{"id":60373,"date":"2018-05-21T15:00:40","date_gmt":"2018-05-21T14:00:40","guid":{"rendered":"https:\/\/alreadyheard.com\/staging\/?p=60373"},"modified":"2024-01-22T19:17:03","modified_gmt":"2024-01-22T19:17:03","slug":"guitar-interview-blanket","status":"publish","type":"post","link":"https:\/\/alreadyheard.com\/staging\/guitar-interview-blanket\/","title":{"rendered":"Guitar Talk with blanket&#8217;s Bobby Pook and Simon Morgan"},"content":{"rendered":"<figure id=\"attachment_60376\" aria-describedby=\"caption-attachment-60376\" style=\"width: 1024px\" class=\"wp-caption aligncenter\"><img fetchpriority=\"high\" decoding=\"async\" class=\"size-large wp-image-60376\" src=\"https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2018\/05\/Marcus-Maschwitz-4492-web-1024x683.jpg\" alt=\"\" width=\"1024\" height=\"683\" title=\"\" srcset=\"https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2018\/05\/Marcus-Maschwitz-4492-web-1024x683.jpg 1024w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2018\/05\/Marcus-Maschwitz-4492-web-600x400.jpg 600w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2018\/05\/Marcus-Maschwitz-4492-web-300x200.jpg 300w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2018\/05\/Marcus-Maschwitz-4492-web-768x512.jpg 768w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2018\/05\/Marcus-Maschwitz-4492-web-465x310.jpg 465w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2018\/05\/Marcus-Maschwitz-4492-web-695x463.jpg 695w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2018\/05\/Marcus-Maschwitz-4492-web.jpg 1200w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption id=\"caption-attachment-60376\" class=\"wp-caption-text\">Photo Credit: Marcus Maschwitz<\/figcaption><\/figure>\n<hr \/>\n<p>On their debut album, <em>&#8216;How To Let Go&#8217;<\/em>, <strong>blanket<\/strong> set out a vivid, cinematic display both audibly and visually. Through a compelling set of ambient rock with towering, harmonious instrumentation, the quartet has created a stunningly beautiful record. Yet, for guitarists, Bobby Pook and Simon Morgan, the path they have individually taken to being part of <strong>blanket<\/strong> has considerably been different.<\/p>\n<p>For Morgan, being exposed to his sister&#8217;s broad taste in music spurred him to be in a band. <em>\u201cWhen I was growing up, my older sister, Alex, had a very eclectic taste in music, listening to bands like Pink Floyd, The Beatles, Jamiroquai, Faith No More, REM and Beach Boys, which I heard through my bedroom wall as a youngster and gave me an early interest in music,\u201d<\/em> Simon tells us. <em>\u201cI used to borrow the albums and just sit and listen to some of them over and over.\u201d<\/em><\/p>\n<figure id=\"attachment_60377\" aria-describedby=\"caption-attachment-60377\" style=\"width: 300px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2018\/05\/BLANKET_RIG_RUNDOWN-4.jpg\"><img decoding=\"async\" class=\"wp-image-60377 size-medium\" src=\"https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2018\/05\/BLANKET_RIG_RUNDOWN-4-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" title=\"\" srcset=\"https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2018\/05\/BLANKET_RIG_RUNDOWN-4-300x200.jpg 300w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2018\/05\/BLANKET_RIG_RUNDOWN-4-600x400.jpg 600w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2018\/05\/BLANKET_RIG_RUNDOWN-4-768x512.jpg 768w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2018\/05\/BLANKET_RIG_RUNDOWN-4-1024x683.jpg 1024w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2018\/05\/BLANKET_RIG_RUNDOWN-4-465x310.jpg 465w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2018\/05\/BLANKET_RIG_RUNDOWN-4-695x463.jpg 695w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><figcaption id=\"caption-attachment-60377\" class=\"wp-caption-text\">Bobby Pook<br \/>Photo Credit: Corey Eyres (<a href=\"https:\/\/www.instagram.com\/approachthewolf\/\" target=\"_blank\" rel=\"noopener\">@approachthewolf<\/a>)<\/figcaption><\/figure>\n<p>While Simon&#8217;s early influences go beyond <strong>blanket<\/strong>&#8216;s hometown of Blackpool, Bobby&#8217;s comes in the form of fellow North West band Oasis. \u201c<em>When I was about 13, my friend showed me the &#8216;There &amp; Then: Oasis Live at Maine Road&#8217; video. It blew me away,\u201d<\/em> says Pook. Although his early motivation came during his teenage years, he took classical guitar lessons aged 8. <em>\u201cI think I only lasted a few weeks though, it hurt my tiny hands too much,\u201d<\/em> he jokes.<\/p>\n<p>Like many young guitarists just starting out, both Bobby and Simon began on reasonably priced guitars. <em>\u201cMy first guitar was an <\/em>Argos<em> nylon strung classical, which I got for Christmas when I was around 12 years old,\u201d<\/em> says Morgan. <em>\u201cI played it for a little while and then just put it down and didn\u2019t touch it for about two years.\u201d<\/em><\/p>\n<p>While Simon briefly abandoned the guitar for drums, Bobby&#8217;s first foray into playing the guitar began on his 14th birthday. <em>\u201cMy dad bought me a Fender Squier Strat. It was one of the really well-made ones from the 90\u2019s that you don\u2019t seem to be able to get any more; classic sunburst, white scratchplate, it was amazing.\u201d<\/em><\/p>\n<p>Although some teenagers pick up the guitar as a hobby, Bobby and Simon&#8217;s individual aspirations to be in a band meant they would spend hours practising. <em>\u201cI was serious from day one, as soon as I got that guitar I was locked in the front room at our old house just practising,\u201d<\/em> Pook recollects.<em> \u201cI played open chords for like a year before I learnt how to do bar chords. I remember the night I learnt bar chords. I was so happy.\u201d<\/em><\/p>\n<p>In the years that followed, the pair would go on to play in various bands expanding their technique through playing different styles. Most notably, Bobby was (and is again) part of UK heavy pop-punk collective Me Vs Hero. <em>\u201cMVH was literally tuner, drive, noise gate and amp, obviously the playing style is a million miles away,\u201d<\/em> he says. <em>\u201cI was always writing different styles of music all the way through my music playing life.\u201d<\/em><\/p>\n<p>Whereas Pook&#8217;s experience is rather different to what <strong>blanket<\/strong> serve up on<em> &#8216;How To Let Go&#8217;<\/em>. Simon&#8217;s previous bands include Goonies Never Say Die and Midas Fall. Both are more in line with the stirring, layered presentation of tracks such as <em>&#8216;The Devil Holds Fast Your Eyelids&#8217;<\/em> and <em>&#8216;Worlds Collide&#8217;.<\/em> <em>\u201cThe experience of them has grown the way I write and perform parts,\u201d<\/em> Morgan suggests.<\/p>\n<figure id=\"attachment_60378\" aria-describedby=\"caption-attachment-60378\" style=\"width: 300px\" class=\"wp-caption alignright\"><a href=\"https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2018\/05\/BLANKET_RIG_RUNDOWN-1.jpg\"><img decoding=\"async\" class=\"wp-image-60378 size-medium\" src=\"https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2018\/05\/BLANKET_RIG_RUNDOWN-1-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" title=\"\" srcset=\"https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2018\/05\/BLANKET_RIG_RUNDOWN-1-300x200.jpg 300w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2018\/05\/BLANKET_RIG_RUNDOWN-1-600x400.jpg 600w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2018\/05\/BLANKET_RIG_RUNDOWN-1-768x512.jpg 768w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2018\/05\/BLANKET_RIG_RUNDOWN-1-1024x683.jpg 1024w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2018\/05\/BLANKET_RIG_RUNDOWN-1-465x310.jpg 