{"id":27729,"date":"2013-07-20T11:30:25","date_gmt":"2013-07-20T11:30:25","guid":{"rendered":"https:\/\/alreadyheard.com\/staging\/album-review-one-hundred-year-ocean-where-were\/"},"modified":"2018-03-17T15:18:21","modified_gmt":"2018-03-17T15:18:21","slug":"album-review-one-hundred-year-ocean-where-were","status":"publish","type":"post","link":"https:\/\/alreadyheard.com\/staging\/album-review-one-hundred-year-ocean-where-were\/","title":{"rendered":"Album Review: One Hundred Year Ocean &#8211; Where Were You When We Were Getting High? EP"},"content":{"rendered":"<p><span><img decoding=\"async\" alt=\"image\" src=\"https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2013\/07\/tumblr_inline_mq5c3z8uHW1qztcot.jpg\" title=\"\">Not content to have already released one eye-catching album this year as part of the bright, upcoming emo outfit named The World Is A Beautiful Place &amp; I Am No Longer Afraid To Die, guitarist and vocalist Derrick Shanholtzer also happens to release his solo material under the less-alienating moniker <\/span><strong>One Hundred Year Ocean<\/strong><span> (lack of basic understanding of oceanography notwithstanding). With the former, Shanholtzer and his comrades have built an impressive form of expansive emo, blending the openendedness of post-rock with the reassuring lyrical angst of the genre. Whereas TWIABP often manages to be beautiful, the new <\/span><strong>One Hundred Year Ocean <\/strong><span>EP; <em>\u2018<\/em><\/span><em>Where Were You When We Were Getting High?\u2019<\/em><span>\u00a0delivers its variety of ideas with gritty sound and intimacy, and simply demands a dispelling of comparisons to TWIABP, thus invalidating the rest of my introduction. Read it, then, as a cautionary tale.<\/span><\/p>\n<p>If were are willing to ignore how much a given person must admire Oasis to actually name an EP after one of their lyrics, <strong>One Hundred Year Ocean<\/strong><span> actually has a fair bit to offer and, over the course of the EP\u2019s four tracks, seldom recycles its own ideas. \u2018<\/span><span>Hospital Town<\/span><span>\u2019 gradually builds from its opening clean slo-mo guitars to a restrained climax, wrapping Shanholtzer\u2019s <\/span><span>blas\u00e9<\/span><span> tones in softness that turns to measured grandeur. His oft-repeated line <em>&ldquo;<\/em><\/span><em>I hope there is a hell for you&rdquo;<\/em><span>\u00a0thus benefits from feeling different on either side of the shift. <em>\u2018<\/em><\/span><em>Soco Amaretto Bud Light Time\u2019<\/em><span>\u00a0transitions effortlessly from energetic sections to delicate passages with ease, with crunchy guitar scratching one minute and <\/span><span>larghetto<\/span><span> clean licks the other, Shanholtzer\u2019s passionate delivery ever-present. The track twists and turns, perhaps desperately trying to avoid the risk of resorting to tropes, going so far as to unleash a surprisingly effective trumpet finale.<!-- more --><\/span><\/p>\n<p>&amp;amp;amp;lt;a href=&ldquo;http:\/\/onehundredyearocean.bandcamp.com\/album\/where-were-you-while-we-were-getting-high&rdquo; data-mce-href=&ldquo;http:\/\/onehundredyearocean.bandcamp.com\/album\/where-were-you-while-we-were-getting-high&rdquo;&amp;amp;amp;gt;Where Were You While We Were Getting High? by One Hundred Year Ocean&amp;amp;amp;lt;\/a&amp;amp;amp;gt;<\/p>\n<p><span>Trumpet has a history of marrying well to emotional tracks with twinkle-toned guitars (think This Town Needs Guns\u2019 Elk, and the work of Danish outfit Mimas), and commands an important role in the minute-long <em>\u2018<\/em><\/span><em>Apples<\/em><span><em>\u2019.<\/em> With ever-so-slight hints of the more dynamic horn range of ska, the track\u2019s heavier yet leaner approach finds its hook in the trumpet melodies and a strange anecdote about drinking one\u2019s own urine. Finally,<em> \u2018<\/em><\/span><em>Magnetic Curses\u2019<\/em><span>combines nod-inducing guitar work, the dulcet tones of the solitary trumpet, and softly-harmonized self-hating lyrics to beautiful effect. As the instrumentals suddenly crescendo, accompanied by Shanholtzer\u2019s pained wail, this reviewer is reminded of how few second-wave emo bands manage to muster the emotional intensity of their influences, in a way that <\/span><strong>One Hundred Year Ocean<\/strong><span> quite clearly can.<\/span><\/p>\n<p><span>Revival genres are about re-igniting the sentiment of bygone eras without tying its authenticity to a particular set of stylistic codes. As such, <\/span><strong>One Hundred Year Ocean<\/strong><span>\u2019s<em> \u2018<\/em><\/span><em>Where Were You When We Were Getting High?<\/em><span><em>\u2019<\/em> is an example of how to accomplish that exactly right. Crunchy in parts, intricately delicate in others, mixing melancholia and angst-ridden themes without falling into pathos, Shanholtzer successfully channels the soul of emo through a confidently varied indie exterior. Also, trumpets. <\/span><\/p>\n<p><span>4.5\/5<\/span><\/p>\n<p><span><em>&lsquo;Where Were You When We Were Getting High?&rsquo;<\/em> EP by\u00a0<strong>One Hundred Year Ocean<\/strong> is available now on <a href=\"http:\/\/onehundredyearocean.bandcamp.com\/album\/where-were-you-while-we-were-getting-high\" target=\"_blank\" rel=\"noopener\">Bandcamp<\/a> and will be released on vinyl soon through\u00a0<\/span><span><strong>Broken World Media<\/strong>.<\/span><\/p>\n<p><span><strong>One Hundred Year Ocean<\/strong> links: <a href=\"https:\/\/www.facebook.com\/onehundredyearocean\" target=\"_blank\" rel=\"noopener\">Facebook<\/a>|<a href=\"http:\/\/onehundredyearocean.tumblr.com\/\" target=\"_blank\" rel=\"noopener\">Tumblr<\/a><\/span><\/p>\n<p><span>Words by James Berclaz-Lewis (<a href=\"http:\/\/twitter.com\/swissbearclaw\" target=\"_blank\" rel=\"noopener\">@swissbearclaw<\/a>)<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Not content to have already released one eye-catching album this year as part of the bright, upcoming emo outfit named The World Is A Beautiful Place &amp; I Am No Longer Afraid To Die, guitarist and vocalist Derrick Shanholtzer also happens to release his solo material under the less-alienating moniker One Hundred Year Ocean (lack [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":27730,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[15,8181],"tags":[5879,12207,1125,12208],"class_list":["post-27729","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-album-reviews","category-post","tag-album-reviews","tag-one-hundred-year-ocean","tag-the-world-is-a-beautiful-place-i-am-no-longer-afraid-to-die","tag-where-were-you-when-we-were-getting-high"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Album Review: One Hundred Year Ocean - Where Were You When We Were Getting High? 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