{"id":27328,"date":"2013-08-15T11:01:05","date_gmt":"2013-08-15T11:01:05","guid":{"rendered":"https:\/\/alreadyheard.com\/staging\/album-review-the-departed-steal-the-crown\/"},"modified":"2018-03-17T15:25:38","modified_gmt":"2018-03-17T15:25:38","slug":"album-review-the-departed-steal-the-crown","status":"publish","type":"post","link":"https:\/\/alreadyheard.com\/staging\/album-review-the-departed-steal-the-crown\/","title":{"rendered":"Album Review: The Departed – Steal The Crown"},"content":{"rendered":"

\"\"The UK\u2019s hardcore scene (often abbreviated to UKHC) is undoubtedly nestled in the lofty heights of \u2018hype\u2019 at the minute, and has been for some time, with both UK and overseas bands finding success on these shores with good reason. Artists ranging from the beatdown laden riff churners Desolated to the more chaotic Code Orange Kids and Full of Hell have each found success over here with room for many more in this well established but ever-expanding scene.<\/span><\/p>\n

Hailing from the north east of the UK, The Departed<\/strong> fit quite nicely into this widening niche and are continuing their upwards ascent with new album \u2018Steal The Crown\u2019. <\/em>Fans of the band will know exactly what they\u2019re getting here – the standard power-chord and palm-muting riffs, transition between clambering slow and frantic fast tempos, consistently executed shouts and the occasional melodic chorus for good measure. This all makes for a competent hardcore album but unfortunately it doesn\u2019t push the boat out very far and falls flat due to its lack of innovation.<\/span><\/p>\n<\/p>\n

In terms of general sound, the album ticks almost all of the boxes: full and thick distorted guitars, pounding and relentless drumming and a consistently visceral vocal performance, though less audible bass than there could be. The production helps with this by sounding crisp and allowing everything audible to shine when needed, which is most often the vocals or the drums since the guitar competent but has little in the way of standout performances.<\/span><\/p>\n

However, while the instrumentals and production are up to par, elsewhere the album fares worse. The introduction features an extended sound sample of one of Richard Dawkins\u2019 more famous soundbites, with him discussing perceived true faith in relation to location and time period – while hardcore has a history of anti-establishment and anti-religion lyrics and messages, this sample just comes across as overly simplistic and lazy in its choice (as well as the content of the sample itself being quite arrogant and condescending towards spirituality). The lyrics are also fairly trite, with overused lines such as \u201cWe\u2019re never giving up, we\u2019re never backing down<\/em>\u201d on \u2018Overcome\u2019<\/em> or \u201cWe never run and we never hide<\/em>\u201d on \u2018All for Nothing\u2019 <\/em>failing to making a strongly positive impression and coming across as a little half-baked.<\/span><\/p>\n

As a bottom line, if you like fast and heavy music filled with enraged vocals and power chords then you are likely to enjoy this album – it is by no means a game changer or likely to alter any opinions but for those who are already versed in hardcore and have 25 minutes that need filling, there are worse things to put through your ears (as well as a lot better).<\/span>\u00a0<\/span><\/p>\n

2\/5<\/span><\/p>\n

\u2018Steal The Crown<\/em>\u2019 by The Departed<\/strong> is out now on Acuity Music<\/strong>.<\/span><\/p>\n

The Departed<\/strong> links: <\/span>Facebook<\/a>|<\/span>Twitter<\/a>|<\/span>Bandcamp<\/a><\/p>\n

Words by Ben Kosma (@BenKosma<\/a>)<\/p>\n","protected":false},"excerpt":{"rendered":"

The UK\u2019s hardcore scene (often abbreviated to UKHC) is undoubtedly nestled in the lofty heights of \u2018hype\u2019 at the minute, and has been for some time, with both UK and overseas bands finding success on these shores with good reason. 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