{"id":817,"date":"2017-11-15T11:00:35","date_gmt":"2017-11-15T11:00:35","guid":{"rendered":"https:\/\/alreadyheard.com\/staging\/review-converge-the-dusk-in-us\/"},"modified":"2017-11-15T11:00:35","modified_gmt":"2017-11-15T11:00:35","slug":"review-converge-the-dusk-in-us","status":"publish","type":"post","link":"https:\/\/alreadyheard.com\/staging\/review-converge-the-dusk-in-us\/","title":{"rendered":"Review: Converge &#8211;\u00a0The Dusk In Us"},"content":{"rendered":"<p><figure class=\"tmblr-full\"><img decoding=\"async\" src=\"https:\/\/78.media.tumblr.com\/1802aa26193412c2c6efa076873d90d2\/tumblr_oczgq9lfGb1r8no6so3_r101_1280.jpg\" width=\"250em\" alt=\"\" title=\"\"><\/figure>\n<p>Its been five years since the last <b>Converge<\/b> record, <i>&lsquo;All We Love We Leave Behind<\/i>&rsquo;, the longest gap between studio albums in the mathcore pioneers&rsquo; career. Somehow, this doesn&rsquo;t matter as soon as the chaotic riffing of <i>&#8216;A Single Tear&rsquo;<\/i>, the opening track on their ninth opus, <i>&#8216;The Dusk In Us&rsquo;<\/i>, begins. It&rsquo;s clear that in their 28th year, <b>Converge<\/b> are as intense and nasty as ever, and still manage to mature and age gracefully.<\/p>\n<p><i>&#8216;The Dusk&hellip;&rsquo;<\/i> features a mix of sludgy, crusty mid-paced pummelling tracks such as <i>&#8216;Under Duress&rsquo;<\/i> and closer <i>&#8216;Reptillian&rsquo;<\/i>, and faster-paced, breakneck punk numbers <i>&#8216;Eye of the Quarrel&rsquo;<\/i> and <i>&#8216;Wildlife&rsquo;<\/i>. <b>Converge<\/b> also experiment with melody on songs like <i>&#8216;Trigger&rsquo;<\/i>, which features some southern rock-esque riffing. More melody, sparse acoustic instrumentation and a generally sombre atmosphere is present on <i>&#8216;Thousands of Miles Between Us&rsquo;<\/i>, which features some of Bannon&rsquo;s most impressive vocal work to date, and breaks new ground for the band.<\/p>\n<p><!-- more --><\/p>\n<p>However, the album&rsquo;s real stand-out is the 7-minute centrepiece title track, which combines acoustic guitars, space rock-influenced synths and post-rock influences to create something that stands entirely on its own. While it&rsquo;s not the first time <b>Converge<\/b> have experimented with their established sound, and members&rsquo; non-extreme metal projects are well-documented, this track is the most explicit departure to date and shows the band&rsquo;s musical maturation well without feeling like a betrayal of any kind.<\/p>\n<p>Other highlights on <i>&#8216;The Dusk..&rsquo;<\/i> include the mathy riffing and outbursts of extreme-metal madness on <i>&#8216;I Can Tell You About Pain&rsquo;<\/i>, and the dark, apocalyptic atmosphere of <i>&#8216;Murk and Marrow&rsquo;<\/i>.<\/p>\n<p>The most important thing about <i>&#8216;The Dusk in Us&rsquo;<\/i> is whether it&rsquo;s experimental, abrasive, or sludgy (and it is all those things), it&rsquo;s always intense. One need look no further than the razor-sharp guitar-work, unrelentingly pacey drumming, and pained vocals throughout the album to realise this.<\/p>\n<p>Once again, <b>Converge<\/b> deliver a complex, intense, varied and extreme record. Nearly 30 years into their career, they put all competition to shame.<\/p>\n<p>4.5\/5<\/p>\n<p><i>&#8216;The Dusk In Us&rsquo;<\/i> by <b>Converge<\/b> is out now on <b>Epitaph Records<\/b> \/ <b>Deathwish Inc<\/b>.<\/p>\n<p>Converge links: <a href=\"https:\/\/www.convergecult.com\" target=\"_blank\" rel=\"noopener\">Website<\/a>|<a href=\"https:\/\/www.facebook.com\/converge\/\" target=\"_blank\" rel=\"noopener\">Facebook<\/a>|<a href=\"https:\/\/www.twitter.com\/convergecult\" target=\"_blank\" rel=\"noopener\">Twitter<\/a>|<a href=\"https:\/\/convergecult.bandcamp.com\/\" target=\"_blank\" rel=\"noopener\">Bandcamp<\/a><\/p>\n<p>Words by Alan Cunningham (<a href=\"https:\/\/www.twitter.com\/funeral_polis\" target=\"_blank\" rel=\"noopener\">@funeral_polis<\/a>)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Its been five years since the last Converge record, &lsquo;All We Love We Leave Behind&rsquo;, the longest gap between studio albums in the mathcore pioneers&rsquo; career. Somehow, this doesn&rsquo;t matter as soon as the chaotic riffing of &#8216;A Single Tear&rsquo;, the opening track on their ninth opus, &#8216;The Dusk In Us&rsquo;, begins. It&rsquo;s clear that [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":16754,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[15],"tags":[432,613,126,612],"class_list":["post-817","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-album-reviews","tag-converge","tag-deathwish-inc","tag-epitaph-records","tag-the-dusk-in-us"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Review: Converge -\u00a0The Dusk In Us - Already Heard Staging<\/title>\n<meta name=\"description\" content=\"Its been five years since the last Converge record, &lsquo;All We Love We Leave Behind&rsquo;, the longest gap between studio albums in the mathcore\" \/>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Review: Converge -\u00a0The Dusk In Us - 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