{"id":484,"date":"2017-12-20T16:00:19","date_gmt":"2017-12-20T16:00:19","guid":{"rendered":"https:\/\/alreadyheard.com\/staging\/10-awesome-albums-from-2017-you-might-have-missed\/"},"modified":"2018-10-22T21:28:48","modified_gmt":"2018-10-22T20:28:48","slug":"10-awesome-albums-from-2017-you-might-have-missed","status":"publish","type":"post","link":"https:\/\/alreadyheard.com\/staging\/10-awesome-albums-from-2017-you-might-have-missed\/","title":{"rendered":"10 Awesome Albums From 2017 You Might Have Missed"},"content":{"rendered":"

\"\"<\/p>\n

You\u2019ve surely now seen Already Heard,<\/b>\u2019s Top 10 Records of 2017<\/a> and debated, deliberated and decided on your own favourite album. But we\u2019re not finished with our 2017 review just yet\u2026<\/p>\n

Already Heard<\/b>\u2019s Top 10 Albums are decided by a site-wide staff vote. And, while this is democratic and excellent for deciding on a site favourite, it skews the list in favour of albums more staff have heard.<\/p>\n

With that in mind, here\u2019s our annual round-up of 10 of the best albums that were selected by only one or two members of staff, unranked and presented alphabetically, purely because they all kick ass!<\/p>\n

Follow us on Spotify for more playlists<\/a>.<\/p>\n

<\/p>\n

\"\"Dead Bars \u2013 Dream Gig<\/h2>\n

There\u2019s something divertingly whimsical about Dead Bars\u2019<\/b> \u2018Dream Gig\u2019<\/i>; a snotty semi-concept album about an ageing rocker (we\u2019ll call him John Maiello \u2013 because that\u2019s who it is), still grasping at the idea of playing his dream gig (that being to open for the Bouncing Souls). Yet, you\u2019ll be hard-pushed to find an album that\u2019s has much heart or is as much fun from the last 12 months. It\u2019s a triumph of underdog does good rock’n’roll, played without being overly sentimental, and grounded in modern day mundanity.<\/p>\n

The result is a front-to-back riot of grin-inducing pop-punk and fist-in-the-air anthems that possess hidden lyrical depths and a healthy dose of optimism. Best of all though, \u2018Dream Gig\u2019 is so good, it\u2019s a monumental step towards making Dead Bars\u2019<\/b> dream a reality. (Rob Mair)<\/p>\n

\"\"Defences \u2013 With Might and Main<\/h2>\n

Hertfordshire\u2019s self-proclaimed \u2018alternative metal\u2019 band Defences<\/b> really showcased their ability to adapt and incorporate different sounds, covering a mix of metal subgenres such as symphonic metal and post-hardcore on the excellent \u2018With Might and Main\u2019<\/i>.<\/p>\n

It\u2019s an album that\u2019s not tied to the conformities of the metal genre too, yet still maintains a mature polished sound. It opens with the beautiful instrumental track \u2018Re Emerge\u2019<\/i> where lead singer Cherry Duesbury\u2019s voice creeps through the atmospheric piano in whispers and echoes \u201cI\u2019m not dreaming, I\u2019m not dreaming anymore\u201d. Before long, the crescendo of her voice leads into the next track \u2018The Takeoff<\/i> which is where things really do take off, with a striking drum intro and lively guitar riffs they pick up the pace. <\/i><\/p>\n

Throughout, they maintain this pace, displaying a lyrical and musical maturity that makes you want to bang your head, while simultaneously pulling at your heartstrings.
\nHaving formed in 2013, Defences<\/b> have worked exceptionally hard to define their own sound \u2013 and that graft has paid off handsomely. Look out for more big things from them in the new year. (Angelah Betmead)<\/p>\n

\"\"Great Grandpa \u2013 Plastic Cough<\/h2>\n

Specialising in woozy, grunge-infused indie-pop, Seattle\u2019s Great Grandpa<\/b> delivered one of the most consistently infectious albums of the year with the charming \u2013 and occasionally punchy \u2013 \u2018Plastic Cough\u2019<\/i>.<\/p>\n

That it possesses an off-beat sense of humour \u2013 it finishes with the exceptionally staged ’28 J\u2019s L8r\u2019<\/i>, a song about getting the munchies during a zombie apocalypse \u2013 just adds to the appeal of an album that is brilliantly written, packed full of character and brimming with razor-sharp hooks.<\/p>\n