465w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2018\/05\/BLANKET_RIG_RUNDOWN-1-695x463.jpg 695w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><figcaption id=\"caption-attachment-60378\" class=\"wp-caption-text\">Simon Morgan<br \/>Photo Credit: Corey Eyres (@approachthewolf)<\/figcaption><\/figure>\n<p>Even though his experience leans towards the post-rock genre, Simon is a believer that a guitarist should have a broad range of styles. <em>\u201cTo be innovative on any instrument it relies on the re-synthesis of other styles to create something wholly new or exciting. Otherwise, people are just playing within their own defined limitations, blinkered to any other techniques or styles,<\/em>\u201d he explains. While Bobby&#8217;s diverse background has been an advantage to <strong>blanket<\/strong>. <em>\u201cI think if I had just learnt a post-rock style of playing, then this band would sound like every other band in the genre.\u201d<\/em><\/p>\n<p>Having been part of the North West music scene, Bobby and Simon would find themselves living together in a rented house in early 2016. It was here where <strong>blanket<\/strong>&#8216;s early ideas would take form yet would come to a sudden halt when Pook suffered 3rd-degree burns on his hands due to a house fire that summer. In the months that followed, as Bobby recovered, he and Simon along with bassist Matthew Sheldon and drummer Steven Pellatt, would flesh out the ideas that would form their debut EP.<\/p>\n<p>Released in February 2017, <em>&#8216;Our Brief Encounters&#8217;<\/em>, laid down the foundations for what<em> &#8216;How To Let Go&#8217;<\/em> would become. Its five songs seamlessly ebbed and flow with seasoned execution. By the end of the year, the quartet had inked a deal with revitalised rock and metal label, <strong>Music For Nations<\/strong>.<\/p>\n<p>Whereas <em>&#8216;Our Brief Encounters&#8217;<\/em> creation was mostly overseen by Morgan and Pook, <em>&#8216;How To Let Go&#8217;<\/em> is a more of a collective effort. Both Simon and Bobby agree the recording process for their debut album has made them a better band.<\/p>\n<p><em>&#8220;All the guys in the band have been playing for years, but with the preproduction and production process we were able to really look at the parts we play, see how they relate to the other parts being played and develop the arrangements that way,\u201d<\/em> explains Simon with Bobby adding<em> \u201cIt\u2019s not so much our technical ability but it\u2019s the tightness and velocities that we\u2019ve improved on a lot.\u201d<\/em><\/p>\n<p><iframe title=\"Blanket - Fragments of a Dream (Live-score at Rio Cinema, Dalston)\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/KrTjtar7wYQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/p>\n<p>With such a vast, at times dynamic, sound, both guitarists are able to use their instruments in a variety of ways. For <strong>blanket<\/strong>, guitars are just one part of the puzzle with the end goal being whatever complements the song best.\u00a0<em>\u201cI like to think that all instruments have an equal part to play on the record, the orchestra and grand piano are every bit as prominent and important as the guitars on the record,\u201d<\/em> states Pook.<\/p>\n<p><em>\u201cBoth Bobby and I use the guitar in various ways within each song,\u201d<\/em> Morgan says explaining the process of how guitars are weaved into blanket&#8217;s audio fabric. <em>\u201cIt could be that we\u2019re making more ambient pad type sounds that sounds quite removed from a traditional guitar tone, or if the song needs it we\u2019re playing chords drenched in distortion. So, the guitars do have a big role within the songs but perhaps utilised for their textures and tones more in certain sections, to complement the electronics\/piano\/strings\/vocals.