{"id":24194,"date":"2014-03-05T17:55:00","date_gmt":"2014-03-05T17:55:00","guid":{"rendered":"https:\/\/alreadyheard.com\/staging\/fives-must-hear-march-2014-releases\/"},"modified":"2014-03-05T17:55:00","modified_gmt":"2014-03-05T17:55:00","slug":"fives-must-hear-march-2014-releases","status":"publish","type":"post","link":"https:\/\/alreadyheard.com\/staging\/fives-must-hear-march-2014-releases\/","title":{"rendered":"FIVES: Must Hear March 2014 Releases"},"content":{"rendered":"<p>With Spring fast approaching and festival season starting soon, March sees a whole load of noteworthy releases with new music coming from the likes of <b>Architects<\/b>, <b>Taking Back Sunday<\/b>, <b>La Dispute<\/b>, and <b>Memphis May Fire<\/b>. <\/p>\n<p>However here at <b>Already Heard<\/b>, we&rsquo;ve decided to highlight five other March releases for this edition of <b>&ldquo;Fives&rdquo;<\/b>. Our list includes an outstanding EP from a Sheffield-based duo, a split from two of the best UK underground punk bands, the debut LP from one of this country&rsquo;s most promising pop-rock bands, the return of a Detroit pop-punk band and a stunning sophomore release from a Southern Californian band.<\/p>\n<p><i>What releases are you looking forward to hearing this month? Let us know in the comments or on <a href=\"http:\/\/www.twitter.com\/alreadyhearduk\" target=\"_blank\" rel=\"noopener\">Twitter<\/a> or <a href=\"http:\/\/www.facebook.com\/alreadyheard\" target=\"_blank\" rel=\"noopener\">Facebook<\/a>.<\/i><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2014\/03\/tumblr_inline_n1z56vUM431qztcot.jpg\" alt=\"\" title=\"\"><\/p>\n<p><b> Seahaven &#8211; Reverie Lagoon: Music For Escapism Only<\/b><br \/>\nSince the release of their debut <i>&lsquo;Ghost&rsquo;<\/i> record and their 2011 full-length <i>&#8216;Winter Forever&rsquo;<\/i>, Californian quartet <b>Seahaven<\/b> have built a tight yet strong follow for their brand of blues-y indie rock. With a UK tour alongside Nai Harvest and No Sleep Records newbees Battle Lines taking place next month, <b>Seahaven<\/b> drop <i>&#8216;Reverie Lagoon: Music For Escapism Only&rsquo;<\/i> at the end of March.<\/p>\n<\/p>\n<p><i>&#8216;Reverie Lagoon&rsquo;<\/i> builds on the bands atmospheric tones of its predecessor and delivers a compelling record filed with dreamy guitars and harmonies that ebb and flow throughout. Tracks like <i>&#8216;On The Floor&rsquo;<\/i> and <i>&#8216;Solar Eclipse&rsquo;<\/i> are delicate and throughly absorbing, whilst <i>&#8216;Flesh&rsquo;<\/i> and <i>&#8216;Silhouette (Latin Skin)&rsquo;<\/i> display the transition from the bands former emo\/indie guitar sound to a more softer and focused approach. (SR)<\/p>\n<p><i>&#8216;Reverie Lagoon: Music For Escapism Only&rsquo;<\/i> by <b>Seahaven<\/b> is released on 25th March on <b>Run For Cover Records<\/b>.<!-- more --><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2014\/03\/tumblr_inline_n1z46aneDA1qztcot.jpg\" alt=\"\" title=\"\"><\/p>\n<p><strong>Great Cynics \/ Muncie Girls &#8211; Split 12&quot;<\/strong><br \/> Two of the UK\u2019s best bands meet one of the UK\u2019s best labels. Together they release a record. Everyone dances and no one is sad. This is how I envision March. Provided Royal Mail breaks their habit of losing records I\u2019ve ordered anyway. Last year, both <strong>Great Cynics<\/strong> and <strong>Muncie Girls<\/strong> put out wonderful records. Punk songs for summer days that still carry weight through the 364 days of winter.