{"id":94637,"date":"2023-09-29T09:00:31","date_gmt":"2023-09-29T08:00:31","guid":{"rendered":"https:\/\/alreadyheard.com\/staging\/?p=94637"},"modified":"2023-09-30T12:42:31","modified_gmt":"2023-09-30T11:42:31","slug":"newmusicfriday-september-29th-2023","status":"publish","type":"post","link":"https:\/\/alreadyheard.com\/staging\/newmusicfriday-september-29th-2023\/","title":{"rendered":"#NewMusicFriday (September 29th 2023)"},"content":{"rendered":"<p>This week&#8217;s #NewMusicFriday is loaded with a blend of impressive and noteworthy releases. For starters,\u00a0<strong>Code Orange<\/strong> return with their fifth album,\u00a0<em>&#8216;The Above&#8217;<\/em>. It&#8217;s been described as a <a href=\"https:\/\/www.kerrang.com\/album-review-code-orange-the-above\" target=\"_blank\" rel=\"noopener\">&#8220;challenging&#8221;<\/a> record that sees them take numerous <a href=\"https:\/\/distortedsoundmag.com\/album-review-the-above-code-orange\/\" target=\"_blank\" rel=\"noopener\">bold<\/a> new directions.<\/p>\n<p>When it comes to impressive releases, the likes of\u00a0<strong>Blood Command<\/strong>,\u00a0and\u00a0<strong>Koyo\u00a0<\/strong>deliver favourable albums that are worth your time. You can also throw in releases from\u00a0<strong>&#8217;68<\/strong>,\u00a0<strong>Grove Street<\/strong>,\u00a0<strong>King Nun<\/strong>,\u00a0<strong>Pleiades<\/strong><strong>,\u00a0<\/strong>and\u00a0<strong>Slow Pulp<\/strong> in that pool.<\/p>\n<p>It&#8217;s a stacked week for releases (again!) as there&#8217;s also new music from Seattle punks <strong>Filth Is Eternal<\/strong>, alt-rock.prog from Haunt the Woods, Chicago metallic hardcore bruisers\u00a0<strong>Harms Way<\/strong>, and a hybrid of trap and metal courtesy of\u00a0<strong>BVDLVD<\/strong>.<\/p>\n<p><center><script type='text\/javascript' src='https:\/\/storage.ko-fi.com\/cdn\/widget\/Widget_2.js'><\/script><script type='text\/javascript'>kofiwidget2.init('Support Already Heard on Ko-fi', '#29abe0', 'J3J4MX03R');kofiwidget2.draw();<\/script> <\/script><\/center><\/p>\n<hr \/>\n<hr \/>\n<h2>Jump to The Good Stuff<\/h2>\n<ul>\n<li><a href=\"#bloodcommand\">Blood Command &#8211; World Domination<\/a><\/li>\n<li><a href=\"#koyo\">Koyo &#8211; Would You Miss It?<\/a><\/li>\n<li><a href=\"#thelist\">What is out on this #NewMusicFriday?<\/a><\/li>\n<li><a href=\"#playlist\">Take me to the Playlist<\/a><\/li>\n<\/ul>\n<hr \/>\n<hr \/>\n<figure id=\"attachment_94008\" aria-describedby=\"caption-attachment-94008\" style=\"width: 800px\" class=\"wp-caption aligncenter\"><img fetchpriority=\"high\" decoding=\"async\" id=\"bloodcommand\" class=\"size-full wp-image-94008\" src=\"https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2023\/06\/Blood-Command.jpg\" alt=\"Blood Command\" width=\"800\" height=\"507\" title=\"\" srcset=\"https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2023\/06\/Blood-Command.jpg 800w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2023\/06\/Blood-Command-300x190.jpg 300w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2023\/06\/Blood-Command-768x487.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-94008\" class=\"wp-caption-text\">Photo Credit: David Alr\u00e6k<\/figcaption><\/figure>\n<h2>Blood Command &#8211; World Domination<\/h2>\n<p>Having welcomed Nikki Brumen on last year&#8217;s <i>&#8216;Praise Armageddon&#8217;<\/i>, Norway-based outfit <b>Blood Command<\/b> is going all out on their fifth album &#8211; <em>&#8216;World Domination&#8217;<\/em>. On paper, it&#8217;s a fear-inducing 20-track slog with pre-emptied hints of experimentation. Thankfully at its core, <em>&#8216;World Domination&#8217;\u00a0<\/em>is a\u00a0<strong>Blood Command\u00a0<\/strong>record; a restless blast of self-styled &#8220;death-pop&#8221; with added stylistic twists.<\/p>\n<p>Admittedly, these quirks don&#8217;t always work.\u00a0<em>&#8216;Welcome To The Next Level Above Human&#8217;\u00a0<\/em>jarringly gives us a brief dose of stomping Euro trance. Yet\u00a0<em>&#8216;Burn Again&#8217;<\/em> is the worst offender. Whether it&#8217;s supposed to be a parody of gangsta rap, I&#8217;m not sure, but it&#8217;s an album low point.