{"id":58961,"date":"2018-04-19T14:00:18","date_gmt":"2018-04-19T13:00:18","guid":{"rendered":"https:\/\/alreadyheard.com\/staging\/?p=58961"},"modified":"2018-04-18T20:45:49","modified_gmt":"2018-04-18T19:45:49","slug":"voices-for-change-in-depth-with-great-weights","status":"publish","type":"post","link":"https:\/\/alreadyheard.com\/staging\/voices-for-change-in-depth-with-great-weights\/","title":{"rendered":"Voices for Change: In-depth with Great Weights"},"content":{"rendered":"<p><img fetchpriority=\"high\" decoding=\"async\" class=\"aligncenter wp-image-58962 size-full\" src=\"https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2018\/04\/Great-Weights-Landscape.jpg\" alt=\"\" width=\"5760\" height=\"3840\" title=\"\" srcset=\"https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2018\/04\/Great-Weights-Landscape.jpg 5760w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2018\/04\/Great-Weights-Landscape-600x400.jpg 600w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2018\/04\/Great-Weights-Landscape-300x200.jpg 300w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2018\/04\/Great-Weights-Landscape-768x512.jpg 768w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2018\/04\/Great-Weights-Landscape-1024x683.jpg 1024w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2018\/04\/Great-Weights-Landscape-465x310.jpg 465w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2018\/04\/Great-Weights-Landscape-695x463.jpg 695w\" sizes=\"(max-width: 5760px) 100vw, 5760px\" \/>It\u2019s damn near 20 years since As Friends Rust declared that Middle America likes its coffee black and its neighbourhoods white, yet, for all that has changed since them, much has remained the same.<\/p>\n<p>In music too, the same old platitudes remain. Despite plenty of work to make gigs safer for all, there are still large parts of society that feel insecure in such an environment. Combined with a long-lasting sense of misogyny in many group\u2019s lyrics, music from the emo\/hardcore\/pop-punk scene is still, for the most part, a boy\u2019s club.<\/p>\n<p>And this is why acts such as Philadelphia\u2019s <strong>Great Weights<\/strong> are so vitally important \u2013 and why an hour on the phone with them to discuss their excellent new EP barely scratches the surface of their aims, ambitions, challenges and demands.<\/p>\n<p><iframe src=\"https:\/\/open.spotify.com\/embed?uri=spotify:album:6O9BhLi5FPMdvlqrsfr1YL\" width=\"100%\" height=\"380\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"><\/iframe><\/p>\n<p><strong>Great Weights<\/strong> are a band that reflect what society should be like in 2018. They also sing about topics that are relevant to them as a group; a group that includes people of colour, transgender members, and women. They\u2019re a group pushing for change and making powerful statements while doing so, using their voice to champion those without.<\/p>\n<p><em>\u201cAs one of the members of the band who is a person of colour \u2013 I\u2019m Puerto Rican \u2013 and I\u2019m a trans man, so as a trans person of colour, I am sick of hearing about whiny white guys,\u201d<\/em> says bassist James De La Vega. <em>\u201cThere are other post-hardcore bands out there, and I\u2019ll listen to their music, and they sound like the music that we listened to in 2005.<\/em><\/p>\n<p><em>\u201cThere\u2019s no change in the lyrical content from back then. I don\u2019t want to hear about your ex-girlfriend you\u2019re blasting in this song because you broke up and it wasn\u2019t healthy and blah blah blah.\u00a0<\/em><em>I wanna hear about something of substance, at least lyrically.\u201d <\/em><\/p>\n<p>It\u2019s kind of a clich\u00e9, but they say <em>\u2018be the change you want to see\u2019<\/em>, and this is fair of <strong>Great Weights<\/strong>, and their approach to music. The group\u2019s self-titled EP is, for all intents and purposes, a break-up record, reflective of the respective collapses of long-term relationships experienced by vocalist Meredith Haines and De La Vega. Yet there\u2019s no blame to be found on the EP and no exes torched because of their behaviour. Instead, tracks like<em> \u2018Underwater\u2019, \u2018Wide Awake\u2019<\/em> and <em>\u2018After The Drive-In\u2019<\/em> focus on recovery and moving past the challenges.<\/p>\n<p><em>\u201cAll of the songs are about looking at a relationship from a retrospective point of view,\u201d<\/em> considers Haines.