{"id":32359,"date":"2012-11-07T20:43:08","date_gmt":"2012-11-07T20:43:08","guid":{"rendered":"https:\/\/alreadyheard.com\/staging\/versus-finch-say-hello-to-sunshine-vs-what\/"},"modified":"2023-02-21T16:00:11","modified_gmt":"2023-02-21T16:00:11","slug":"versus-finch","status":"publish","type":"post","link":"https:\/\/alreadyheard.com\/staging\/versus-finch\/","title":{"rendered":"Versus: Finch &#8211; &#8216;Say Hello To Sunshine&#8217; Vs &#8216;What It Is To Burn&#8217;"},"content":{"rendered":"<p><img fetchpriority=\"high\" decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2012\/11\/finchversus.jpg\" width=\"510\" height=\"255\" align=\"middle\" alt=\"\" title=\"\"><\/p>\n<p>That day a few weeks back when the world found out <strong>Finch<\/strong> would reform for some shows was an absolute dream come true to some of the population of this world. A 10-year anniversary show celebrating the release of <em>\u2018What It Is To Burn\u2019<\/em> with the said album being played in full! Pinch me now, right?<\/p>\n<p>Well, maybe not right. One of our writers Ollie Connors is pretty convinced that <em>&#8216;Say Hello To Sunshine\u2019<\/em> is <strong>Finch<\/strong>\u2019s best album. So, Sean Reid steps up to defend <em>&#8216;What It Is To Burn\u2019<\/em>. This one could get nasty\u2026<\/p>\n<p><em>Let us know what you think on\u00a0<a href=\"http:\/\/www.twitter.com\/alreadyhearduk\" target=\"_blank\" rel=\"noopener\">Twitter<\/a>\u00a0and\u00a0<a href=\"http:\/\/www.facebook.com\/alreadyheard\" target=\"_blank\" rel=\"noopener\">Facebook<\/a>.<\/em><\/p>\n<h2><strong>&#8216;What It Is To Burn\u2019<\/strong> (by Sean Reid)<\/h2>\n<p>Let\u2019s get this straight, <strong>Finch<\/strong>\u2019s d\u00e9but album <em>&#8216;What It Is To Burn&#8217;\u00a0<\/em>is simply brilliant. It thrives on the band&#8217;s youthful hunger and benefits from Mark Trombino production; although some may say it hinders the album by making it to polished in places.<\/p>\n<p>Nevertheless, it\u2019s packed full of great, great songs that have made <em>&#8216;WIITB\u2019<\/em> a \u201ccult classic\u201d ten years later. Tracks like <em>&#8216;New Beginnings\u2019<\/em> and<em> &#8216;Grey Matter\u2019<\/em> have a post-hardcore edge that supplements the more\u00a0accessible\u00a0songs like <em>&#8216;Letters To You\u2019<\/em> and <em>&#8216;Stay With Me\u2019<\/em>\u00a0that take on a more chorus-driven approach yet the album throughout is carried by Finch\u2019s high-energy.<\/p>\n<p><!-- more --><\/p>\n<p>From start to finish <em>&#8216;WIITB\u2019<\/em> has stand-out tracks, most which have huge, momentous choruses; <em>&#8216;Untitled,\u2019<\/em> <em>&#8216;Without You Here\u2019<\/em> and of course <em>&#8216;What It Is To Burn.&#8217;\u00a0<\/em>It\u2019s a style that opened doors and introduced fans to bands such as Thrice, Senses Fail, Saosin and Matchbook Romance.<\/p>\n<p>On top of this, the band&#8217;s knack of producing \u201ccatchy\u201d edgy post-hardcore songs comes off a original, even if it\u2019s not entirely but <em>&#8216;WIITB\u2019<\/em> sounds refreshing and at times overwhelmingly exciting. And in the spectrum of Drive-Thru bands, back in 2002, they gave the label something different from the MTV-friendly Pop Punk bands.<\/p>\n<p>Perhaps like many I didn\u2019t quite embrace<em> &#8216;Say Hello To Sunshine\u2019<\/em> as much as I should of, yet I appreciate Finch\u2019s progression on that record, but it\u2019s their d\u00e9but that I\u2019m still fond of ten years later. A superb collection of chorus-focused, post-hardcore songs that have somehow turned out to be timeless and continue to gain new fans purely on its great balance of aggression and melody.