{"id":27486,"date":"2013-08-06T09:00:33","date_gmt":"2013-08-06T09:00:33","guid":{"rendered":"https:\/\/alreadyheard.com\/staging\/already-heard-track-guide-miss-vincent-creepy\/"},"modified":"2022-12-31T13:27:27","modified_gmt":"2022-12-31T13:27:27","slug":"already-heard-track-guide-miss-vincent-creepy","status":"publish","type":"post","link":"https:\/\/alreadyheard.com\/staging\/already-heard-track-guide-miss-vincent-creepy\/","title":{"rendered":"Already Heard Track Guide: Miss Vincent &#8211; Creepy"},"content":{"rendered":"<p><img decoding=\"async\" alt=\"image\" src=\"https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2013\/08\/tumblr_inline_mqx22l9WI91qztcot.jpg\" title=\"\"><\/p>\n<p>Edgy Guildford punks\u00a0<strong>Miss Vincent<\/strong> are preparing for the release of their mini-album,\u00a0<em>&lsquo;Creepy&rsquo;<\/em>\u00a0on 2nd September.<\/p>\n<p>Influenced by the likes of Alkaline Trio, Misfits, Bad Religion and several other US punk bands,<em> &#8216;Creepy&rsquo;<\/em> sees the quartet their inspirations and blend them with their youthful frustrations and put a solid British spin on their sound.<\/p>\n<p>Co-vocalist and guitarist Alex Marshall has provided Already Heard with this track by track walkthrough to tell us what <em>&#8216;Creepy&rsquo;<\/em> is all about.<\/p>\n<p><em><em><em><em>If your band would like to set up a\u00a0<em>\u2018Track Guide\u2019 feature for\u00a0Already Heard, please email\u00a0<a href=\"mailto:sean@alreadyheard.com\">Sean Reid<\/a>.<\/em><\/em><\/em><\/em><\/em><\/p>\n<p><strong>About <em>&#8216;Creepy&rsquo;<\/em><br \/>\u00a0<\/strong>The title is a way of succinctly putting into words how a lot of the themes on the record make us feel. I find myself in a lot of situations that really make me uncomfortable and scare the living shit out of me, so there&rsquo;s a lot of frustration that comes out in these songs.<\/p>\n<p><strong>1. Deadlock<\/strong><br \/>This is probably the poppiest song on the EP &#8211; it&rsquo;s a plea to be somewhere else. I find myself in a lot of situations that I feel uncomfortable in and can&rsquo;t get out of. <em>&#8216;Deadlock&rsquo;<\/em> is about trying to take control, and asking for some sort of reassurance that I&rsquo;m not completely wasting my time. All of the tracks on the EP are pretty broad thematically, and although it will be specific things that trigger a lot of the words, it&rsquo;s the thought process behind it that the song deals with. Even though I&rsquo;m venting negative things, <em>&#8216;Deadlock&rsquo;<\/em> is a bit more of an upbeat song. Just because the words are negative that doesn&rsquo;t us putting them to a catchy melody!<!-- more --><\/p>\n<p><strong>2. I Don&rsquo;t Want This<\/strong><br \/> The title says it all. The biggest recurring theme on the record is frustration, and this encapsulates this pretty well. It&rsquo;s just me getting a bunch of stuff off my chest &#8211; it&rsquo;s almost daring the imaginary person standing in front of me to push me over the edge. It ties in with <em>&#8216;Deadlock&rsquo;<\/em> quite well because while the first track puts more of a level headed spin on things, this one turns it upside down. <em>&ldquo;Shake your hands but count your fingers&rdquo;.\u00a0<\/em>In terms of the sound, this track is just a straight up aggressive, hard and fast punk rock song. We changed the middle eight during recording too &#8211; before it lost a bit of energy there, but we felt the ahhs, as well as the quote (from V for Vendetta) helped keep it interesting.<\/p>\n<p><strong>3. Planning To Fail<\/strong><br \/> This is the most complicated song lyrically. In the end, everyone gets what&rsquo;s coming to them. On top of that, it deals with how to face difficult, manipulative people, as well as the way a lot of people have absolutely no respect for one another. What sums this song up? <em>&ldquo;An epidemic of a lack of esteem&rdquo;.