{"id":8628,"date":"2015-07-23T14:20:20","date_gmt":"2015-07-23T14:20:20","guid":{"rendered":"https:\/\/alreadyheard.com\/staging\/album-review-counterparts-tragedy-will-find-us\/"},"modified":"2018-03-21T22:03:17","modified_gmt":"2018-03-21T22:03:17","slug":"album-review-counterparts-tragedy-will-find-us","status":"publish","type":"post","link":"https:\/\/alreadyheard.com\/staging\/album-review-counterparts-tragedy-will-find-us\/","title":{"rendered":"Album Review: Counterparts &#8211; Tragedy Will Find Us"},"content":{"rendered":"<figure><img decoding=\"async\" width=\"250\" src=\"https:\/\/78.media.tumblr.com\/dbb60f3e67ed9b3d21465b04cd9a2490\/tumblr_inline_nrwp1sEwde1t3m09q_540.jpg\" alt=\"image\" title=\"\"><b>Counterparts<\/b>&rsquo; 2013 sophomore record <i>&lsquo;The Difference Between Hell and Home&rsquo;<\/i> was applauded by critics and introduced the Hamilton, Ontario outfit to many new fans. Two years on, the quintet have a different line-up and a new label with the much talked about Pure Noise Records overseeing the global release of LP #3 \u2013 <i>&#8216;Tragedy Will Find Us&rsquo;<\/i>. With more eyes and ears paying attention this time round, the levels of anger are as high as ever. There&rsquo;s no doubt that <b>Counterparts<\/b> are the epitome of what a modern melodic hardcore band should be.<\/figure>\n<p>Their recognizable lyrical trait of being self-deprecating and thoroughly raw is still firmly intact. <i>\u201cI&rsquo;m the catalyst of our collapse,\u201d<\/i> Murphy states on <i>&#8216;Resonate&rsquo;<\/i> before evolving into a slower final chorus where the tempo sways yet the vocalist&rsquo;s screams are as desperate. As self-evident as it is from song titles like <i>&#8216;Choke&rsquo;<\/i> and <i>&#8216;Collapse&rsquo;<\/i>, <i>&#8216;Tragedy Will Find Us&rsquo;<\/i> is a bleak record that wallows in the trials and tribulations of Murphy. His consistent self-examination and accounts of failure is just one layer to <b>Counterparts<\/b>.<!-- more --><\/p>\n<figure><\/figure>\n<p>They find solace in their sheer fierce musical assault. From the opening rip-roaring bars of <i>&#8216;Stillborn&rsquo;<\/i>, their frenzied nature is in full swing that sticks to the familiar hardcore structure; Brendan Murphy&rsquo;s screams are domineering and the breakdowns are as dense as they come. Lead \u201csingle\u201d <i>&#8216;Burn&rsquo;<\/i> showcases their near-perfect balance of heavy and \u201csoft\u201d; stabbing guitars lead into a well-layered conclusion with light guitars and airy drums seeing the track out. <i>&#8216;Choke&rsquo;<\/i> storms through in a colossal mosh-ready fashion, whilst <i>&#8216;Collapse&rsquo;<\/i> aims to be the album stand-out; rapid-fire drums and well-structured guitar work compliment Murphy&rsquo;s piercing narrative, with the striking line of <i>&ldquo;I bite my tongue \/ Fill my mouth with blood \/ And swallow enough to kill me\u201d<\/i> taking over in the bridge.<\/p>\n<p>Unfortunately, moments like the thrashing <i>&#8216;Withdrawal&rsquo;<\/i> and the abrupt <i>&#8216;Drown&rsquo;<\/i> come off as routine. Nevertheless, <b>Counterparts<\/b> still show they have purpose. The album climaxes with <i>&#8216;Solace&rsquo;<\/i> which sees Murphy pour his heart out (<i>\u201cI\u2019d rather die than live without you\u201d<\/i>) before pulling it back with sweet, plucky guitars. <\/p>\n<p>Without a doubt, <i>&#8216;Tragedy Will Find Us&rsquo;<\/i> takes you on a cathartic lyrical journey through Murphy&rsquo;s introspective outpouring, but it&rsquo;s countered by a sturdy collection of solid, persistent hardcore. At times it overwhelms you, both lyrically and musically, but in conclusion it captures a band who continue to improve. <b>Counterparts<\/b> have built on the foundations formed on past releases, and in part sustained their role as one of the emerging leaders in melodic hardcore. Through tragedy, <b>Counterparts<\/b> have found stable progression.