<\/p>\n<\/p>\n<p>One of the <strong>Great Cynics<\/strong> tracks is streaming over at the <strong>Specialist Subject<\/strong> Bandcamp at the moment. It\u2019s the best they\u2019ve written. Giles\u2019 vocals are at their best; Iona\u2019s backing vocals take the track to a whole a new sing-along level. <strong>Muncie Girls<\/strong> will be the same. Listen to either of their previous two EPs and don\u2019t feel better about your life, I dare you.<\/p>\n<p>For two bands of this caliber to release a split record is a magical, money saving treat if nothing else. But you can bet your life it\u2019s going to be a whole lot more than that when it drops next week. (TK)<\/p>\n<p><em>&#8216;Split 12\u201d<\/em> by <strong>Great Cynics \/ Muncie Girls<\/strong> is released on 10th March on <strong>Specialist Subject Records<\/strong>.<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2014\/03\/tumblr_inline_n1z44fKDB21qztcot.jpg\" alt=\"\" title=\"\"><\/p>\n<p><strong>Natives &#8211; Indoor War<\/strong><br \/>It&rsquo;s only March and this year has already seen us spoilt for choice by cracking new releases from young British bands. The forthcoming debut offering from the New Forest&rsquo;s <strong>Natives<\/strong> may well sneek under the radar to be the pick of the lot. <em>\u2018Indoor War\u2019<\/em> has been a while in production and involved two separate recording spells with producer John Feldman (Good Charlotte, The Used); one seeing the band jet to LA, the other seeing Feldman join them on home turf in Southampton.<\/p>\n<\/p>\n<p>Between producer and band, something really rather special has been created in <em>\u2018Indoor War\u2019<\/em>. The sheen on the tracks added by the production is striking, the layering of sounds and instruments utterly immersive, and the songs themselves are something else. <em>\u2018Indoor War\u2019<\/em> effortlessly meshes in-depth soul searching song writing with a plethora of instantly accessible hooks and melodies. For anyone who enjoyed the single<em> \u2018This Island\u2019<\/em> then expect plenty more in the same vein but even better. (DW)<\/p>\n<p><em>&#8216;Indoor War&rsquo;<\/em> by <strong>Natives<\/strong> is released on 17th March on <strong>Transmission Records<\/strong>.<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2014\/03\/tumblr_inline_n1z3w0G93G1qztcot.jpg\" alt=\"\" title=\"\"><\/p>\n<p><strong>Fireworks &#8211; Oh, Common Life<br \/><\/strong><span>Fireworks<\/span> are incredibly underrated. Now, I realise that&rsquo;s an incredibly bold statement and I certainly don&rsquo;t use it often. Last year&rsquo;s involvement at each Slam Dunk Festival showed that the band have a very dedicated following despite only 2 albums released thus far and not as many jaunts across this side of the pond as we would like.<\/p>\n<\/p>\n<p>However, in their time away, pop punk has only grown stronger and hopefully those new to the genre will fall in love with\u00a0<strong>Fireworks<\/strong><span>\u00a0as much as the rest of us have; if there&rsquo;s an album to do that, it&rsquo;ll be\u00a0<\/span><em>&#8216;Oh, Common Life&rsquo;<\/em><span>. With\u00a0<\/span><em>&#8216;Glowing Crosses&#8217;\u00a0<\/em><span>serenading our ears before the release of the rest of the album, you can be rest assured that this new batch of songs will be essential listening for this month; the song bodes as well as the previous songs showcased before their own albums have found homes in many libraries and and many pairs of ears.