{"id":72361,"date":"2018-11-06T16:00:49","date_gmt":"2018-11-06T16:00:49","guid":{"rendered":"https:\/\/alreadyheard.com\/staging\/?p=72361"},"modified":"2018-11-06T19:40:52","modified_gmt":"2018-11-06T19:40:52","slug":"review-all-get-out-no-bouquet","status":"publish","type":"post","link":"https:\/\/alreadyheard.com\/staging\/review-all-get-out-no-bouquet\/","title":{"rendered":"Review: All Get Out \u2013 No Bouquet"},"content":{"rendered":"

\"\"<\/a>Nathan Hussey returns with the release of ‘No Bouquet’,\u00a0<\/em>the fourth record from his emo project\u00a0All Get Out<\/strong> that is completed by gun-for-hire guitarist Kyle Samuel. Tied up with the floral image of the album is All Get Out<\/strong>‘s long album cycles \u2013 it is three years since ‘No Bouquet”<\/em>s predecessor, ‘Nobody Likes a Quitter’,\u00a0<\/em>while before that ‘The Season’<\/em> was 2011. Like a flower, they bloom only to disappear for long periods between.<\/p>\n

And on the opener ‘Rose’,<\/em> Hussey remains happy to operate on his own terms: “Take your time if you want\/they walk ahead and you catch up.”<\/em>\u00a0Its murky sound would be at home on any number of seminal emo releases of the last 15 years, but the rays of light that permeate an uplifting chorus are more representative of\u00a0‘No Bouquet’\u00a0<\/em>as a whole.<\/p>\n

‘Value’ <\/em>finds\u00a0Hussey’s two contrasting vocal modes interplaying well. His soft Carolina inflections in the verses have a folky Americana streak, but pained yells elsewhere are more standard emo fair. The prior setting effectively mimics a gorgeous Samuel lick on ‘First Contact<\/em>‘.\u00a0<\/em><\/p>\n

Such melodical coordination between voice and guitar is also what makes\u00a0‘First Repair<\/em>‘ so dynamic, while layers of overdriven tones give the wonderful\u00a0‘However Long’<\/em> legs to add to Hussey’s emotional heft: “However long it’s gonna be\/I can always guarantee I’m gonna miss you.”<\/em><\/p>\n