{"id":2994,"date":"2017-02-15T11:24:24","date_gmt":"2017-02-15T11:24:24","guid":{"rendered":"https:\/\/alreadyheard.com\/staging\/influences-slyde\/"},"modified":"2017-02-15T11:24:24","modified_gmt":"2017-02-15T11:24:24","slug":"influences-slyde","status":"publish","type":"post","link":"https:\/\/alreadyheard.com\/staging\/influences-slyde\/","title":{"rendered":"Influences: Slyde"},"content":{"rendered":"<p><figure class=\"tmblr-full\"><img decoding=\"async\" src=\"https:\/\/78.media.tumblr.com\/2ebb7219f5777791e4f6d671cf0f17f5\/tumblr_olbxehxh1j1r8no6so1_1280.jpg\" width=\"100%\" alt=\"\" title=\"\"><\/figure>\n<\/p>\n<p>Later this week, Canadian melodic technical proggers <b>Slyde<\/b> return after a two-year hiatus with a new EP titled <i>&lsquo;Back Again&rsquo;<\/i>. With their homeland having a long history of producing technically proficient bands, <b>Slyde<\/b> are no different. The combination of Nathan Da Silva\u2019s elegant vocals and Sarah Westbrooks powering keyboard skills serve as the nucleus of their sound as heard on songs such as <i>&#8216;Join The Parade&rsquo;<\/i> and <i>&#8216;Fading&rsquo;<\/i>. <\/p>\n<p>Over the course of just under 19 minutes, the Ottawa quartet display a range of positive melodies, dazzling instrumentation and textures.<\/p>\n<p>As their homeland has a strong history of producing impressive bands, as well as coming from the tech-prog world, it&rsquo;s no surprise <b>Slyde<\/b> have a wide range of influences. So we asked vocalist and guitarist Nathan Da Silva to tell us about the bands that have inspired him.<\/p>\n<p><a href=\"https:\/\/open.spotify.com\/user\/alreadyhearduk\" target=\"_blank\" rel=\"noopener\">Follow us on Spotify for more playlists<\/a>.<\/p>\n<h2>Rush<\/h2>\n<p>This one needs no reason or justification &#8211; they are prog rock icons. It&rsquo;s the band most people compare our band to (most likely because of the vocals), and they continue to resonate in Canadian rock, even to this day after their retirement. I personally like the 80s-era <b>Rush<\/b> the most.<!-- more --><\/p>\n<h2>Tragically Hip<\/h2>\n<p>My mom loves <b>The Tragically Hip<\/b>, so naturally, I loved them as a kid. A great rock &#8216;n&rsquo; roll band with songs all about Canadiana. The Hip mostly stayed in Canada with their fan base (I hear they would play small clubs in the US and 50-60 would show up &#8211; mostly all Canadian tourists haha), but everybody here knows them.<\/p>\n<h2>Big Wreck<\/h2>\n<p>Not a super huge fan, but their album <i>&#8216;Albatross&rsquo;<\/i> is one of my favourite records, and Ian Thornley is a god damn mutant of musician\/player\/songwriter.  He&rsquo;s the Canadian Chris Cornell, only better (no offense to Cornell &#8211; I love that guy too).<\/p>\n<h2>Our Lady Peace<\/h2>\n<p>Again, this band hit me really hard when I was a kid. Their albums <i>&#8216;Naveed&rsquo;<\/i> and <i>&#8216;Clumsy&rsquo;<\/i> are classics to me, but not really into any of their other albums after that. They didn&rsquo;t really sound like any other band at the time &#8211; the singer Raine Maida kinda had this altered-Axl Rose thing going on, mixed with a post-grunge alternative sound.<\/p>\n<h2>Metric<\/h2>\n<p>Absolutely loved their album Fantasies in 2009, and that&rsquo;s enough for me to put them on this list. Also an excellent live act.  I&rsquo;ve seen them live 4 times and they get better every time.<\/p>\n<\/p>\n<p><i>&#8216;Back Again&rsquo;<\/i> EP by <b>Slyde<\/b> is released on 17th February.<\/p>\n<p><b>Slyde<\/b> links: <a href=\"https:\/\/www.facebook.com\/slydeband\/\" target=\"_blank\" rel=\"noopener\">Facebook<\/a>|<a href=\"http:\/\/www.twitter.com\/slydeband\" target=\"_blank\" rel=\"noopener\">Twitter<\/a>|<a href=\"https:\/\/slyde.bandcamp.com\/\" target=\"_blank\" rel=\"noopener\">Bandcamp<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Later this week, Canadian melodic technical proggers Slyde return after a two-year hiatus with a new EP titled &lsquo;Back Again&rsquo;. With their homeland having a long history of producing technically proficient bands, Slyde are no different. The combination of Nathan Da Silva\u2019s elegant vocals and Sarah Westbrooks powering keyboard skills serve as the nucleus of [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":16117,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[144],"tags":[2214,2239,122,2236,2240,2237,2213,2238],"class_list":["post-2994","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-influences","tag-back-again-ep","tag-big-wreck","tag-feature","tag-metric","tag-our-lady-peace","tag-rush","tag-slyde","tag-tragically-hip"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Influences: Slyde - Already Heard Staging<\/title>\n<meta name=\"description\" content=\"Later this week, Canadian melodic technical proggers Slyde return after a two-year hiatus with a new EP titled &lsquo;Back Again&rsquo;. 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