<\/span><\/p>\n<p>The band&rsquo;s maturer pop punk gems show that pop punk isn&rsquo;t just about ex girlfriends and other clich\u00e9d situations which many of us will find ourselves in. Dig a little deeper and uncover some true gold; Oh,\u00a0<strong>Fireworks<\/strong><span>. I do love you. Thank you for coming back to us. (MB)<\/span><\/p>\n<p><em>&#8216;Oh, Common Life&rsquo;<\/em> by <strong>Fireworks<\/strong> is released on 25th March on <b>Banquet Records<\/b>\/<strong>Triple Crown Records<\/strong>.<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2014\/03\/tumblr_inline_n1z42oQLyp1qztcot.jpg\" alt=\"\" title=\"\"><\/p>\n<p><strong>Nai Harvest &#8211; Hold Open My Head<\/strong><br \/> Evolution and ambition; these are the key words in mind when listening to <strong>Nai Harvest<\/strong>\u2019s new EP. The days of twinkly-noodley guitars and shouty emo are a blip in the past. Sure, these influences still drive at the beating core of the Sheffield duo, but now it dissolves in a melting pot of other ideas. <em>\u2018Hold Open My Head\u2019<\/em> screams 90s, yet it feels so new and fresh. An amalgamation of emo, lo-fi indie rock, hardcore and a pinch of shoegaze, <strong>Nai Harvest <\/strong>have found their voice.<\/p>\n<\/p>\n<p><em>\u2018Rush\u2019<\/em> splits open the needle on the record; little \u201cooo\u201d\u2019s gracing past the dreamy punk \u2018rush\u2019, so to speak. <em>\u2018Hold Open My Head\u2019<\/em> is calm and serene, and then explodes the next. There is a sweet and soft adrenaline touch in <em>\u2018Pastel\u2019<\/em>, whilst <em>\u2018I Don\u2019t Even Know\u2019,<\/em> bows out in a hazy and fuzzy style. If there is one release you should be hearing this month, then it\u2019s this one. Call me crazy, but I reckon <strong>Nai Harvest<\/strong> are veering towards being this century&rsquo;s Dinosaur Jr. Don\u2019t believe me? Then just listen and find out! (AL)<\/p>\n<p><em>&#8216;Hold Open My Head&rsquo;<\/em> by <strong>Nai Harvest<\/strong> is out now on <strong>Dog Knights Productions<\/strong> and <strong>Topshelf Records<\/strong>.<\/p>\n<p><i>What releases are you looking forward to hearing this month? Let us know in the comments or on <a href=\"http:\/\/www.twitter.com\/alreadyhearduk\" target=\"_blank\" rel=\"noopener\">Twitter<\/a> or <a href=\"http:\/\/www.facebook.com\/alreadyheard\" target=\"_blank\" rel=\"noopener\">Facebook<\/a>.<\/i><\/p>\n<p>Words by Sean Reid (SR), Tom Knott (TK),  Dane Wright (DW), Mikey Brown (MB) and Aaron Lohan (AL).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>With Spring fast approaching and festival season starting soon, March sees a whole load of noteworthy releases with new music coming from the likes of Architects, Taking Back Sunday, La Dispute, and Memphis May Fire. However here at Already Heard, we&rsquo;ve decided to highlight five other March releases for this edition of &ldquo;Fives&rdquo;. Our list [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[8181],"tags":[3016,1833,5598,5868,2074,10572,758,4086,2591,10630,7353,822,7352,1881,203,976,6573,202],"class_list":["post-24194","post","type-post","status-publish","format-standard","hentry","category-post","tag-banquet-records","tag-dog-knights-productions","tag-fireworks","tag-fives","tag-great-cynics","tag-indoor-war","tag-muncie-girls","tag-nai-harvest","tag-natives","tag-oh-common-life","tag-reverie-lagoon-music-for-escapism-only","tag-run-for-cover-records","tag-seahaven","tag-specialist-subject-records","tag-split-ep","tag-topshelf-records","tag-transmission-recordings","tag-triple-crown-records"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>FIVES: Must Hear March 2014 Releases - 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