<\/p>\n<p>I can\u2019t wait for March and sing <em>&#8216;What It Is To Burn\u2019<\/em> in complete unison.<\/p>\n<p><iframe title=\"Spotify Embed: What It Is To Burn\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/7mEAwKVcYuMOKOCFQI6kfi?si=0a_Ugsu9R3iSBGG5mcTZzQ&#038;utm_source=oembed\"><\/iframe><\/p>\n<h2><strong>&#8216;Say Hello To Sunshine\u2019<\/strong> (by Ollie Connors)<\/h2>\n<p>The so-called \u201cdifficult second album syndrome\u201d is one of music\u2019s great clich\u00e9s. Even upon reading that sentence, I\u2019m sure a lot of you are formulating a list of bands that provided a diminishing return after a barnstorming debut. As is well-covered by my rival, in 2002\u00a0<strong>Finch<\/strong>\u00a0blew the whole world away with <em>&#8216;What It Is To Burn\u2019<\/em>, a landmark record in post-hardcore\/\u201cemo\u201d. What came afterwards though, was the Californians becoming a real force, and why I remain constantly disappointed they were unable to stay together long enough to build on the foundations laid down by <em>&#8216;Say Hello To Sunshine\u2019<\/em>. Sure, <em>&#8216;WIITB\u2019<\/em> had MASSIVE hits. Put on <em>&#8216;Letters To You\u2019<\/em>, <em>&#8216;New Beginnings\u2019<\/em>, <em>&#8216;Three Simple Words\u2019<\/em> or the eponymous track, and I will belt out every single word. However, that album, as treasured as it may be by my 15-year-old self is a little basic. It\u2019s even, dare I say it, a tad\u00a0<em>juvenile.<\/em>\u00a0<em>&#8216;Say Hello To Sunshine\u2019<\/em> is the album <strong>Finch<\/strong> found their feet, where they had the balls to experiment, where they discovered their true strength of songcraft, where they became real\u00a0<em>artists.<\/em><\/p>\n<p>Let\u2019s not go into this under false\u00a0pretenses &#8211; this album is utterly and completely indebted to Faith No More. Take <em>&#8216;Ink\u2019<\/em> for instance; the jagged riff, and Nate Barcalow\u2019s vocal going upwards in stages, from a menacing growl, to a melodic croon, to a harsh yell, is much like anything you\u2019d find on <em>&#8216;Angel Dust\u2019<\/em>. The fact is though, this album should be treasured for its willingness to try and bring something unique to the table. Think about it &#8211; Funeral For A Friend came back with Hours, which was essentially a re-run of their first album, their popularity waned as a result and arguably they\u2019ve never quite recovered.\u00a0<strong>Finch<\/strong>\u00a0stayed fresh and they\u2019re selling out Brixton Academy on their reunion tour. This album dared to be different; after Glassjaw had released <em>&#8216;Worship And Tribute\u2019<\/em>, not to release another note of recorded music for 9 years after, this filled the void they had left in dark, dangerous and malevolent post-hardcore music.<\/p>\n<p>Whereas you look back on the highlights of <em>&#8216;WIITB\u2019<\/em> with rose-tinted specs on, it\u2019s this set of songs that\u2019s stood the test of time. <em>&#8216;Brother Bleed Brother\u2019<\/em> scrapes the same stratosphere as <em>&#8216;Antenna\u2019<\/em>-era Cave In and <em>&#8216;A-Types\u2019<\/em>-era Hopesfall, progressing far beyond from the stock melodies of something like <em>&#8216;Stay With Me\u2019<\/em> off the first record. <em>&#8216;Bitemarks And Bloodstains\u2019<\/em>, this album\u2019s sole single, is a career highlight &#8211; off-kilter, atmospheric riffs lie below a conceptual lyric based on anime Vampire Hunter, but before you start thinking this is some sub-Twilight twaddle, the swirling, waltzing section leading into a huge screamed\/soaring vocal trade-off is simply magnificent. And for anyone whose favourite moment on <em>&#8216;WIITB\u2019<\/em> is the track featuring Daryl Palumbo (of the aforementioned Glassjaw), <em>&#8216;Project Mayhem\u2019<\/em>, try <em>&#8216;The Casket Of Roderick Usher\u2019<\/em> for size &#8211; its Dillinger Escape Plan-esque mathy exclamation is on another plain to the heavier moments of <em>&#8216;WIITB\u2019<\/em>.