<\/p>\n<p>Thankfully, there are favourable turns.\u00a0<em>&#8216;Decades&#8217;<\/em> shimmers in its urban synth-laden, balladic skin. Later on,\u00a0<em>&#8216;Losing Faith&#8217;\u00a0<\/em>allows Brumen and guitarist\/producer Yngve Andersen to gently duet. Tinged with heartbreak and regret, the album&#8217;s penultimate track comfortably embraces a country\/folk sound.<\/p>\n<p>In between all the twists,\u00a0<strong>Blood Command<\/strong> carry an arsenal of instantaneous hardcore punk bullets. In short, it&#8217;s what\u00a0<em>&#8216;World Domination&#8217;<\/em> thrives on.\u00a0<em>&#8216;Heaven&#8217;s Hate&#8217;,\u00a0<\/em><em>&#8216;Valley Of Hinnom&#8217;<\/em>, and\u00a0<em>&#8216;Forever Soldiers Of Esther&#8217;<\/em> are quick to reassure long-time fans as the Aussie frontwoman yelps against breakneck drums and spiky, metallic guitars. Elsewhere, <em>&#8216;Blue North&#8217;<\/em> sounds momentous, even if it&#8217;s less than 90 seconds.<\/p>\n<p>In Brumen,\u00a0<strong>Blood Command<\/strong> have a firecracker of a vocalist. From the raspberry-spitting venom on the hardcore romp of <em>&#8216;Stay Awake&#8217;, <\/em>the grrrl punk swagger on <em>&#8216;The Plague On Both Your Houses&#8217;,<\/em> or the numerous rapid-fire, adrenaline-fueled cuts that simply keep the momentum going (see <em>&#8216;It&#8217;s Not Us, It&#8217;s Them&#8217;<\/em> or <em>&#8216;Keep My Seat Warm&#8217;<\/em>)<\/p>\n<p>Although what they throw at the wall doesn&#8217;t always stick,\u00a0<strong>Blood Command<\/strong> take you on a (mostly) head-banging ride on\u00a0<em>&#8216;World Domination<\/em>&#8216;. Ultimately, it sees the Bergen-based band serving up a musical cocktail of punk, hardcore, and black metal, with a sprinkling of hip-hop, Europop, and country on top.<\/p>\n<figure id=\"attachment_94659\" aria-describedby=\"caption-attachment-94659\" style=\"width: 800px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" id=\"koyo\" class=\"size-large wp-image-94659\" src=\"https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2023\/09\/Koyo-band-Photo-Credit_-Rebecca-Lader--1000x667.jpeg\" alt=\"Koyo 2023\" width=\"800\" height=\"534\" title=\"\" srcset=\"https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2023\/09\/Koyo-band-Photo-Credit_-Rebecca-Lader--1000x667.jpeg 1000w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2023\/09\/Koyo-band-Photo-Credit_-Rebecca-Lader--300x200.jpeg 300w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2023\/09\/Koyo-band-Photo-Credit_-Rebecca-Lader--768x512.jpeg 768w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2023\/09\/Koyo-band-Photo-Credit_-Rebecca-Lader--1536x1025.jpeg 1536w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2023\/09\/Koyo-band-Photo-Credit_-Rebecca-Lader-.jpeg 2000w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-94659\" class=\"wp-caption-text\">Photo Credit: Rebecca Lader<\/figcaption><\/figure>\n<h2>Koyo &#8211; Would You Miss It?<\/h2>\n<p>As someone who now runs this site by themselves, there are only so many hours in the day I can spend listening to new music (alongside working a full-time job). Despite this, I feel bad that I didn&#8217;t listen to <strong>Koyo<\/strong>&#8216;s debut album,\u00a0<em>&#8216;Would You Miss It?&#8217;<\/em> sooner.<\/p>\n<p>Formed in 2020, they follow a lineage of Long Island, New York melodic hardcore bands, proving to be as genuine as possible. Furthermore, the quintet are childhood friends, which explains why there&#8217;s a strong synchronal feel throughout. By having this solid foundation, combined with a detailed songwriting process,\u00a0<strong>Koyo<\/strong>&#8216;s creative bond flourishes by creating a record that is equally empowering and melancholy.