Yet, for all the frivolity, there\u2019s a serious side to the knockabout charm, and few songs of 2017 are as effective or powerful as \u2018No\u2019<\/i> and the heart-breaking \u2018Faithful\u2019<\/i>. Marrying style and substance with deft aplomb, \u2018Plastic Cough\u2019<\/i> is a gem that deserves to be treasured. (RM)<\/p>\n

\"\"Hyenas \u2013 Deadweights<\/h2>\n

Arguably the most exciting, and criminally overlooked hardcore debut in 2017, this record from Nuremberg\u2019s Hyenas<\/b> is a noisy, frenetic mathcore outing that nevertheless encompasses a wide range of styles in its 27-minute runtime.<\/p>\n

Whether tackling the sheer, visceral heaviness that\u2019s a staple of hardcore and mathcore in the album\u2019s shorter tracks, or incorporating melodious elements, Hyenas<\/b> excelled at everything they try. Make no mistake, ‘Deadweights\u2019<\/i> is the aural equivalent to being punched repeatedly in the stomach, even on its more sombre, sparse tracks.<\/p>\n

In fact, it\u2019s this variety that has helped Hyenas<\/b> create a record worthy of such praise, creating an original and interesting sound that places the band head and shoulders above a lot of bands in a scene that can sound stagnant and monotonous. Even more exciting is that this is a debut, and the band are so musically accomplished at this early stage of their career that it makes one wonder what they\u2019re capable of creating a few years down the line. A must for fans of in-your-face, uncompromising heavy music. (AC)<\/p>\n

\"\"Laureate \u2013 Landmarks<\/h2>\n

\u2018Landmarks\u2019<\/i> could have rubbed shoulders with The Get Up Kids\u2019 \u2018Something To Write Home About\u2019<\/i> and The Promise Ring\u2019s \u2018Nothing Feels Good\u2019<\/i> as a touchstone of the late 90s\u2019\/early 00s emo\/pop-punk sound. That it arrived 15 years too late doesn\u2019t mean it sounds dated though. Instead, it\u2019s a timely reminder of what made that wave of music so essential and life-affirming for an entire generation.<\/p>\n

It\u2019s smart stuff too, taking that classic sound and refracting it through the challenges faced by those in their late 20s and early 30s. You\u2019ll find no adolescent histrionics here, just vocalists Erin Power and Giancarlo Talarico working through shit as best you can when life starts to get truly messy.<\/p>\n

Key to \u2018Landmarks\u2019<\/i> success is the relationship between the two, the duelling vocals offering a different layer \u2013 and interpretation \u2013 to both the sound and the story. For those who get all misty-eyed at nostalgia, \u2018Landmarks\u2019 is an album not to be missed. (RM)<\/p>\n

\"\"Of Allies \u2013 Night Sky<\/h2>\n

Of Allies<\/b> have finally started fulfilling the promise of their early EPs, delivering the goods in style on their debut full length ‘Night Sky\u2019<\/i>. From the atmospheric chords leading into the title track, through to the pulsating climax of ‘In Low Light\u2019<\/i>, this is the sound of a band punching way above its weight.<\/p>\n

The four Yorkshiremen have found that ever elusive balance between genuinely bruising alternative rock, writing well-thought-out songs and nailing a killer pop melody. The result are songs that linger in the memory and stand up to heavy rotation, be it the earworm hooks of ‘Collapse\u2019<\/i> or ‘Run\u2019<\/i>, the epic mastery of the climactic centrepiece that is ‘Open Sea\u2019<\/i> or the all-around killer tune of ‘Glass House\u2019<\/i>. Putting it in no uncertain terms, there is not a duff track in sight, even the atmospheric interludes serve a purpose, tempering the flow between one section and another.<\/p>\n

Make no bones about it, this is a band deserving of much bigger things; musically they are as tight as they come and offer up plenty of versatility, while in Rich Nichols they have a supremely talented vocalist. This is a damn good record, end of story. (EL)<\/p>\n

\"\"Patrons \u2013 As Above, So Below<\/h2>\n

The ragged post-hardcore sound of Plymouth rocker\u2019s Patrons<\/b> was one of the most exciting debut albums of 2017. Boasting a bunch of well-constructed songs, a variety of quality riffs and absolutely superb vocals, \u2018As Above, So Below\u2019<\/i> provided ample proof that British rock is alive and kicking.<\/p>\n

