{"id":2654,"date":"2017-03-28T12:30:21","date_gmt":"2017-03-28T12:30:21","guid":{"rendered":"https:\/\/alreadyheard.com\/staging\/review-patrons-as-above-so-below\/"},"modified":"2017-03-28T12:30:21","modified_gmt":"2017-03-28T12:30:21","slug":"review-patrons-as-above-so-below","status":"publish","type":"post","link":"https:\/\/alreadyheard.com\/staging\/review-patrons-as-above-so-below\/","title":{"rendered":"Review: Patrons – As Above, So Below"},"content":{"rendered":"

\"\"<\/figure>\n<\/p>\n

Plymouth’s Patrons<\/b> are a band born out of long-standing friendships and a love of the unconventional. The post-hardcore quartet carved deep foundations throughout last year, but with the release of debut album ‘As Above, So Below’<\/i> is all their hard work justified?<\/p>\n

The modestly entitled ‘First of the Slow Burners’<\/i> is anything but what it’s name suggests. From the ground up, Patrons<\/b> introduce a sound that swells and crescendos with clever riffs and thoughtful melodies, a common theme throughout ‘As Above\u2026’<\/i> ‘The Shape of Nature’<\/i> displays a togetherness driving forwards with stomping rhythmic pulses, while ‘Eighty Four’<\/i> and ‘Everything Matters’<\/i> share a gritty edge reflected in vocalist Danny Brooks’ powerful delivery.<\/p>\n

Patrons<\/b> show their clear grasp for anthemic songcraft on the sprawling ‘Listen’<\/i>, finding clear influence in the stadium-sized rock of early Biffy Clyro. There are elements of Thrice scattered throughout as well, maybe an omen of things to come based on the trajectory of Patrons<\/b>’ sources of inspiration. <\/p>\n

<\/p>\n

At points, ‘As Above, So Below’<\/i> is full of amazing ideas, but there are moments where the wheels are in danger of falling off in the execution. There is just a little too much excitement, in particular in the vocals (‘The Art of Conversation’<\/i> stands out for this) but for a debut album, this is to be expected. There are imperfections but they give the feel of a band in their most natural form, live. <\/p>\n

Album closer ‘Dawn’<\/i> wraps things up, encompassing some of the softest – and heaviest – moments Patrons<\/b> have to offer, all rolled into one hard-hitting exclamation mark to end a storming debut. <\/p>\n

All in all, this is a good showing and a strong first impression for Patrons<\/b>. There is still some work to do with their melodic brand of post-hardcore, but with visceral live show and a relatable release to their name, don’t be shocked to see their status elevate to new heights as they pave their way into 2017’s hot lists.<\/p>\n

3.5\/5<\/p>\n

‘As Above, So Below’<\/i> by Patrons<\/b> is released on 31st March on Rose Coloured Records<\/b>.<\/p>\n

Patrons<\/b> links: Website<\/a>|Facebook<\/a>|Twitter<\/a>|Instagram<\/a><\/p>\n

Words by Jay Harrison (@Just_Jay_89<\/a>)<\/p>\n","protected":false},"excerpt":{"rendered":"

Plymouth’s Patrons are a band born out of long-standing friendships and a love of the unconventional. The post-hardcore quartet carved deep foundations throughout last year, but with the release of debut album ‘As Above, So Below’ is all their hard work justified? 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