{"id":3299,"date":"2016-12-22T11:45:17","date_gmt":"2016-12-22T11:45:17","guid":{"rendered":"https:\/\/alreadyheard.com\/staging\/feature-10-awesome-albums-from-2016-you-might\/"},"modified":"2016-12-22T11:45:17","modified_gmt":"2016-12-22T11:45:17","slug":"feature-10-awesome-albums-from-2016-you-might","status":"publish","type":"post","link":"https:\/\/alreadyheard.com\/staging\/feature-10-awesome-albums-from-2016-you-might\/","title":{"rendered":"Feature: 10 Awesome Albums From 2016 You Might Have Missed…"},"content":{"rendered":"

\"\"<\/figure>\n<\/p>\n

By now you\u2019ve surely seen Already Heard<\/b>\u2019s Top 10 Albums of 2016<\/a> and debated, deliberated and decided on your own favourite album. But we\u2019re not finished with our 2016 review just yet.<\/p>\n

Already Heard<\/b>\u2019s Top 10 Albums are decided by a site-wide staff vote. And, while this is democratic and excellent for deciding on a site favourite, skews the list in favour of albums more staff have heard.\n<\/p>\n

With that in mind, here\u2019s 10 of the best that were selected by only one or two members of staff, representing smaller, up-and-coming bands you would do well to get on board with. Have a listen and find your new favourite band.<\/p>\n

<\/p>\n

\"\"Blowout \u2013 No Beer, No Dad <\/h2>\n

Not quite indie, not quite emo and not quite pop-punk, Portland, OR\u2019s Blowout<\/b> have hit on a sound that should appeal to fans of the likes of Martha and Modern Baseball. Literate and smart, \u2018No Beer, No Dad\u2019<\/i> is also packed with huge hooks to go with the powerful, sometimes playful lyrics and heavy irony. It\u2019s a winning combination, with cuts like \u2018Green Couch\u2019<\/i>, If Else If\u2019<\/i> and \u2018Fuckslang\u2019<\/i> sparkling from start to finish. Now for the sad news; they\u2019ve said on social media that they might only have a couple of gigs left in them. They burned fast and bright, but \u2018No Beer, No Dad\u2019<\/i> is anything but a blow out. (RM)<\/p>\n

No Beer, No Dad by Blowout<\/a><\/p>\n

\"\"FOES \u2013 The Summit Lies Skyward<\/h2>\n

2016 has been a big year for Liverpool’s best kept secret, four piece alt-rock outfit FOES<\/b>. After signing a deal with Basick Records and perfecting a live show that leaves all who see it speechless, FOES<\/b> unleashed their debut full-length ‘The Summit Lies Skyward’<\/i>. A progressive masterpiece, ‘Summit’<\/i> dropped in October after a summer of festival appearances and touring to rave reviews.<\/p>\n

With an eclectic and powerful sound encompassing a collection of influences from across the board, songs like ‘No Sleepers Verse’<\/i> and ‘Young Sovereign’<\/i> land like the heavy rights of a champion boxer.<\/p>\n

The production is crystal clear, helping FOES<\/b> to create a beautiful and, at points, other-worldly landscape, the same haunting tones this band are synonymous with. That’s not to say that this album doesn’t rip when it needs to \u2013 there are riffs of spine-tingling proportions on offer. All these factors pull together to create a forward thinking, powerful, defiant and at times utterly epic collection of songs. (JH)<\/p>\n

The Summit Lies Skyward by FOES<\/a><\/p>\n

\"\"Gouge Away \u2013 ,dies.<\/h2>\n

Catharsis has become too superficial. Too manufactured. Too forced. Real anger comes from deep in the gut of your stomach from those things that make your blood boil and fists clench. In 2016 one band captured that feeling better than anyone with a debut that no one saw coming. \u2018,dies\u2019<\/i> by Gouge Away<\/b> is the sound of your teeth crunching on the pavement as a Doc Marten comes crashing down on the back of your head. The itchiness you feel when you want to rip someone to pieces. A 22-minute whirlwind of pit battering beatdowns, ferocious riffing and twisted squeals of anguish, this is the wake-up call that a genre that was becoming a touch too safe needed. Warts and all, no bullshit and as back to basics as you can possibly get, this is the sound of the new generation of hardcore. Things have never been better. (JR)<\/p>\n

, Dies by Gouge Away<\/a><\/p>\n

\"\" Happy Accidents \u2013 You Might Be Right <\/h2>\n

There\u2019s just no disputing that Happy Accidents<\/b>\u2019 \u2019You Might Be Right\u2019<\/i> was this year\u2019s most instantly loveable debut full-length by quite some distance. Released on that ever reliable hallmark of DIY quality, Alcopop Records, this effort was even better then we could have hoped for after the London trio wowed us at several festivals. The record packs the sort of crunchy inescapable indie-pop riffery that even Brit-pop kings Blur would have been proud of in their prime, while frontman Rich Mandell\u2019s lyrical output was so bluntly self-deprecating it makes you want to give him a big hug, ruffle his hair and buy him a beer.<\/p>\n

