{"id":78675,"date":"2019-05-09T11:00:04","date_gmt":"2019-05-09T10:00:04","guid":{"rendered":"https:\/\/alreadyheard.com\/staging\/?p=78675"},"modified":"2023-04-07T14:20:17","modified_gmt":"2023-04-07T13:20:17","slug":"review-employed-to-serve-eternal-forward-motion","status":"publish","type":"post","link":"https:\/\/alreadyheard.com\/staging\/review-employed-to-serve-eternal-forward-motion\/","title":{"rendered":"Review: Employed To Serve – Eternal Forward Motion"},"content":{"rendered":"

\"Employed<\/p>\n

For those who have been caught up in the wave Employed To Serve<\/strong><\/a> have been riding on for the past two years, this third outing is considerably one of UK hardcore’s most anticipated releases of the year. While ‘The Warmth Of A Dying Sun<\/a>‘<\/em> opened many doors for the Woking five-piece, ‘Eternal Forward Motion’<\/em> barges in. Instantly chaotic and aggressive as ever, the title track slices through with twisting, razor-sharp riffs while Justine Jones unleashes a scathing attack on those holding on to the past,<\/p>\n

There’s a relentless, almost destructive, nature to the band’s execution. From the breakneck pace of ‘Dull Ache Behind My Eyes’<\/em> with its doom-laden breakdown to the explosive and disjointed ‘Beneath It All’<\/em>, where Jones exchanges vocals back and forth with Sammy Urwin, to ‘Owed Zero’<\/em>‘s scathing, metallic crunch with Jones’ admittance of “owed nothing, take everything!”<\/em><\/p>\n