{"id":4646,"date":"2016-09-02T10:00:30","date_gmt":"2016-09-02T10:00:30","guid":{"rendered":"https:\/\/alreadyheard.com\/staging\/album-review-a-day-to-remember-bad-vibrations\/"},"modified":"2018-03-21T22:03:10","modified_gmt":"2018-03-21T22:03:10","slug":"album-review-a-day-to-remember-bad-vibrations","status":"publish","type":"post","link":"https:\/\/alreadyheard.com\/staging\/album-review-a-day-to-remember-bad-vibrations\/","title":{"rendered":"Album Review: A Day To Remember – Bad Vibrations"},"content":{"rendered":"

\"\"<\/figure>\n

For many, A Day To Remember<\/b> are a band that can do no wrong. Having honed their crunching riff-heavy, hardcore\/pop-punk style in recent years, the Ocala, Florida collective find themselves being considered future festival headliners. As they reach album number six, ‘Bad Vibrations’<\/i>, it could be suggested that the quintet are in a position to stick to a winning formula and hit the road. Nevertheless, the eleven songs on offer here sees a band eager to refine their “trademark” sound. <\/p>\n

Kicking off with ‘Bad Vibrations’<\/i>, and ‘Paranoia’<\/i>, there is a strong sense of destruction and rage, a trait that proves to be a constant. The title track sees Jeremy McKinnon’s domineering screams battling against thick instrumentation with ‘Paranoia’<\/i> being carried by a claustrophobic undertone and the bands familiar anthemic quality. Whilst ‘Naivety’<\/i> eases on the aggression, serving as a harmonious pop-punk number despite McKinnon’s lyrical honesty; “this is me, no apologies”<\/i>. It is that honesty and aggression that moulds the spine of ‘Bad Vibrations’<\/i>.<\/p>\n

<\/p>\n

The bands well-documented legal troubles with their former label peer their heads up throughout as McKinnon and company express their frustrations; ‘Bullfight’<\/i> sees him state “why can’t we say the things we would”<\/i> and being misunderstood. Despite all their resentment (see “Reassemble’<\/i> and ‘Turn Off The Radio’<\/i>), ‘Bad Vibrations’<\/i> equally carries itself with defiance. For example, album highlight ‘Justified’<\/i> sees McKinnon proclaiming "do you fear me? the righteous ones. Can you hear me? The lonely ones”<\/i> before growling “you’re going to burn your debt”<\/i>. It’s clear that through all their trial and tribulations, ADTR<\/b> have become stronger. Album finale ‘Forgive and Forget’<\/i> solidifies this as they look to put the past behind them.<\/p>\n

It’s no doubt that this is ADTR<\/b>’s heaviest output to date; both musically and lyrically. Yet, they’re still capable of producing monstrous hooks as ‘We Got This’<\/i> revitalise’s the feel-good vibe through its bouncy pop-punk tone. Like much of their back catalogue, there is something on offer for everyone.<\/p>\n

As clich\u00e9 as it might sound, A Day To Remember<\/b> really do show intent on ‘Bad Vibrations’<\/i> and pull it off in a consistent and confident manner. Reinvigorated and ready to take over the world, A Day To Remember<\/b> are back on the charge with a varied and well-balanced record.<\/p>\n

4\/5<\/p>\n

‘Bad Vibrations’<\/i> by A Day To Remember<\/b> is released on September 2nd on ADTR Records<\/b> and distributed by Epitaph Records<\/b>.<\/p>\n

A Day To Remember<\/b> links: Website<\/a>|Facebook<\/a>|Titter<\/a>|Instagram<\/a><\/p>\n

Words by S\u00eaan Reid (@SeanReid86<\/a>)<\/p>\n","protected":false},"excerpt":{"rendered":"

For many, A Day To Remember are a band that can do no wrong. Having honed their crunching riff-heavy, hardcore\/pop-punk style in recent years, the Ocala, Florida collective find themselves being considered future festival headliners. 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