Album stand-outs ‘Leaving Parties Early’<\/i> and ‘But You\u2019re Probably Wrong’<\/i> were quirky outsider anthems that were infinitely relatable on every possible level and provide just two of the reasons ‘You Might Be Right’<\/i> has continued to be an utter joy to listen to over and over. Someone please give these kids a deal to make a ton more music like this, because there\u2019s no way every track wouldn\u2019t be properly lovely. (DW)<\/p>\n

You Might Be Right by Happy Accidents<\/a><\/p>\n

\"\"Hurry \u2013 Guided Meditation <\/h2>\n

Like all the best pop music, Hurry<\/b>\u2019s toe-tappingly infectious indie-pop gems contain a darker core, ensuring the saccharine sweet jams possess a hidden lyrical bite. Unrequited love and mental health are just two of the themes tackled on \u2018Guided Meditation\u2019<\/i>, adding a heart and soul \u2013 and bags of personality \u2013 to Hurry<\/b>\u2019s gloriously upbeat and summery vibes. Taking cues from the likes of Teenage Fanclub, Weezer, Oasis and The Posies, there\u2019s not one facet of modern indie\/pop music that\u2019s left unexplored in an album of deceptive depths and limitless charm. And, to top it all off, \u2018Guided Meditation\u2019<\/i> was no-one off; Hurry<\/b> also released the excellent \u2018Casual Feelings\u2019<\/i> EP! (RM)<\/p>\n

Guided Meditation by Hurry<\/a><\/p>\n

\"\"LTNT – Rank<\/h2>\n

If you consider yourself to be a fan of big guitar riffs, there\u2019s no excuse to be sleeping on this album. With years of touring bar venues and being tucked away on smaller festival stages, LTNT<\/b> have captured the cut-throat intensity of underground shows on their debut full-length \u2018Rank\u2019<\/i>. Their songwriting is formidable across this record, on both the chaos and power behind the band\u2019s performance and the size of the hooks the trio craft.<\/p>\n

The scale and frequency of massive grooves throughout the record tips its hat to Helmet and early Biffy Clyro, and the heavily distorted production only makes riffs on \u2018Abso-Regular\u2019<\/i> and \u2018Boss Lady\u2019<\/i> feel louder and easier to bang your head to, while the spacey chorus to \u2018No Aquarius by Will\u2019<\/i> shows how the band can use this raw sound to make something more epic as well. Even \u2018In the Back of Your Mind\u2019<\/i> displays a more tender side to LTNT<\/b>\u2019s songwriting. With enough versatility in their songwriting and live-wire energy, ‘Rank’<\/i> is one of the finest straight up rock records you\u2019ll hear this year. (AD)<\/p>\n

Rank by LTNT<\/a><\/p>\n

\"\"Pkew Pkew Pkew \u2013 Pkew Pkew Pkew<\/h2>\n

While \u2018Pkew Pkew Pkew\u2019<\/i> doesn\u2019t reinvent a genre, you\u2019d have to dig pretty deep to find an album so brilliantly entertaining and engagingly fun as the worldwide debut from these Canadian punk rockers. Silly \u2013 very silly in places \u2013 \u2018Pkew Pkew Pkew\u2019<\/i> is the story of adolescent hijinks set to bouncy, insanely catchy, pop-punk. \u201cWe\u2019ll sing about beer and football\u201d<\/i> they blast on \u2018Prequel to Asshole Pandemic\u2019<\/i>, and it\u2019s not far from the truth once you throw in songs about pizza, baseball and skateboarding. It\u2019s undemanding stuff and there\u2019s no grand message, but it doesn\u2019t matter when music this thrilling can soundtrack all your best days. (RM)<\/p>\n

PKEW PKEW PKEW by PKEW PKEW PKEW<\/a><\/p>\n

\"\" Say Yes – Real Life Trash Mag<\/h2>\n

Say Yes<\/b> delivered impressively with their full-length debut \u2013 \u2018Real Life Trash Mag\u2019<\/i>. Boasting a line-up featuring the cream of the Toronto underground scene (including Alexisonfire drummer Jordan Hastings), the record was co-produced by Eric Ratz (Billy Talent, Cancer Bats) and Billy Talent\u2019s own Ian D\u2019Sa.<\/p>\n

Opener \u2018Once Forward, Twice Back\u2019<\/i> is easily one of the best rock tracks of the year and sets a blueprint for an album full of big riffs and plenty of interesting ideas. Making excellent use of the dual vocals of guitarist Adam Michael and bassist Michael Zane, the trio chug through tune after tune of punk and grunge tinged rock n roll.<\/p>\n