\u201d<\/em><\/p>\n<p>Unsurprisingly, when it comes to discussing guitars and gear used during the creation of <em>&#8216;How To Let Go&#8217;,<\/em> both Bobby and Simon&#8217;s list is extensive. <em>\u201cI cut my lead lines using my lovely 96 Fender Jazzmaster, a \u201972 Telecaster Thinline and a Telemaster, through an Orange head into an oversized Mesa 4X12,\u201d<\/em> Simon tells us. <em>\u201cThe <\/em>Telemaster<em> was a guitar that belonged to the studio and it just sounded so perfect for a lot of the parts we put down, clear but with plenty of <\/em>body<em>. I\u2019ve been after one since!\u201d<\/em><\/p>\n<p>Having played with various bands for several years, like most guitarist, both Simon and Bobby have built an admiration for Fender guitars. <em>\u201cI\u2019m quite partial to a Tele Deluxe or Thinline and used those guitars for years,\u201d<\/em> Morgan explains. <em>\u201cThe Jazzmaster is one I actually neglected as I just couldn\u2019t get along with the pickups and the way it played, so it sat in its case for about 10 years while I used my other guitars. I gave the Jazzmaster to a friend who works on guitars about 18 months ago and he just made it wonderful! It now plays so nicely and the tone is exactly what I\u2019m looking for. It delivers exactly what I want in terms of tone and playability.\u201d<\/em><\/p>\n<p>Bobby echoes his bandmates fondness for Fender as he says <em>\u201cI had Gibsons for years and they offer such a great standard rock tone but if you want personality and different more range in the spectrum of tones then Fender offer so much more, within my Jag I could play jazz, metal, anything all in one.\u201d<\/em><\/p>\n<p>Although Simon and Bobby share guitar duties, it seems Pook maintained the rhythm parts with a Gibson Les Paul and Fender Jaguar Kurt Cobain Signature. While both members agree that they used <em>\u201ca hell of a lot of pedals\u201d<\/em>, most notably the Strymon Big Sky, Empress Effects Echo System, and a JHS Sweet Tea.<em> \u201cMy board is full now so no more spending insane amounts on pedals for me for a while,\u201d<\/em> Bobby states.<\/p>\n<p>Just like many instrumental-heavy bands before them, Bobby and Simon have embedded guitars into <strong>blanket<\/strong>&#8216;s already stunning body of work with accuracy and precision. On <em>&#8216;How To Let Go&#8217;,<\/em> their guitar work is one of several elements that complement each other, with the end result being an immersive record. Its ambition and execution match the grandeur that it delivers.<\/p>\n<hr \/>\n<h2>Simon Morgan&#8217;s Current Set Up:<\/h2>\n<p><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2018\/05\/BLANKET_RIG_RUNDOWN-3.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-60374 size-medium\" src=\"https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2018\/05\/BLANKET_RIG_RUNDOWN-3-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" title=\"\" srcset=\"https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2018\/05\/BLANKET_RIG_RUNDOWN-3-300x200.jpg 300w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2018\/05\/BLANKET_RIG_RUNDOWN-3-600x400.jpg 600w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2018\/05\/BLANKET_RIG_RUNDOWN-3-768x512.jpg 768w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2018\/05\/BLANKET_RIG_RUNDOWN-3-1024x683.jpg 1024w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2018\/05\/BLANKET_RIG_RUNDOWN-3-465x310.jpg 465w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2018\/05\/BLANKET_RIG_RUNDOWN-3-695x463.jpg 695w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>Guitars:<\/strong><\/span><br \/>\nFender Jazzmaster<br \/>\nFender 72\u2019 Thinline guitar,<\/p>\n<p><span style=\"text-decoration: underline;\"><strong>Amplifier:<\/strong><\/span><br \/>\nFender Twin<br \/>\nOrange Tiny Terror<\/p>\n<p><span style=\"text-decoration: underline;\"><strong>Pedals:<\/strong><\/span><br \/>\nStrymon Big Sky<br \/>\nEmpress Effects Echo System<br \/>\nEarthquaker Devices \u2018Data Corruptor\u2019 (&#8220;this pedal is INSANE!