<\/p>\n<p>4\/5<\/p>\n<p><i>&#8216;Tragedy Will Find Us&rsquo;<\/i> by <b>Counterparts<\/b> is released on 24th July on <b>Pure Noise Records<\/b>.<\/p>\n<p><b>Counterparts<\/b> links: <a href=\"http:\/\/www.tragedywillfind.us\" target=\"_blank\" rel=\"noopener\">Website<\/a>|<a href=\"https:\/\/www.facebook.com\/counterpartsband\" target=\"_blank\" rel=\"noopener\">Facebook<\/a>|<a href=\"https:\/\/twitter.com\/counterparts905\" target=\"_blank\" rel=\"noopener\">Twitter<\/a>|<a href=\"https:\/\/instagram.com\/counterpartsband\" target=\"_blank\" rel=\"noopener\">Instagram<\/a>|<a href=\"https:\/\/www.youtube.com\/user\/CounterpartsVEVO\" target=\"_blank\" rel=\"noopener\">YouTube<\/a><\/p>\n<p>Words by Sean Reid (<a href=\"http:\/\/twitter.com\/seanreid86\" target=\"_blank\" rel=\"noopener\">@SeanReid86<\/a>)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Counterparts&rsquo; 2013 sophomore record &lsquo;The Difference Between Hell and Home&rsquo; was applauded by critics and introduced the Hamilton, Ontario outfit to many new fans. Two years on, the quintet have a different line-up and a new label with the much talked about Pure Noise Records overseeing the global release of LP #3 \u2013 &#8216;Tragedy Will [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":14606,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[15],"tags":[429,66,12398,5122],"class_list":["post-8628","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-album-reviews","tag-counterparts","tag-pure-noise-records","tag-sean-reid","tag-tragedy-will-find-us"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Album Review: Counterparts - Tragedy Will Find Us - Already Heard Staging<\/title>\n<meta name=\"description\" content=\"Counterparts&rsquo; 2013 sophomore record &lsquo;The Difference Between Hell and Home&rsquo; was applauded by critics and introduced the Hamilton, Ontario\" \/>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Album Review: Counterparts - Tragedy Will Find Us - Already Heard Staging\" \/>\n<meta property=\"og:description\" content=\"Counterparts&rsquo; 2013 sophomore record &lsquo;The Difference Between Hell and Home&rsquo; was applauded by critics and introduced the Hamilton, Ontario\" \/>\n<meta property=\"og:url\" content=\"https:\/\/alreadyheard.com\/staging\/album-review-counterparts-tragedy-will-find-us\/\" \/>\n<meta property=\"og:site_name\" content=\"Already Heard Staging\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/AlreadyHeard\/\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/seanreidportfolio\" \/>\n<meta property=\"article:published_time\" content=\"2015-07-23T14:20:20+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2018-03-21T22:03:17+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/tumblr_inline_nrwp1sEwde1t3m09q_540.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1\" \/>\n\t<meta property=\"og:image:height\" content=\"1\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"S\u00eaan Reid\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@alreadyhearduk\" \/>\n<meta name=\"twitter:site\" content=\"@alreadyhearduk\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"S\u00eaan Reid\" \/>\n\t<meta name=\"twitter:label2\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Album Review: Counterparts - Tragedy Will Find Us - Already Heard Staging","description":"Counterparts&rsquo; 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