donnington all weekend, and they make a huge impact from the off. One of the biggest crowds that we see jam themselves into the Dogtooth Stage lap up every second, and frontman Kerr, who\u2018s presence and crowd control feels increasingly masterful every time we witness it, works overtime to keep their focused glued to him. From the opening grove of \u2019Slow Elvis\u2019<\/i>, to the awesome chorus vocal of \u2019Under The Storm\u2019<\/i>, it\u2019s a mystery how this lot aren\u2019t massive already. Many more festival showings like this and they certainly will be, drawing such a big crowd when you\u2019re the most indie-influenced act on a metal and heavy rock dominated bill is an achievement in itself. (4\/5) (DW)<\/p>\n

Their first trip to Donnington may have marked one of Of Mice & Men<\/b><\/a>\u2019s biggest appearances so far since the medically necessitated departure of Austin Carlisle, but if the band felt any trepidation as a consequence they didn\u2019t show it. This was a slick, business like showing from a band that have long since morphed into an unstoppable heavy rock juggernaut. New track \u2019Back To Me\u2019<\/i> suggested their writing remains as potent as ever, even with the loss of their main vocalist. Elsewhere the likes of \u2019Never Giving Up\u2019<\/i> and \u2019The Depths\u2019<\/i> sound positively gargantuan blasting out of the main stage, and remind us that the band can nail bittersweet melody and the impactful heavy stuff with equal aplomb. (3.5\/5) (DW)<\/p>\n

This was always going to be an interesting one. After the controversial release and aftermath of their recently released self-titled album, Suicide Silence<\/b><\/a> take to the stage to silence the haters, and to a degree do a really good job. \u2018You Only Live Once\u2019<\/i> and \u2018Unanswered\u2019<\/i> have limbs flying from all angles while even \u2018Doris\u2019<\/i> sounds brilliantly affecting. It\u2019s when closer \u2019Conformity\u2019<\/i> comes in that things get a little baffling. Clearly the band have injected a lot of pent up rage into their new material but compared to the straightforward brutality of their older material, on the live stage it just comes across a bit lost and awkward. Love or hate it, Suicide Silence<\/b> are playing to the beat of their own drum and seem to have no intention of stopping. (3\/5) (JR)<\/p>\n

Bleaker then bleak and heavier than hell, Casey<\/b><\/a> are in terrific form on the Dogtooth stage. The band\u2019s mix of heart-shattering spoken word and gut-busting hardcore riffing have the crowd before in a stand of stunned silence, expect those with their heads in their hands singing along to ever word with \u2018Teeth\u2019 <\/i>and \u2018Darling\u2019<\/i> being prominent highlights. This is a band that you will be seeing more and more of as the year winds down and based on this display you would be a fool to miss them. (4\/5) (JR)<\/p>\n

As one of the standout bands from the pool of pop-punk bands appearing across the weekend, Knuckle Puck<\/b><\/a> are welcomed back to the UK with open arms. Over the course of half an hour, the Chicago group deliver an impressive and energetic set that is wall to wall of big hooks and massive singalongs. With highlights from 2015\u2019s ‘Copacetic\u2019<\/i> dominating their time, songs such as ‘Pretense\u2019<\/i> and ‘Evergreen\u2019<\/i> are received overwhelmingly positive with a sea of crowd surfers making their way to join vocalist Joe Taylor. For (possible) new fans, this was a strong viewing of Knuckle Puck<\/b>, and while longtime fans lapped it all up, you can\u2019t help but think an injection of new material is needed. (3.5\/5) (SR)<\/p>\n

\"\"
\nPhoto credit: Sarah Koury<\/small><\/p>\n

One of the most anticipated sets of the weekend and thankfully A Fire Inside<\/b><\/a> pulled it off brilliantly. Drawing songs from across the whole of their back catalogue, the band are on powerful form, especially Davey Havok who utilizes the ego walk before him at any opportunity he can. Though some of their faster cuts get a little lost on such a large stage, \u201917 Crimes\u2019<\/i> and \u2018Snow Cats\u2019<\/i> have enough power surging through them to rise to the occasion. The purists may not have got exactly what they wanted, but AFI<\/b> still put the same amount of heart and soul in to their live show now as they did when they started out on the bar circuit, and that is something to be applauded. (3.5\/5) (JR)<\/p>\n

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\nPhoto credit: Ben Gibson<\/small><\/p>\n

There\u2019s a point at every festival, usually in mid-evening, where your energy and enthusiasm levels start to drop. What you really need at that stage is a band to unleash utter carnage and give your attention span a bloody good kicking. And there\u2019s no band quite as ideal for that as Every Time I Die<\/b><\/a>, who within seconds of arriving on the Avalanche stage have set in motion the aforementioned carnage and then some. If you don\u2019t get instantly pumped by the relentless riff attack by the brothers Buckley and co then we\u2019d have to question just what you were doing at Donnington in the first place, as the likes of \u2019Glitches\u2019<\/i> and \u2019Decayin\u2019 With The Boys\u2019<\/i> stir up pit action all over the tent. Keith Buckley\u2019s scattergun quips and irresistible madcap presence can\u2019t help but draw fans old and new to commit entirely to the mayhem as a \u2019Low Teens\u2019<\/i> heavy set goes down a storm. (4\/5) (DW)<\/p>\n