<\/em>This song has a few gear changes in there as well, just to try and keep things fresh as the song progresses. There&rsquo;s the fast, aggressive verses, and in contrast anthemic choruses full of soaring whoas. There&rsquo;s definitely a little Bad Religion influence in the chorus. Recording vocals for this song was the toughest of the bunch. We wanted to get as much of a natural sound as possible, really gritty and almost as live, which meant lots of full song takes.<\/p>\n<\/p>\n<p><strong>4. Carry On<\/strong><br \/><em>&#8216;Carry On&#8217;\u00a0<\/em>is pretty tongue-in-cheek. It covers everything from how people approach &ldquo;love songs&rdquo; and takes the piss out of them a bit, and even compares relationships to a never ending fight with the undead. I wanted to try and put a bit of a different spin on writing about the &ldquo;standard&rdquo; songwriting themes &#8211; it&rsquo;s definitely the most lighthearted song on the EP. We played about with harmonics in the intro and outro too, to give a kind of ethereal, horror effect to it, which reinforces the slightly morbid lyrical themes. Lawrie really brought the wah line in the intro to life too &#8211; you can definitely hear a little NOFX influence there!<\/p>\n<p><strong>5. Testing Times<\/strong><br \/><em>&#8216;Testing Times&rsquo;<\/em> is the most direct song on here. It&rsquo;s sort of an acceptance of the inevitable, but questioning things around yourself, why they are, how they are and a kind of desperation that you can&rsquo;t change things. We very nearly didn&rsquo;t put this song on this release, but I&rsquo;m so glad we did because it&rsquo;s been great to hear this song develop and see how it&rsquo;s turned out. This song went through quite a lot of changes in the weeks running up to our time in the studio and even while we were recording it. And recording this song was actually really cathartic &#8211; there are loads of harmonies and almost a passive aggressive feel to the verses that darkens the song up. The bass line that Owain and Daly (George, Producer) came up with was a stroke of genius, and Jack&rsquo;s drum work in the intro and the middle 8 made it sharp as a knife. It&rsquo;s the perfect song to close out the EP.<\/p>\n<p><em>&#8216;Creepy&rsquo;<\/em> by <strong>Miss Vincent<\/strong> is released on 2nd September.<\/p>\n<p><strong>Miss Vincent<\/strong> links: <a href=\"http:\/\/www.facebook.com\/missvincentband\" target=\"_blank\" rel=\"noopener\">Facebook<\/a>|<a href=\"https:\/\/www.twitter.com\/missvincentband\" target=\"_blank\" rel=\"noopener\">Twitter<\/a>|<a href=\"http:\/\/www.missvincentband.tumblr.com\/\" target=\"_blank\" rel=\"noopener\">Tumblr<\/a>|<a href=\"http:\/\/missvincent.bandcamp.com\/\" target=\"_blank\" rel=\"noopener\">Bandcamp<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Edgy Guildford punks\u00a0Miss Vincent are preparing for the release of their mini-album,\u00a0&lsquo;Creepy&rsquo;\u00a0on 2nd September. Influenced by the likes of Alkaline Trio, Misfits, Bad Religion and several other US punk bands, &#8216;Creepy&rsquo; sees the quartet their inspirations and blend them with their youthful frustrations and put a solid British spin on their sound. Co-vocalist and guitarist [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[119,8181],"tags":[62,6009,11894,122,915],"class_list":["post-27486","post","type-post","status-publish","format-standard","hentry","category-already-heard-track-guide","category-post","tag-already-heard","tag-already-heard-track-guide","tag-creepy","tag-feature","tag-miss-vincent"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Already Heard Track Guide: Miss Vincent - Creepy - Already Heard Staging<\/title>\n<meta name=\"description\" content=\"Edgy Guildford punks\u00a0Miss Vincent are preparing for the release of their mini-album,\u00a0&lsquo;Creepy&rsquo;\u00a0on 2nd September. 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