<\/p>\n<p>What I think I love most about this record is how divisive it is. Loving such a \u201cMarmite\u201d record in debate always makes for a fiery discussion, and I can\u2019t help but back this record to the hilt.\u00a0<strong>Finch<\/strong>\u00a0really discovered their true potential here, and we have but a sole self-titled EP and a couple of demos (plus another track for vampire movie Underworld soundtrack, <em>&#8216;Worms Of The Earth\u2019<\/em>, one of the very best things they\u2019ve ever done) recorded after this piece that reflect what could have been. I\u2019m not here to deny the nostalgic glory of<em> &#8216;WIITB\u2019<\/em>, that album was glued to my CD player in my formative years. However, where <em>&#8216;WIITB\u2019<\/em> stayed safe and cookie-cutter, <em>&#8216;Say Hello To Sunshine\u2019<\/em> dares to push the boat out with no regard to consequences &#8211; perhaps they knew the band would fall apart less than a year on from its release, and set out to make the bravest moves they could before swiftly imploding. This will always be the\u00a0<strong>Finch<\/strong>\u00a0album I revisit time and time again, the album that remains so much more relevant to my current music taste; where<em> &#8216;WIITB\u2019<\/em> is undeniably confined to its era, no-one would blink an eye if <em>&#8216;SHTS&#8217;\u00a0<\/em>was released in 2012 &#8211; \u00a0truly lightyears ahead of its time.<\/p>\n<p><iframe title=\"Spotify Embed: Say Hello To Sunshine\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/5Apx5yOo9hTfXUoiwr21ZN?si=BsP59l0KTweR16QpuVJ4oQ&#038;utm_source=oembed\"><\/iframe><\/p>\n<div>\n<p><em>What is your\u00a0favourite Finch album? Let us know on\u00a0<a href=\"http:\/\/www.facebook.com\/alreadyheard\" target=\"_blank\" rel=\"noopener\">Facebook<\/a>\u00a0or\u00a0<a href=\"http:\/\/www.twitter.com\/alreadyhearduk\" target=\"_blank\" rel=\"noopener\">Twitter<\/a>.<\/em><\/p>\n<p><strong>Finch<\/strong>\u00a0links:\u00a0<a href=\"http:\/\/www.zombiefinch.com\" target=\"_blank\" rel=\"noopener\">Website<\/a>|<a href=\"http:\/\/www.facebook.com\/officialofficialfinch\" target=\"_blank\" rel=\"noopener\">Facebook<\/a><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>That day a few weeks back when the world found out Finch would reform for some shows was an absolute dream come true to some of the population of this world. A 10-year anniversary show celebrating the release of \u2018What It Is To Burn\u2019 with the said album being played in full! Pinch me now, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":32360,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2123],"tags":[122,3187,14156,5966,13532],"class_list":["post-32359","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-versus","tag-feature","tag-finch","tag-say-hell-to-sunshine","tag-versus","tag-what-it-is-to-burn"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Versus: Finch - &#039;Say Hello To Sunshine&#039; Vs &#039;What It Is To Burn&#039; - Already Heard Staging<\/title>\n<meta name=\"description\" content=\"That day a few weeks back when the world found out Finch would reform for some shows was an absolute dream come true to some of the population of this\" \/>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Versus: Finch - 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