Without a hint of filler, this is a pretty damn impressive record that succeeds in sounding unique while being packed with plenty of easily relatable material. From killer hard-rocking choruses like that found on \u2018First of the Slow Burners\u2019<\/i> to the gutsy ‘Shapes in Nature\u2019<\/i>, or the aggressive ‘War and Pieces\u2019<\/i>, there\u2019s an edge to \u2018As Above, So Below\u2019, tempered by the more introspective moments, such as the excellent ‘The Art of Conversation\u2019<\/i> and ‘Listen\u2019<\/i>, which drip with brooding emotion.<\/p>\n

Whether they are wearing their collective hearts on their sleeves, nailing banging choruses or simply rocking as hard as they can, this is a record packed with power, energy and emotion and well worth playing over and over again. (Edward Layland)<\/p>\n

\"\"Small Circle – Cyclical<\/h2>\n

A record which explores subjects such trauma, depression, heartache and most importantly, getting better may not be key criteria for one of the top records of 2017 \u2013yet Small Circle<\/b>\u2019s debut full-length Cyclical<\/i> tackles some bleak issues in a beautiful way.<\/p>\n

Brought together by members of Sorority Noise and newcomer Marissa D’Elia, \u2018Cyclical\u2019<\/i> has a hazy, laid-back feel, which gives the misconception that this a chilled-out record, when at its heart is raw emotions. Alongside warm, refined guitar work, D’Elia finds her voice in a soft soothing tone which makes for a very relatable narrator throughout.<\/p>\n

Songs like \u2018Vague Consensus\u2019<\/i> are prime examples of what this band are all about, up tempo beats, but with really heart-wrenching lyrics topped off with a sweet melody. In Cam Boucher there is a musician who just seems to turn everything he touches into gold, but with the addition of D’Elia taking the lead, the pair\u2019s voices really complement each other and give a unique voice to this record. (TB)<\/p>\n

\"\"Wild Pink \u2013 Wild Pink<\/h2>\n

Emotion spills from Wild Pink<\/b>\u2019s self-titled full-length, festering as resentment, frustration and longing in its vast expanses of quiet reflective solitude.<\/p>\n

We\u2019ve been huge fans of the New York-based group since we first heard debut EP \u2018Good Life\u2019<\/i> back in 2015, and \u2018Wild Pink\u2019<\/i> more than delivers on this promise, propelling the group\u2019s literate sound and dense themes to stratospheric new heights.<\/p>\n

And, despite the weighty lyrical nature, it has moments of clarity \u2013 fun even \u2013 that demand repeated listens. \u2018Great Apes\u2019<\/i> and \u2018Wizard of Loneliness\u2019<\/i> are brilliant, albeit twisted, pop songs that come with skyscraper-sized hooks. Few albums in 2017 have painted a world \u2013 both the good sides and the bad \u2013 so vividly, and for that alone Wild Pink<\/b> should be applauded. (RM)<\/p>\n

\"\"Walter Etc. \u2013 Gloom Cruise<\/h2>\n

By the time the glorious and uplifting \u2018Baby Blue Hammock\u2019<\/i> fades from view, it\u2019s gentle piano line and breezy tone disappearing into the distance, it\u2019s hard not to feel elated and renewed by Walter Etc.<\/b>\u2019s effervescent indie-pop.<\/p>\n

Yet, such feelings of joy are somewhat at odds with the sombre lyrical tone of \u2018Gloom Cruise\u2019<\/i>. Sure there are moments of whimsy; the character study of free spirit Petunia (\u2018Petunia You\u2019re Home\u2019<\/i>), or the spectacularly wry horoscope that comes from being born on \u2018April 41st\u2019<\/i> both sure to raise a smile. But there\u2019s so much subtlety and shade to Dustin Hayes\u2019 lyrics, \u2018Gloom Cruise\u2019<\/i> feels like a sprawling exploration of childhood homes, adolescent endeavours and challenges of mental health.<\/p>\n

It culminates in the aforementioned \u2018Baby Blue Hammock\u2019<\/i>, one of 2017\u2019s most wonderfully positive anthems and a winning take-home message of resilience in what has been, at times, a trying year. (RM)<\/p>\n

Words by Rob Mair (RM), Edward Layland (EL), Alan Cunningham (AC), Tim Birkbeck (TB)<\/p>\n","protected":false},"excerpt":{"rendered":"

You\u2019ve surely now seen Already Heard,\u2019s Top 10 Records of 2017 and debated, deliberated and decided on your own favourite album. But we\u2019re not finished with our 2017 review just yet\u2026 Already Heard\u2019s Top 10 Albums are decided by a site-wide staff vote. 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