{"id":32017,"date":"2012-12-03T16:57:23","date_gmt":"2012-12-03T16:57:23","guid":{"rendered":"https:\/\/alreadyheard.com\/staging\/live-review-hell-is-for-heroes-and-radio-alcatraz\/"},"modified":"2018-07-10T12:54:00","modified_gmt":"2018-07-10T11:54:00","slug":"live-review-hell-is-for-heroes-and-radio-alcatraz","status":"publish","type":"post","link":"https:\/\/alreadyheard.com\/staging\/live-review-hell-is-for-heroes-and-radio-alcatraz\/","title":{"rendered":"Live Review: Hell Is for Heroes and Radio Alcatraz &#8211; The Peel, Kingston &#8211; 21\/11\/2012"},"content":{"rendered":"<p><span><img decoding=\"async\" align=\"left\" height=\"84\" src=\"http:\/\/imageshack.us\/a\/img442\/2658\/hellisforheroesa.jpg\" width=\"150\" alt=\"\" title=\"\">Above all else, 2012 has been the year of the triumphant comeback. We&rsquo;ve seen bands visit our shores this year we&rsquo;d have never dreamt of seeing in a millennia &#8211; bands like Refused and At The Drive-In, whose music not only changed the face of a genre but created new genres too. Cynics may point out certain ulterior motives for reformation, but seeing these giants of post-hardcore who have produced albums considered the greatest of all time (especially on a personal level), has been the stuff of fantasies.<\/span><\/p>\n<p>Refused and At The Drive-In may have been instrumental in drawing the outlines of my musical taste, but it was the BritRock scene of the early to mid-00s that formed it. Bands like Biffy Clyro and Reuben (still holding out on their reunion show if you&rsquo;re reading, lads) received my ultimate adoration, as did the likes of Hundred Reasons and tonight&rsquo;s act, <strong>Hell Is For Heroes<\/strong>. The careers of the latter two reached a somewhat ignominious ending, so they have decided to join forces for one last jaunt, a final sign-off and swan song to ensure their place in the annals is assured, culminating in a show at London&rsquo;s Kentish Town Forum. After around 5 years out of business though, Banquet Records felt they needed a couple of warm-up shows to get the blood pumping in those veins again, and who were we to deny the chance to be the rapturous crowd? On a November night chillier than an Inuit&rsquo;s goolies, a sold-out crowd descended on Kingston&rsquo;s landmark Peel venue to witness <strong>Hell Is For Heroes<\/strong>&rsquo; magnum opus &rsquo;<em>The Neon Handshake&rsquo;<\/em>\u00a0played in its entirety.<!-- more --><\/p>\n<p>Before we get onto that, a quick word on support band <strong>Radio Alcatraz<\/strong>. Now, in my first paragraph I talked of musical idols; there&rsquo;s a level of adoration and pedestal-placing a band can do for certain acts, and then there&rsquo;s just plain aping. Radio Alcatraz sound like a direct fusion between Glassjaw and At The Drive-In, which might be perfect for anyone who couldn&rsquo;t get to either of their UK dates, but for those who caught the real thing, it&rsquo;s a paltry facsimile. The moves are the same, the riffs are tiresomely familiar and attention quickly wanders. This may be the most blatant attempt at band Frankenstein-ing I&rsquo;ve seen since Letlive down the road at the Fighting Cocks &#8211; they&rsquo;ve sewn together the best parts of their heroes, but the seams are showing, and they&rsquo;re looking pretty frayed. (2.5\/5)<\/p>\n<p>As was the case with Hundred Reasons&rsquo; show at the Fighting Cocks show earlier this year, the average age of this crowd is around 25, but the assembled receding hairlines (and expanding guts) don&rsquo;t hesitate to show what they&rsquo;re made of as <strong>Hell Is For Heroes<\/strong> slam into &rsquo;<em>Five Kids Go&rsquo;<\/em>. One of many huge singalongs that take place this evening, the five-piece hit the ground running on absolutely incendiary form, that continues throughout.<\/p>\n<p>Frontman Justin Schlosberg prowls about the stage like the devil&rsquo;s inside of him, even successfully pulling off a crowd-supported ceiling walk during &rsquo;<em>Out Of Sight&rsquo;<\/em>. The meaning of rapturous reception the band are\u00a0receiving\u00a0is etched all over their faces, and reflected in the spot-on emotional gravitas they give tracks like &rsquo;<em>Night Vision&rsquo;<\/em>. Both band and crowd get it just right tonight &#8211; hands outstretched skywards during the soaring, emotive songs, wreaking havoc and losing their proverbial shit to massive headbanging anthems like &rsquo;<em>I Can Climb Mountains&rsquo;<\/em>\u00a0and &rsquo;<em>You Drove Me To It&rsquo;<\/em>.<\/p>\n<p>As &rsquo;<em>Retreat<\/em>&rsquo; closes out proceedings poignantly, the crowd are left baying for more; unfortunately, as the only downside of the night, the band don&rsquo;t particularly deliver in the encore. Sure, it&rsquo;s nice to hear &rsquo;<em>Folded Paper Figures&rsquo;<\/em>\u00a0from hugely underrated follow-up record &rsquo;<em>Transmit\/Disrupt<\/em>&rsquo;, but an obscure B-side that sounds like a cross between Hoobastank&rsquo;s &rsquo;<em>Crawling In The Dark<\/em>&rsquo; and <em>Showbiz<\/em>-era Muse is an awkward fit and makes for a damp squib at the end of a triumphant set.<\/p>\n<p>At one point Justin proclaims &ldquo;We had no idea Kingston loved us this much&rdquo; &#8211; perhaps a sardonic nod to the dwindling attendances towards the end of their original lifespan, but I&rsquo;m taking it as genuine humility at the response and what these songs mean to the gathering before them. Tonight has been a glorious victory lap for the Londoners and, having only previously witnessed half of a <strong>HIFH\u00a0<\/strong>set beforehand (supporting Biffy Clyro at the London Astoria), I feel truly blessed to have been a part of it. If Hell is full of Heroes like these, then damn me straight to Hades.(4.5\/5)<\/p>\n<p>4.5\/5<\/p>\n<p>Words by Ollie Connors (<a href=\"https:\/\/twitter.com\/olliexcore\" target=\"_blank\" rel=\"noopener\">@olliexcore<\/a>)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Above all else, 2012 has been the year of the triumphant comeback. We&rsquo;ve seen bands visit our shores this year we&rsquo;d have never dreamt of seeing in a millennia &#8211; bands like Refused and At The Drive-In, whose music not only changed the face of a genre but created new genres too. Cynics may point [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":35299,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[10,8181],"tags":[50,3595,5881,7219,10392],"class_list":["post-32017","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-live-reviews","category-post","tag-hell-is-for-heroes","tag-kingston","tag-live-reviews","tag-radio-alcatraz","tag-the-peel"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Live Review: Hell Is for Heroes and Radio Alcatraz - The Peel, Kingston - 21\/11\/2012 - Already Heard Staging<\/title>\n<meta name=\"description\" content=\"Above all else, 2012 has been the year of the triumphant comeback. 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