{"id":63764,"date":"2018-05-29T16:00:32","date_gmt":"2018-05-29T15:00:32","guid":{"rendered":"https:\/\/alreadyheard.com\/staging\/?p=63764"},"modified":"2018-05-28T22:21:38","modified_gmt":"2018-05-28T21:21:38","slug":"review-svalbard-its-hard-to-have-hope","status":"publish","type":"post","link":"https:\/\/alreadyheard.com\/staging\/review-svalbard-its-hard-to-have-hope\/","title":{"rendered":"Review: Svalbard &#8211; It&#8217;s Hard to Have Hope"},"content":{"rendered":"<p><a href=\"https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2018\/05\/Svalbard1519059074733807.jpg\"><img fetchpriority=\"high\" decoding=\"async\" class=\"size-medium wp-image-63767 alignleft\" src=\"https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2018\/05\/Svalbard1519059074733807-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" title=\"\" srcset=\"https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2018\/05\/Svalbard1519059074733807-300x300.jpg 300w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2018\/05\/Svalbard1519059074733807-100x100.jpg 100w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2018\/05\/Svalbard1519059074733807-600x600.jpg 600w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2018\/05\/Svalbard1519059074733807-150x150.jpg 150w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2018\/05\/Svalbard1519059074733807-768x768.jpg 768w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2018\/05\/Svalbard1519059074733807-1024x1024.jpg 1024w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2018\/05\/Svalbard1519059074733807-465x465.jpg 465w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2018\/05\/Svalbard1519059074733807-500x500.jpg 500w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2018\/05\/Svalbard1519059074733807.jpg 1440w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>On their debut full length <i>\u2018One Day All This Will End\u2019<\/i>, Bristol quartet <b>Svalbard<\/b> fused their collective hardcore, post-rock and black metal influences into a cohesive work of aggression spaced out by melodic breaks and atmospheric build-ups. Naturally, second album,\u00a0<i>\u2018It\u2019s Hard to Have Hope\u2019<\/i> plays on these strengths, but there are a far more urgent tone and frantic energy in its delivery.<\/p>\n<p>There\u2019s a reason for this franticness. Pro-feminist declaration has always embodied <b>Svalbard\u2019s<\/b> lyrics in a suggested sense, but on <i>\u2018It\u2019s Hard to Have Hope\u2019<\/i>, misogyny, sexual assault at gigs and women\u2019s reproductive rights are approached head on and at great length. <em>&#8220;You call me a feminazi, and I\u2019ll call you ignorant,&#8221;<\/em>\u00a0vocalist Serena Cherry proclaims on <i>\u2018Feminazi?!\u2019<\/i> with the spite of someone who\u2019s had too many losers tell her she\u2019s overreacting.<\/p>\n<p>https:\/\/www.youtube.com\/watch?v=6PisDsQgviQ<\/p>\n<p>Most harrowingly, Cherry\u2019s personal recollection of sexual harassment at a gig is chillingly reflected on <i>\u2018How Do We Make It Stop\u2019<\/i> (<em>&#8220;<\/em><i>I dare not cross off the crowd that tried to touch between your legs&#8221;)<\/i>. It\u2019s a song that provokes thought and empathy towards women who have experienced such treatment while trying to watch the bands they love. In a genre that prides itself on unity and inclusion for all, a song this urgent is a bitter pill to swallow.<\/p>\n<p>Plenty more topics encompass <i>\u2018It\u2019s Hard to Have Hope\u2019<\/i>, from the suffering of designer dog breeds (<i>\u2018For the Sake of Breed\u2019<\/i>) to the mistreatment of young workers (<i>\u2018Unpaid Intern\u2019<\/i>), but the message is one that defies hopelessness and demands change. Punctuated by intense metal arrangements built on blast beats, hardcore shredding and harmonious lead passages, tracks like <i>\u2018Pro-Life?\u2019<\/i> and instrumental closer <i>\u2018Iorek\u2019<\/i> reach triumphant climaxes that prove <b>Svalbard\u2019s<\/b> message. There is hope and beauty at the end of these dark times, but we need to keep pushing towards it.<\/p>\n<p>4.5\/5<\/p>\n<p><i>\u2018It\u2019s Hard to Have Hope\u2019<\/i> by <b>Svalbard<\/b> is out now on\u00a0<b>Holy Roar Records.<\/b><\/p>\n<p><b>Svalbard<\/b> links: <a href=\"https:\/\/www.facebook.com\/svalbarduk\/\" target=\"_blank\" rel=\"noopener\">Facebook<\/a> | <a href=\"https:\/\/twitter.com\/Svalbardband\" target=\"_blank\" rel=\"noopener\">Twitter<\/a> | <a href=\"https:\/\/www.instagram.com\/svalbard\/\" target=\"_blank\" rel=\"noopener\">Instagram<\/a> | <a href=\"https:\/\/svalbard.bandcamp.com\/\" target=\"_blank\" rel=\"noopener\">Bandcamp<\/a><\/p>\n<p>Words by Andrew Davidson (<a href=\"https:\/\/twitter.com\/AndyrfDavidson\" target=\"_blank\" rel=\"noopener\">@AndyrfDavidson<\/a>)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>On their debut full length \u2018One Day All This Will End\u2019, Bristol quartet Svalbard fused their collective hardcore, post-rock and black metal influences into a cohesive work of aggression spaced out by melodic breaks and atmospheric build-ups. Naturally, second album,\u00a0\u2018It\u2019s Hard to Have Hope\u2019 plays on these strengths, but there are a far more urgent [&hellip;]<\/p>\n","protected":false},"author":11,"featured_media":63767,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[15],"tags":[94,15415,2758],"class_list":["post-63764","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-album-reviews","tag-holy-roar-records","tag-its-hard-to-have-hope","tag-svalbard"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Review: Svalbard - It&#039;s Hard to Have Hope - Already Heard Staging<\/title>\n<meta name=\"description\" content=\"On their debut full length \u2018One Day All This Will End\u2019, Bristol quartet Svalbard fused their collective hardcore, post-rock and black metal influences\" \/>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Review: Svalbard - 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