<\/p>\n<p><em>\u201cThis EP was meant to challenge the genre that we exist in, but in essence it\u2019s also a break-up album and it\u2019s about moving forward. They are break-up songs, but they\u2019re not sappy or sad. It\u2019s about finding hope after you think everything is crashing down.\u201d <\/em><\/p>\n<p><a href=\"https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2018\/04\/Great-Weights-Portrait-Headshots.jpg\"><img decoding=\"async\" class=\"size-medium wp-image-58963 alignleft\" src=\"https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2018\/04\/Great-Weights-Portrait-Headshots-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" title=\"\" srcset=\"https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2018\/04\/Great-Weights-Portrait-Headshots-300x300.jpg 300w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2018\/04\/Great-Weights-Portrait-Headshots-100x100.jpg 100w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2018\/04\/Great-Weights-Portrait-Headshots-600x600.jpg 600w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2018\/04\/Great-Weights-Portrait-Headshots-150x150.jpg 150w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2018\/04\/Great-Weights-Portrait-Headshots-768x768.jpg 768w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2018\/04\/Great-Weights-Portrait-Headshots-465x465.jpg 465w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2018\/04\/Great-Weights-Portrait-Headshots-500x500.jpg 500w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2018\/04\/Great-Weights-Portrait-Headshots.jpg 960w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>Yet, there\u2019s not much hope to be found in the group\u2019s ramshackle take on post-hardcore. Like Joan of Arc fighting with Drive Like Jehu, there\u2019s an expressive edge to the group\u2019s dark sounds, driven by Haines\u2019 distinctive vocals and Al San Valentin\u2019s frenetic guitar. Often frenzied, sometimes twisted into shaped beyond the ordinary, there\u2019s a performative element to the group\u2019s sound that makes them stand outside their peers.<\/p>\n<p>It\u2019s also a project (completed by drummer Patrick Higgins) driven by personalities. Both Haines and De La Vega speak passionately \u2013 and are not afraid to challenge each other. This chemistry \u2013 direct and intelligent \u2013 clearly reflects the group\u2019s differing backgrounds. For example, Haines is a lead singer who was told by her choirmasters that she was tone deaf, but has diligently written songs for well over a decade, while De La Vega is a guitarist who splits his spare time between the burlesque community and the DIY punk communities of West Philadelphia.<\/p>\n<p>They\u2019re individuals with different personalities and a shared belief \u2013 and, in the form of <strong>Great Weights<\/strong>, a vehicle that can help convey their message: Change is coming, even if progress has, to date, been slow:<\/p>\n<p><em>\u201cIt\u2019s something that you see in both communities that I\u2019m a part of \u2013 the performance art community and the DIY community,\u201d<\/em> says De La Vega.<em> \u201cThere\u2019s a lot of talk of \u2018we want change\u2019, but there\u2019s no change happening. It doesn\u2019t matter how many townhalls we hold \u2013 actually, it matters as a community that we\u2019re sitting together saying \u2018shit is happening and it shouldn\u2019t be happening, what can we do to make these spaces safer\u2019 \u2013 and we can only go as far as not playing certain venues or playing with certain bands \u2013 but that doesn\u2019t hold those bands or venues accountable.<\/em><\/p>\n<p><em>\u201cThe amount of stories I have personally, just from working in the burlesque industry \u2013 and it is a sexually-driven community, let\u2019s be frank \u2013 where CIS men think they have rights to touch folk\u2026 this is the same thing we deal with in the DIY community. <\/em><\/p>\n<p><em>\u201cAnd even though we\u2019re perpetuating safe spaces we don\u2019t know who these people that are in them are sometimes. So we need to find a way to make the community safer for bands like us, and other that are inclusive in some way.\u201d<\/em><\/p>\n<p><em>\u201cWe have to be active,\u201d<\/em> says Haines. <em>\u201cI try to be optimistic. Generally-speaking, I\u2019m a pretty optimistic person. But I also see this band as a way to challenge the hardcore and emo scene to do better. <\/em><\/p>\n<p><em>\u201cI want to vent out that frustration and tell everyone that it needs to change. I think that\u2019s the beginning of it.