&#8221;)<br \/>\n\u2018The Jamaica Ginger Cake\u2019 &#8211; a custom boost\/distortion pedal<br \/>\nDunlop Volume X pedal.<br \/>\nBoss ES8 MIDI Switcher<\/p>\n<h2>Bobby Pook&#8217;s Current Set Up:<\/h2>\n<p><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2018\/05\/BLANKET_RIG_RUNDOWN-6.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-medium wp-image-60375\" src=\"https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2018\/05\/BLANKET_RIG_RUNDOWN-6-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" title=\"\" srcset=\"https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2018\/05\/BLANKET_RIG_RUNDOWN-6-300x200.jpg 300w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2018\/05\/BLANKET_RIG_RUNDOWN-6-600x400.jpg 600w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2018\/05\/BLANKET_RIG_RUNDOWN-6-768x512.jpg 768w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2018\/05\/BLANKET_RIG_RUNDOWN-6-1024x683.jpg 1024w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2018\/05\/BLANKET_RIG_RUNDOWN-6-465x310.jpg 465w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2018\/05\/BLANKET_RIG_RUNDOWN-6-695x463.jpg 695w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>Guitars:<\/strong><\/span><br \/>\nFender Toronado<\/p>\n<p><span style=\"text-decoration: underline;\"><strong>Amplifier:<\/strong><\/span><br \/>\nFender Deluxe Hot Rod<\/p>\n<p><span style=\"text-decoration: underline;\"><strong>Pedals:<\/strong><\/span><br \/>\nStrymon Big Sky<br \/>\nStrymon Mobius<br \/>\nJHS Sweet Tea<br \/>\nBoss ES8 MIDI Switcher<br \/>\nEmpress EchoSystem<br \/>\nElectro Harmonix MEL9 Tape Replay Machine<\/p>\n<hr \/>\n<p><iframe src=\"https:\/\/open.spotify.com\/embed?uri=spotify:album:0L5PmcSPtSQqsds76TAXKA\" width=\"100%\" height=\"380\" frameborder=\"0\"><\/iframe><\/p>\n<p><em>\u2018How To Let Go\u2019<\/em>\u00a0by\u00a0<strong>blanket<\/strong>\u00a0is out now on\u00a0<strong>Music For Nations<\/strong>.<\/p>\n<p><strong>blanket<\/strong>\u00a0links:\u00a0<a href=\"https:\/\/www.facebook.com\/blanketsounds\/\" target=\"_blank\" rel=\"noopener\">Facebook<\/a>\u00a0|\u00a0<a href=\"https:\/\/twitter.com\/blanketsounds\" target=\"_blank\" rel=\"noopener\">Twitter<\/a>\u00a0|\u00a0<a href=\"https:\/\/www.instagram.com\/blanketsounds\/\" target=\"_blank\" rel=\"noopener\">Instagram<\/a>\u00a0|\u00a0<a href=\"http:\/\/blanketsounds.bandcamp.com\/\" target=\"_blank\" rel=\"noopener\">Bandcamp<\/a><\/p>\n<p>Words by S\u00eaan Reid (<a href=\"https:\/\/twitter.com\/SeanReid86\" target=\"_blank\" rel=\"noopener\">@SeanReid86<\/a>)<\/p>\n<hr \/>\n<p><em>If you have enjoyed reading this article and would like to help us produce more content and promote more great new music, please consider donating to\u00a0<a href=\"https:\/\/www.patreon.com\/alreadyheard\" target=\"_blank\" rel=\"noopener\">our Patreon page<\/a>.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Having released their exceptional debut full-length, &#8216;How To Let Go&#8217;, we spoke in depth to Blanket\u2019s Simon Morgan and Bobby Pook in our latest edition of &#8216;Guitar Talk&#8217;.<\/p>\n","protected":false},"author":2,"featured_media":60376,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2329,15351],"tags":[2260,122,15210,15288,837,12398],"class_list":["post-60373","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-features","category-guitar-talk","tag-blanket","tag-feature","tag-guitar-talk","tag-how-to-let-go","tag-music-for-nations","tag-sean-reid"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Guitar Talk with blanket&#039;s Bobby Pook and Simon Morgan - Already Heard Staging<\/title>\n<meta name=\"description\" content=\"Having released their exceptional debut full-length, &#039;How To 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