{"id":429,"date":"2018-01-11T21:20:13","date_gmt":"2018-01-11T21:20:13","guid":{"rendered":"https:\/\/alreadyheard.com\/staging\/review-tonight-alive-underworld\/"},"modified":"2018-03-21T22:03:03","modified_gmt":"2018-03-21T22:03:03","slug":"review-tonight-alive-underworld","status":"publish","type":"post","link":"https:\/\/alreadyheard.com\/staging\/review-tonight-alive-underworld\/","title":{"rendered":"Review: Tonight Alive &#8211; Underworld"},"content":{"rendered":"<p><figure class=\"tmblr-full\"><img decoding=\"async\" src=\"https:\/\/78.media.tumblr.com\/85c6d7d2f24df063c8c6846b3a925819\/tumblr_oczgq9lfGb1r8no6so1_r169_1280.jpg\" width=\"250em\" alt=\"\" title=\"\"><\/figure>\n<p>The career of <b>Tonight Alive<\/b> has been a curious path of highs and lows. 2016\u2019s third outing, <i>\u2018Limitless\u2019<\/i>, divided opinion as they shifted from pop-rock to a synthpop-centric sound. The Aussie collective have now returned albeit as a four-piece following the departure of guitarist Whakaio Taahi. On paper, <i>&lsquo;Underworld\u2019<\/i>, appears promising with its deeply personal lyrical nature and guitar-driven sound.<\/p>\n<p><i>&#8216;Book of Love\u2019<\/i>, bridges the gap between <i>&#8216;Limitless\u2019<\/i> and <i>&#8216;Underworld\u2019<\/i> with its energetic tempo and subtle use of synth keys. However, the slick production shine it\u2019s given doesn\u2019t have the impact you\u2019d hope from an opening track. Thankfully, <i>&#8216;Temple\u2019<\/i> quickly arrives with straight-up rock guitars, a catchy chorus and Jenna McDougall\u2019s confessional words striking a chord as she opens with <i>&ldquo;I&rsquo;m intoxicated by my depression&rdquo;<\/i>.<\/p>\n<p><!-- more --><\/p>\n<p>In the run-up to its release, McDougall\u2019s introspective and cathartic songwriting became the main focus. While <i>&#8216;Disappear\u2019<\/i> and <i>&#8216;Temple\u2019<\/i> admirably highlight her mental struggles, McDougall\u2019s issues doesn\u2019t truly shine until the closing trio. <i>&#8216;Last Light\u2019<\/i> is a steady paced, harmonious full of lyrical relief. <i>&#8216;Looking For Heaven\u2019<\/i> is the token ballad yet McDougall\u2019s emotion is executed with cathartic relief. While <i>&#8216;My Underworld\u2019<\/i> (featuring a certain Mr Corey Taylor) nicely drifts along before both vocalists effectively bring closure, both lyrically and figuratively, to the album.<\/p>\n<p>Despite McDougall\u2019s lyrical openness, <i>&#8216;Underworld\u2019<\/i> is hindered by production niggles. Songs such as <i>&#8216;In My Dreams\u2019<\/i>, <i>&#8216;For You\u2019<\/i> and <i>&#8216;Just For Now\u2019<\/i> suffer from the accessible shine given. However, it\u2019s clear Tonight Alive can deliver big choruses in abundance. Songs such as <i>&#8216;The Other\u2019<\/i> and <i>&#8216;Crack My Heart\u2019<\/i> thrive with soaring emotion and conviction. Later cuts, <i>&#8216;Burning On\u2019<\/i> and <i>&#8216;Waiting For The End\u2019<\/i>, do their best to match but don\u2019t quite pull it off.<\/p>\n<p>Having tested the synthpop waters last time out, <i>&#8216;Underworld\u2019<\/i> is a safer effort. Although it\u2019s far from exceptional, due to one too many forgettable tracks, <b>Tonight Alive<\/b> have found their feet again as a promising, melodic rock band.<\/p>\n<p>3\/5<\/p>\n<p><i>&#8216;Underworld&rsquo;<\/i> by <b>Tonight Alive<\/b> is released on 12th January on <b>Hopeless Records<\/b>.<\/p>\n<p><b>Tonight Alive<\/b> links: <a href=\"https:\/\/tonightalive.com\/\" target=\"_blank\" rel=\"noopener\">Website<\/a>|<a href=\"https:\/\/www.facebook.com\/TonightAlive\" target=\"_blank\" rel=\"noopener\">Facebook<\/a>|<a href=\"https:\/\/twitter.com\/TonightAlive\" target=\"_blank\" rel=\"noopener\">Twitter<\/a>|<a href=\"https:\/\/www.instagram.com\/TonightAliveOfficial\/\" target=\"_blank\" rel=\"noopener\">Instagram<\/a><\/p>\n<p>Words by S\u00eaan Reid (<a href=\"https:\/\/twitter.com\/SeanReid86\" target=\"_blank\" rel=\"noopener\">@SeanReid86<\/a>)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The career of Tonight Alive has been a curious path