\u201d<\/em><\/p>\n<p>And, although the group\u2019s self-titled EP has only just been released, they\u2019re now looking at ways to channel their anger and frustration outwards, looking at societal and political issues. With so much negativity in the world \u2013 especially towards minority groups \u2013 it means artists from \u2018fringe\u2019 communities are fighting back, and <strong>Great Weights<\/strong> are among those looking to bloody the nose of the people in power.<\/p>\n<p><em>\u201cIt feels like we have this direct connection now between our music and what we\u2019re saying now and moving forward,\u201d <\/em>say De La Vega. <em>\u201cI mean, we could literally cherry pick topics and how they\u2019ve affected us. So, the Muslim ban at the beginning of 2017, or Trump saying that they\u2019re going forward with the ban on transgender soldiers. This is all shit that\u2019s so unnecessary.\u201d<\/em><\/p>\n<p>Combined with issues around healthcare insurance, gentrification, gun control, and the lack of mental health care, there are a number of targets for the group\u2019s ire. <em>\u201cThis shit is every fucking day,\u201d<\/em> says De La Vega.<em> \u201cAnd it weighs heavy on all of us. It\u2019s so much to think about and talk about \u2013 and then to convey it in musical form, for me, it has been my catharsis.\u201d<\/em><\/p>\n<p>And yet, <strong>Great Weights<\/strong> aren\u2019t negative. Just as these issues clearly take their toll, wins are there to be celebrated.<\/p>\n<p><em>\u201cWe played this place called the Crater in Columbus Ohio. It was a fantastic house \u2013 probably the most inclusive space we\u2019ve played in a long time,\u201d<\/em> says De La Vega.\u00a0<em>\u201cEveryone who walked into that house was queer, trans, non-binary or somewhere on that spectrum. And automatically, I walked into that space and felt very safe. Correct pronouns were used, and there was no bullshit about that sort of stuff. Just a room full of people who there to listen to good music and absorb the fact that not every band in this genre is shitty.\u201d<\/em><\/p>\n<p><strong>Great Weights<\/strong> epitomise the changing times. Just like As Friends Rust\u2019s polemic 20 years ago, things have to change for the better, and bands like <strong>Great Weights<\/strong> \u2013 who are here to challenge the status quo and have fun while they do it \u2013 should be celebrated. Change may be glacially slow, but without bands like<strong> Great Weights<\/strong>, it\u2019s likely it wouldn\u2019t happen at all\u2026<\/p>\n<p><strong>Great Weights <\/strong>links: <a href=\"https:\/\/www.facebook.com\/greatweightsphilly\/\" target=\"_blank\" rel=\"noopener\">Facebook<\/a> | <a href=\"https:\/\/greatweights.bandcamp.com\/\" target=\"_blank\" rel=\"noopener\">Bandcamp<\/a><\/p>\n<p><em>\u2018Great Weights\u2019<\/em> by <strong>Great Weights<\/strong> is out now on <strong>Bunny Cat Records<\/strong>.<\/p>\n<p>Words by Rob Mair <a href=\"https:\/\/twitter.com\/BobNightMair\" target=\"_blank\" rel=\"noopener\">(@BobNightMair<\/a>)<\/p>\n<hr \/>\n<p><em>If you have enjoyed reading this article and would like to help us produce more content and promote more great new music, please consider donating to <a href=\"https:\/\/www.patreon.com\/alreadyheard\" target=\"_blank\" rel=\"noopener\">our Patreon page<\/A>.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Great Weights are a band that reflect what society should be like in 2018. <\/p>\n<p>They\u2019re a group pushing for change and making powerful statements while doing so, using their voice to champion those without.<\/p>\n","protected":false},"author":12,"featured_media":58962,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[45],"tags":[15198,15197,5878,15022],"class_list":["post-58961","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interviews","tag-bunny-cat-records","tag-great-weights","tag-interviews","tag-rob-mair"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Voices for Change: In-depth with Great Weights - Already Heard Staging<\/title>\n<meta name=\"description\" content=\"Great Weights are a band that reflect what society should be like in 2018.   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