\"\"
\nPhoto credit: Sarah Koury<\/small><\/p>\n

Bands like Coheed and Cambria<\/b><\/a> are always the most reliable when it comes to festival sets. Taking a break from their hugely successful \u2018Neverender\u2019<\/i> tour to play a perfectly executed set of fan favourites, this is just another feather in the hat of a band which does no wrong. Onlookers sing back every single word pitch perfect while head honcho Claudio Sanchez looks like he is having just as much fun as the people standing before him. An ear-splitting rendition of \u2018In Keeping Secrets Of Silent Earth:3\u2019<\/i> makes this as a resounding victory and once again one of the clear highlights of a weekend that was already with them. (4.5\/5) (JR)<\/p>\n

\"\"
\nPhoto credit: Ben Gibson<\/small><\/p>\n

If you want \u201cbangers\u201d in abundance, then A Day To Remember<\/b><\/a> is the band to call upon. With a slot subheading for Biffy Clyro, this is a test for ADTR<\/b>, to see if they can potentially headline one day. Kicking off with back to back hits; ‘All I Want\u2019<\/i>, ‘I\u2019m Made of Wax, Larry\u2026\u2019<\/i>, and ‘The Plot to Bomb the Panhandle\u2019<\/i>, it\u2019s clear the Ocala, Florida group know how to satisfy in a swift manner. Even with vocalist Jeremy McKinnon occasionally struggling, the thousands spread out across the fields of Donington were eating up everything from ADTR<\/b>\u2019s palm.<\/p>\n

Where longtime favourites ‘Right Back at It Again\u2019<\/i> and ‘Have Faith In Me\u2019<\/i> are made to be sung in unison, new cuts such as ‘Naivety\u2019<\/i> and ‘Paranoia\u2019<\/i> are fierce and made for moshing. Add to that the usual shenanigans of giant beach balls and a t-shirt gun, and you\u2019re left with an entertaining set full of stylistic variation; even ‘End Of Me\u2019<\/i> gets a rare outing. As ‘The Downfall of Us All\u2019<\/i> shudders the ground of Donington Park, it\u2019s obvious A Day To Remember<\/b> have all the markings to one day top the bill. They\u2019ve got the songs, the presence and the potential to pull it off. (4.5\/5) (SR)<\/p>\n

Veteran Canadian pop-punkers Simple Plan<\/b><\/a> take the rather dubious honour of being easily the poppiest, most saccharine act of the weekend. Despite that they still pack out the Avalanche Stage as hordes of former emo inclined pop-punk kids regress from their late 20\u2019s and 30\u2019s back to belting out some unashamedly anthemic teenage angst. A greatest hits heavy set generally hits the mark, particularly old favourites \u2019Addicted\u2019<\/i>, \u2019Welcome To My Life\u2019<\/i> and \u2019I\u2019m Just A Kid\u2019<\/i>, but cheesier number \u2019Summer Paradise\u2019<\/i> and more sedentary pop-groover \u2019Love Is Just A Lie\u2019<\/i> feel a tad out of place in the surroundings. But Bouvier\u2019s polished crowd interaction shtick and a stage dive from drummer Chuck Comeau get things heading back in the right direction before \u2019Shut Up\u2019<\/i> and a communal singalong to the gloriously downbeat \u2019Perfect\u2019<\/i> ends proceedings on a high. (3\/5) (DW)<\/p>\n

\"\"
\nPhoto credit: Ben Gibson<\/small><\/p>\n

Although their spot as headliners has split opinions in the weeks leading up to Download, Biffy Clyro<\/b><\/a> have paid their Donington dues yet it\u2019s clear they\u2019re here to prove the doubters wrong. While they pull in the smallest of the three main stage headliners, those in attendance witnessed a sublime alternative rock show that saw the band delve into their discography. Accompanied by a dedicated section of the crowd, Simon Neil bellows out ‘Living Is a Problem Because Everything Dies\u2019<\/i>, ‘Biblical\u2019<\/i> and <\/i>‘Bubbles\u2019 across Donington. Beyond the \u201cradio hits\u201d, Biffy offer a mix bag of jagged, intense numbers (‘Who\u2019s Got a Match?\u2019<\/i>, ‘That Golden Rule\u2019<\/i> and ‘Animal Style\u2019<\/i>), delicate-yet-unifying acoustics (‘Medicine\u2019<\/i> and ‘God & Satan\u2019<\/i>) and grandiose rock (‘Different People\u2019<\/i>).<\/p>\n

Throughout, it\u2019s clear the trio haven\u2019t taken this opportunity to headline for granted, with Neil commenting on some of the rock giants that have had the same billing in the past; AC\/DC and Black Sabbath. As the last notes of ‘Stingin\u2019 Belle\u2019<\/i> ring out and a plethora of fireworks light up the sky, it\u2019s clear Biffy Clyro<\/b>\u2019s mission has been accomplished. With the old crop of Download headliners fading out, like it or not, Biffy Clyro<\/b> will be back again and with the same determination. (4\/5) (SR)<\/p>\n

View more of Already Heard<\/b>\u2019s coverage from Download Festival<\/b> 2017 here<\/a>.<\/i><\/p>\n

Words by S\u00eaan Reid (SR), Dane Wright (DW) and Jack Rogers (JR).<\/p>\n","protected":false},"excerpt":{"rendered":"

Photo credit: Matt Eachus There\u2019s expectation in the air as Creeper make the leap from fourth to the main stage with ease. However, this is a band that has plenty to give and make their 30 minutes matter. 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