‘Five Walls’<\/i>,\u2019 \u2018Too Much Not Enough\u2019<\/i> and \u2018Remorse is in the Flames\u2019<\/i> demonstrate the versatility of the musicianship, using their three-piece dynamic to maximum effect, whilst closer \u2018Sea Of Trees\u2019<\/i> satisfies further with a post-rock opus, complete with Hammond organ.<\/p>\n

\u2018Real Life Trash Mag\u2019<\/i> is a superb full-length debut effort from a band that have taken the best of their experience, and delivered something genuinely unlike anything else that\u2019s out there at the moment. Fans of good time rock music across the board are in for a treat. (AL)<\/p>\n<\/p>\n

\"\"Strange Ranger \u2013 Rot Forever<\/h2>\n

Sixteen songs long and with a run time of near 75 minutes, \u2018Rot Forever\u2019<\/i> is genuinely one of the most astonishing debut albums of 2016. Sprawling and messy it\u2019s also wildly distinctive, calling back to the mid-90s indie-rock heyday of bands like Modest Mouse and Built To Spill. It\u2019s constantly thrilling too \u2013 no mean feat considering the labyrinthine run time and serpentine song structures.<\/p>\n

Yet for all the twisting guitars and throttled vocals, \u2018Rot Forever\u2019<\/i> is an album that demands repeat listens thanks to some sublime and eccentric lyrics. From cultural touchstones of American football and True Detective through to powerful moments of insight and personal narrative, it\u2019s an instantly relatable album grounded in reality and everyday experiences. Having released \u2018Rot Forever\u2019<\/i> under the name Sioux Falls as a trio, Strange Ranger<\/b> may have lost a member and changed their name, but they\u2019ve already debuted a new EP and a new single in the latter part of 2016; expect to be hearing much more from Isaac Eiger and Fred Nixon in 2017\u2026 (RM)<\/p>\n

\"\"The Lion and the Wolf \u2013 Cardiac Hospital<\/h2>\n

Thomas George’s sophomore album, under the guise of The Lion and The Wolf<\/b>, is a thing of beauty. ‘Cardiac Hotel’<\/i> is a gloriously sad record, yet its rich blend of indie folk rock is soothing, comforting and at times uplifting as it gamely tackles the difficulties of illness, grief and loss. Its distinctly human feel offers a complicity with the listener that is not easily achieved, the deceptive simplicity of the songwriting being precisely what draws you in to Tom’s subtly detailed reflections.<\/p>\n

Although the whole record is engaging, it is the darkness of ‘Heaven Forbid’<\/i> that makes the most obvious impression, but then there are tracks like the sublime ‘Barstools’<\/i>, which brilliantly captures late night longing and a sense of defeat. Strangely though, despite the melancholy overtones, there is a hopeful air and an underlying whisper of positivity to the record, especially on tracks like the rousing ‘December’<\/i> and powerful opening track ‘Don’t Fail Me Now’<\/i>.<\/p>\n

All in all, Tom has delivered something special on ‘Cardiac Hotel’<\/i>, from the folk simplicity of ‘Pinching Point’<\/i> through to the rich textures of ‘Witness’<\/i> every track makes its own mark, making for a perfectly weighted collection of songs to soundtrack difficult times. (EL)<\/p>\n<\/p>\n

Follow us on Spotify for more playlists<\/a>.<\/p>\n

Words by Rob Mair (RM), Jack Rogers (JR), Dane Wright (DW), Edward Layland (EL), Andy Davidson (AD), Jay Harrison (JH) and Adam Lewis (AL).<\/p>\n","protected":false},"excerpt":{"rendered":"

By now you\u2019ve surely seen Already Heard\u2019s Top 10 Albums of 2016 and debated, deliberated and decided on your own favourite album. But we\u2019re not finished with our 2016 review just yet. Already Heard\u2019s Top 10 Albums are decided by a site-wide staff vote. And, while this is democratic and excellent for deciding on a […]<\/p>\n","protected":false},"author":1,"featured_media":16006,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[8181],"tags":[62,2429,122,2430,98,22,2431,733,2432,2433,792,1690],"class_list":["post-3299","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-post","tag-already-heard","tag-blowout","tag-feature","tag-gouge-away","tag-happy-accidents","tag-hurry","tag-ltnt","tag-pkew-pkew-pkew","tag-say-yes","tag-sioux-falls","tag-strange-ranger","tag-the-lion-and-the-wolf"],"acf":[],"yoast_head":"\nFeature: 10 Awesome Albums From 2016 You Might Have Missed... - Already Heard Staging<\/title>\n<meta name=\"description\" content=\"By now you\u2019ve surely seen Already Heard\u2019s Top 10 Albums of 2016 and debated, deliberated and decided on your own favourite album. 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Rot Forever by Sioux Falls<\/a><\/p>\n