{"id":3186,"date":"2017-01-26T15:00:12","date_gmt":"2017-01-26T15:00:12","guid":{"rendered":"https:\/\/alreadyheard.com\/staging\/review-aaron-keylock-cut-against-the-grain\/"},"modified":"2017-01-26T15:00:12","modified_gmt":"2017-01-26T15:00:12","slug":"review-aaron-keylock-cut-against-the-grain","status":"publish","type":"post","link":"https:\/\/alreadyheard.com\/staging\/review-aaron-keylock-cut-against-the-grain\/","title":{"rendered":"Review: Aaron Keylock &#8211; Cut Against the Grain"},"content":{"rendered":"<p><figure class=\"tmblr-full\"><img decoding=\"async\" src=\"https:\/\/78.media.tumblr.com\/6f5a35d493d6488097bc4a77f4756722\/tumblr_ojw07zX49O1r8no6so1_1280.jpg\" width=\"250em\" alt=\"\" title=\"\"><\/figure>\n<p>Despite its ever-baffling profitability, countryfied &lsquo;70s hard rock is a played out musical trend in the 21st century. Anything interesting in this genre was probably achieved between 1970 and 1975, and any revival is a pale substitute. So teenage guitarist <b>Aaron Keylock<\/b> isn&rsquo;t exactly off to a good start occupying this music space. But credit&rsquo;s due where credit&rsquo;s due: <b>Keylock<\/b> is a very good guitarist, especially for his age. This shows throughout his debut, <i>&#8216;Cut Against the Grain&rsquo;<\/i>, in spades. While the music is largely uninteresting, the guitar work is fantastic in places.<\/p>\n<p>Unfortunately, the songwriting is as clich\u00e9d as can be. <i>&#8216;All the Right Moves&rsquo;<\/i> and <i>&#8216;Down&rsquo;<\/i>, open the album with a pair of boring hard-rockers, while the mid-paced <i>&#8216;Medicine Man&rsquo;<\/i> sounds like an Aerosmith B-side.<\/p>\n<p><!-- more --><\/p>\n<p><i>&#8216;Just One Question&rsquo;<\/i> probably isn&rsquo;t intended as a meta-commentary on Led Zeppelin&rsquo;s well-documented plagiarism, but it&rsquo;s lifting of the entire <i>&#8216;Since I&rsquo;ve Been Loving You&rsquo;<\/i> instrumental means it could be. It&rsquo;s not that re-use of other artists&rsquo; music is inherently bad: <b>Keylock<\/b> himself has described the track as a <i>\u201cblues song\u201d<\/i>, so it makes sense. But he does absolutely nothing interesting with it, and this comes off as a lack of creativity.<\/p>\n<p><i>&#8216;Falling Again&rsquo;<\/i> at least makes good use of its <i>&#8216;Sympathy for the Devil&rsquo;<\/i>-inspired chants, and incorporates more intriguing musical elements than most of <i>&#8216;Cut Against the Grain&rsquo;<\/i>, standing out as one of the album&rsquo;s better tracks.<\/p>\n<p>The album quickly descends into a mess of cut-and-paste blues-rock filler (<i>&#8216;Spin the Bottle&rsquo;<\/i>, <i>&#8216;Sun&rsquo;s Gonna Shine&rsquo;<i>) and disingenuous ballads (<i>&#8216;Try&rsquo;<\/i>, <i>&#8216;No Matter the Cost&rsquo;<\/i>). However, a late stand-out is <i>&#8216;That&rsquo;s Not Me&rsquo;<\/i>, which at least sounds like it has some weight and earnest behind it.<\/i><\/i><\/p>\n<p><i>&#8216;Cut Against the Grain&rsquo;<\/i> is, for all it&rsquo;s effort and sincerity, not a great album. <b>Aaron Keylock<\/b> is far from untalented, and there are some interesting ideas now and again, but none of these are ever fully tapped into and the album falls far short of its potential.<\/p>\n<p>2\/5<\/p>\n<p><i>&#8216;Cut Against the Grain&rsquo;<\/i> by <b>Aaron Keylock<\/b> is out now on <b>Provogue<\/b>\/<b>Mascot Label Group<\/b>.<\/p>\n<p><b>Aaron Keylock<\/b> links: <a href=\"http:\/\/www.aaronkeylock.com\/\" target=\"_blank\" rel=\"noopener\">Website<\/a>|<a href=\"https:\/\/www.facebook.com\/aaronkeylock\/\" target=\"_blank\" rel=\"noopener\">Facebook<\/a>|<a href=\"https:\/\/twitter.com\/AaronKeylock\" target=\"_blank\" rel=\"noopener\">Twitter<\/a><\/p>\n<p>Words by Alan Cunningham (<a href=\"https:\/\/twitter.com\/funeral_polis\" target=\"_blank\" rel=\"noopener\">@funeral_polis<\/a>)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Despite its ever-baffling profitability, countryfied &lsquo;70s hard rock is a played out musical trend in the 21st century. Anything interesting in this genre was probably achieved between 1970 and 1975, and any revival is a pale substitute. So teenage guitarist Aaron Keylock isn&rsquo;t exactly off to a good start occupying this music space. But credit&rsquo;s [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":16072,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[15],"tags":[2321,2322,2324,2323],"class_list":["post-3186","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-album-reviews","tag-aaron-keylock","tag-cut-against-the-grain","tag-mascot-label-group","tag-provogue"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Review: Aaron Keylock - Cut Against the Grain - Already Heard Staging<\/title>\n<meta name=\"description\" content=\"Despite its ever-baffling profitability, countryfied &lsquo;70s hard rock is a played out musical trend in the 21st century. 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