of highs and lows. 2016\u2019s third outing, \u2018Limitless\u2019, divided opinion as they shifted from pop-rock to a synthpop-centric sound. The Aussie collective have now returned albeit as a four-piece following the departure of guitarist Whakaio Taahi. On paper, &lsquo;Underworld\u2019, appears promising with its deeply personal [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":16825,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[15],"tags":[246,12398,326,333],"class_list":["post-429","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-album-reviews","tag-hopeless-records","tag-sean-reid","tag-tonight-alive","tag-underworld"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Review: Tonight Alive - Underworld - Already Heard Staging<\/title>\n<meta name=\"description\" content=\"The career of Tonight Alive has been a curious path of highs and lows. 2016\u2019s third outing, \u2018Limitless\u2019, divided opinion as they shifted from pop-rock to\" \/>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Review: Tonight Alive - Underworld - Already Heard Staging\" \/>\n<meta property=\"og:description\" content=\"The career of Tonight Alive has been a curious path of highs and lows. 2016\u2019s third outing, \u2018Limitless\u2019, divided opinion as they shifted from pop-rock to\" \/>\n<meta property=\"og:url\" content=\"https:\/\/alreadyheard.com\/staging\/review-tonight-alive-underworld\/\" \/>\n<meta property=\"og:site_name\" content=\"Already Heard Staging\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/AlreadyHeard\/\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/seanreidportfolio\" \/>\n<meta property=\"article:published_time\" content=\"2018-01-11T21:20:13+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2018-03-21T22:03:03+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/tumblr_oczgq9lfGb1r8no6so1_r169_1280.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1\" \/>\n\t<meta property=\"og:image:height\" content=\"1\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"S\u00eaan Reid\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@alreadyhearduk\" \/>\n<meta name=\"twitter:site\" content=\"@alreadyhearduk\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"S\u00eaan Reid\" \/>\n\t<meta name=\"twitter:label2\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Review: Tonight Alive - Underworld - Already Heard Staging","description":"The career of Tonight Alive has been a curious path of highs and lows. 2016\u2019s third outing, \u2018Limitless\u2019, divided opinion as they shifted from pop-rock to","robots":{"index":"noindex","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"og_locale":"en_GB","og_type":"article","og_title":"Review: Tonight Alive - Underworld - Already Heard Staging","og_description":"The career of Tonight Alive has been a curious path of highs and lows. 2016\u2019s third outing, \u2018Limitless\u2019, divided opinion as they shifted from pop-rock to","og_url":"https:\/\/alreadyheard.com\/staging\/review-tonight-alive-underworld\/","og_site_name":"Already Heard Staging","article_publisher":"https:\/\/www.facebook.com\/AlreadyHeard\/","article_author":"https:\/\/www.facebook.com\/seanreidportfolio","article_published_time":"2018-01-11T21:20:13+00:00","article_modified_time":"2018-03-21T22:03:03+00:00","og_image":[{"url":"https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/tumblr_oczgq9lfGb1r8no6so1_r169_1280.jpg","width":1,"height":1,"type":"image\/jpeg"}],"author":"S\u00eaan Reid","twitter_card":"summary_large_image","twitter_creator":"@alreadyhearduk","twitter_site":"@alreadyhearduk","twitter_misc":{"Written by":"S\u00eaan Reid","Estimated reading time":"2 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/alreadyheard.com\/staging\/review-tonight-alive-underworld\/#article","isPartOf":{"@id":"https:\/\/alreadyheard.com\/staging\/review-tonight-alive-underworld\/"},"author":{"name":"S\u00eaan Reid","@id":"https:\/\/alreadyheard.com\/staging\/#\/schema\/person\/484dc00e54dea89663d06cb624a70cd9"},"headline":"Review: Tonight Alive &#8211; 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