{"id":84583,"date":"2019-06-26T10:00:51","date_gmt":"2019-06-26T09:00:51","guid":{"rendered":"https:\/\/alreadyheard.com\/staging\/?p=84583"},"modified":"2019-06-25T19:43:14","modified_gmt":"2019-06-25T18:43:14","slug":"review-all-get-out-northport-sessions-ep","status":"publish","type":"post","link":"https:\/\/alreadyheard.com\/staging\/review-all-get-out-northport-sessions-ep\/","title":{"rendered":"Review: All Get Out \u2013 Northport Sessions EP"},"content":{"rendered":"

\"\"It may be assumed that this collection of reworked tracks was recorded in Northport, Alabama. In fact, All Get Out<\/strong>‘s Nathan Hussey, Kyle Samuel and Dom Nastasi never met during the creation of ‘Northport Sessions’<\/em>, Hussey the only member in the titular location.<\/p>\n

Hussey says his move there inspired this experimental reimagining of several of tracks from the band’s latest LP,\u00a0‘No Bouquet’<\/em><\/a>, alongside one new track –‘Northport’<\/em>. These fresh versions present a largely stripped-down, restrained take on what was an impressive, uplifting record with both sensitivity and bite.<\/p>\n

One aspect that made\u00a0‘No Bouquet’\u00a0<\/em>successful was the sharp guitar work of Kyle Samuel, which remains in flashes, but the focus turns to texture and atmosphere. Distanced Brand New fans might find a haven in ‘Goddamn’<\/em>, a deliciously dark and staggered upgrade on the original with Hussey’s softly distorted voice barely above a whisper.<\/p>\n