{"id":26592,"date":"2013-10-01T15:18:00","date_gmt":"2013-10-01T15:18:00","guid":{"rendered":"https:\/\/alreadyheard.com\/staging\/album-review-dave-hause-devour\/"},"modified":"2018-03-17T15:26:02","modified_gmt":"2018-03-17T15:26:02","slug":"album-review-dave-hause-devour","status":"publish","type":"post","link":"https:\/\/alreadyheard.com\/staging\/album-review-dave-hause-devour\/","title":{"rendered":"Album Review: Dave Hause &#8211; Devour"},"content":{"rendered":"<p><span><img decoding=\"async\" alt=\"image\" src=\"https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2013\/10\/tumblr_inline_mty9lmh52U1qztcot.jpg\" title=\"\"><\/span><span>While 2011\u2019s<em> \u2018Resolutions\u2019<\/em> was undoubtetedly a solid compilation of punk anthems, <\/span><em>\u2018Devour\u2019<\/em><span> is something else entirely. An ambitious 12-song masterpiece with a sweeping narrative arc, <strong>Hause<\/strong> tackles the state of the world we live in and how we choose to cope with it. Drawing parallels with Billy Bragg\u2019s \u2018<\/span><em>To Have And To Have Not\u2019<\/em><span>, which declared \u201cAt 21 you\u2019re on top of the scrapheap, at 16 you were on top of your class\u201d and <em>&lsquo;the system\u2019s failed you, don\u2019t fail yourself&rsquo;<\/em>, <em>\u2018Devour\u2019<\/em> is a record with a troubled conscience.<\/span><\/p>\n<p>Those already familar with <strong>Dave Hause<\/strong> will be pleased to know that his sound is still the same bluesy guitars and soulful Philadelphia vocals, but lyrically <strong>Hause<\/strong> has reached a new pinnacle. <em>\u2018Devour\u2019<\/em> is simple yet powerful, there\u2019s no technical guitar work or Greg Graffin-type complex language but like Hemmingway, it\u2019s simplicity is what gives <em>\u2018Devour\u2019<\/em> it\u2019s emotional weight. It\u2019s also the kind of album that should be listened to in order, as it\u2019s ideas are noticeably split into two halves.<!-- more --><\/p>\n<p>The first half centres on the fallout of what Hause refers to as <em>\u2018The Great Depression\u2019<\/em>, the resulting effects of the idea that &#8216;you can be anything, just get your education&rsquo;. <strong>Dave Hause<\/strong> may be a full generation seperate from myself, but for many who have come out of University with a degree and zero prospects, this idea is one that will resonate. Single \u2018<em>We Could Be Kings\u2019<\/em> furthers this idea of deceit and disappointment, it\u2019s chorus summarising, <em>\u201cThey told us we could be kings, but we were damned from the start\u201d<\/em>.<\/p>\n<p><em>\u2018Autism Vaccine Blues\u2019<\/em> and <em>\u2018Same Disease\u2019<\/em> examine the effects of <a href=\"http:\/\/www.health-canada-pharmacy.com\/alcoholism.html\" target=\"_blank\" rel=\"noopener\">anti-alcohol medication<\/a> (both prescribed and alcohol\/drug related) and the results they have on yourself and those around you.<em> \u201cI can\u2019t feel alive unless I\u2019m feeling sick\u201d<\/em> becomes a metaphor for a destructive relationship, a reoccurring theme that also appears in <em>\u2018Before\u2019<\/em>. The first half of the album deals with some weighty issues, and is confessional in its honesty.<\/p>\n<\/p>\n<p>The turning point comes at <em>\u2018Father\u2019s Son\u2019,<\/em>  which starts off as an excuse, &ldquo;<em>I am my father\u2019s son, it\u2019s a fate I can\u2019t outrun&rdquo;<\/em> before building into the realisation that this can be a positive, <em>\u201cI am my father\u2019s son devouring all I can\u2019t outrun\u201d.<\/em>  The concept of being your father\u2019s son is clearly something that resonates with <strong>Hause<\/strong>, and is mentioned in four of the album\u2019s twelve tracks. However the previous idea of being a victim of circumstance dissolves around this point, and <em>\u2018Stockholm Syndrome\u2019<\/em> opens with a rallying fanfare that wouldn\u2019t sound amiss in a Green Day concept album. Luckily the lyrics such as &ldquo;<em>sick of feeling sick, let me up, I\u2019ve had enough&rdquo;<\/em> (which reference <em>\u2018Same Disease\u2019)<\/em> manage to weigh in on the right side of uplifting without wandering into Glee territory.<\/p>\n<p>Having been played live since the beginning of the year, <em>\u2018Shine\u2019<\/em> will undoubtedly familar to fans. Similar to <em>\u2018C\u2019mon Kid\u2019<\/em>, the simple refrain of &ldquo;<em>meet your darkness with the shine&rdquo;<\/em> is likely to become a live singalong classic. Proving that he is equally adept at slower songs, penultimate track <em>\u2018Bricks\u2019<\/em> is a softer, number made memorable by the emotion that seethes through <strong>Hause\u2019s<\/strong> voice as he sings.<\/p>\n<p>Closing with <em>\u2018Benediction\u2019<\/em>, <strong>Hause<\/strong> draws closure by summarising each of the albums ideas, self-referencing as he declares, &rsquo;<em>open wide and sing because we\u2019re damned from the start&rsquo;<\/em>.  Having exorcised his demons over the course of <em>\u2018Devour\u2019<\/em> <strong>Hause<\/strong> concludes that <em>\u201clove in the end, it can save us tonight\u201d<\/em>.<\/p>\n<p>There are some albums that manage to capture a place and time perfectly and this is undoubtedly one of those albums. Raw and beautiful , <em>\u2018Devour\u2019s <\/em>strength lies in it\u2019s simplicity, it\u2019s \u201cjust a man and guitar\u201d basicness. A contender for album of the year, this could be the release that catapults <strong>Dave Hause<\/strong> to Frank Turner levels of popularity.<\/p>\n<p>5\/5 <\/p>\n<p><em>\u2019Devour<\/em> by <strong>Dave Hause<\/strong> is released on 8th October via <strong>Rise Records<\/strong>.<\/p>\n<p><strong>Dave Hause<\/strong> links: <a href=\"http:\/\/www.davehause.com\" target=\"_blank\" rel=\"noopener\">Website<\/a>|<a href=\"https:\/\/www.facebook.com\/DaveHauseMusic%5F\" target=\"_blank\" rel=\"noopener\">Facebook<\/a>|<a href=\"https:\/\/twitter.com\/hausedave\" target=\"_blank\" rel=\"noopener\">Twitter<\/a><\/p>\n<p>Words by Jay Sullivan.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>While 2011\u2019s \u2018Resolutions\u2019 was undoubtetedly a solid compilation of punk anthems, \u2018Devour\u2019 is something else entirely. An ambitious 12-song masterpiece with a sweeping narrative arc, Hause tackles the state of the world we live in and how we choose to cope with it. Drawing parallels with Billy Bragg\u2019s \u2018To Have And To Have Not\u2019, which [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":26593,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[15,8181],"tags":[5879,2288,11209,150,2500,18],"class_list":["post-26592","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-album-reviews","category-post","tag-album-reviews","tag-dave-hause","tag-devour","tag-music","tag-review","tag-rise-records"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Album Review: Dave Hause - Devour - Already Heard Staging<\/title>\n<meta name=\"description\" content=\"While 2011\u2019s \u2018Resolutions\u2019 was undoubtetedly a solid compilation of punk anthems, \u2018Devour\u2019 is something else entirely. 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