<\/p>\n<p>From the outset, Harold Griffin and TJ Rotolico provide guitar melodies that ring out against a rugged rhythm section of bassist Stephen Spanos, and drummer Salvatore Argento. While Joseph Chiaramonte balances out pop-punk-like hooks and post-hardcore shouts. Aided by producer Jon Markson (Drug Church, Regulate, One Step Closer), early tracks such as\u00a0<em>&#8217;51st State&#8217;<\/em> and\u00a0<em>&#8216;You&#8217;re On The List (Minus One)&#8217;<\/em> quickly set the benchmark. The latter especially has an addictive quality due its towering melody.<\/p>\n<p>Throughout, the sporadic use of guest vocalists, Glassjaw&#8217;s Daryl Palumbo, The Movielife&#8217;s Vinnie Caruana, and Vein.FM&#8217;s Anthony DiDio, bridge the gap between the past and present with ease. For example, Anthony DiDio&#8217;s screams on <em>&#8216;Flatline Afternoon&#8217;\u00a0<\/em>complement snare-dominant pounding intensity. Whereas Palumbo&#8217;s contribution on <em>&#8216;Message Like A Bomb&#8217;<\/em> complements one of the album&#8217;s best hooks as he effortlessly exchanges lines with Chiaramonte.<\/p>\n<p>If you&#8217;ve grown up listening to the bands <strong>Koyo<\/strong> probably did too,\u00a0<em>&#8216;Would You Miss It?&#8217;<\/em> sounds familiar yet never fully indulges itself in nostalgia. Take late album cut,\u00a0<em>&#8216;Postcards&#8217;,\u00a0<\/em>as an example. It sees Chiaramonte reflect on a long-distance relationship that he&#8217;s<em> &#8220;determined to see this through&#8221;.\u00a0<\/em>Picking out a standout track is difficult as\u00a0<strong>Koyo\u00a0<\/strong>have pulled off the unique trick of making a compelling yet unremarkable album. Threaded by Chiaramonte&#8217;s ability to write strong hooks and sentimental coming-of-age tales, <em>&#8216;Would You Miss It?&#8217;<\/em> finely embraces hardcore density, melodic flair, and accessibility. The end result is a compulsive record that you&#8217;ll end up coming back to.<\/p>\n<p><iframe title=\"Koyo &quot;You&#039;re On The List (Minus One)&quot; (Official Music Video)\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/TUiBE22OApA?feature=oembed&#038;enablejsapi=1&#038;origin=https:\/\/alreadyheard.com\/staging\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<h2 id=\"list\">What is out on #NewMusicFriday?<\/h2>\n<p>Code Orange &#8211; The Above<br \/>\nBlood Command &#8211; World Domination<br \/>\n&#8217;68 &#8211; Yes, and\u2026<br \/>\nGrove Street &#8211; The Path To Righteousness<br \/>\nBlack Stone Cherry &#8211; Screamin&#8217; At The Sky<br \/>\nMeet Me @ The Altar &#8211; Past \/\/ Present \/\/ Future (Deluxe Edition)<br \/>\nKoyo &#8211; Would You Miss It?<br \/>\nHaunt the Woods &#8211; Ubiquity<br \/>\nKing Nun &#8211; Lamb<br \/>\nHarms Way &#8211; Common Suffering<br \/>\nPleiades &#8211; Affinity With<br \/>\nSlow Pulp &#8211; Yard<br \/>\nSiM &#8211; Playdead<br \/>\nAsinhell &#8211; Impii Hora<br \/>\nTaproot &#8211; SC\\SSRS<br \/>\nWolves In The Throne Room &#8211; Crypt Of Ancestral Knowledge<br \/>\nHeavy Lungs &#8211; All Gas No Brakes<br \/>\nRandom Hand &#8211; Random Hand<br \/>\nThe Hirsch Effekt &#8211; Urian<br \/>\nFilth is Eternal &#8211; Find Out<br \/>\nbvdlvd &#8211; ABSENCE<br \/>\nBlackbriar &#8211; A Dark Euphony<br \/>\nKK&#8217;s Priest &#8211; The Sinner Rides Again<br \/>\nBlodet &#8211; Death Mother<br \/>\nSleep Theory &#8211; Paper Hearts<br \/>\nMaggot Heart &#8211; HUNGER<br \/>\nHoneytalks &#8211; There&#8217;s Hope In Hopeless<br \/>\nSnow Coats \/ Bony Macaroni &#8211; Split EP<br \/>\nPulses. &#8211; It Wasn&#8217;t Supposed To Be Like This<br \/>\nAtena &#8211; Subway Anthem<br \/>\nGemini Parks &#8211; Mom, Why is everyones a Hoe?<br \/>\nSteven Wilson &#8211; The Harmony Codex<br \/>\nGraveyard &#8211; 6<br \/>\nHeavy Water &#8211; Dreams of Yesterday<br \/>\nContour &#8211; I Can See How This Ends<br \/>\nKurt Baker &#8211; Rock N Roll Club<\/p>\n<p><em>If you think I&#8217;ve missed something or have a new album\/EP\/song to tell us about, tell us about it <a href=\"https:\/\/alreadyheard.com\/staging\/releasesubmission\">here<\/a>.<\/em><\/p>\n<p id=\"playlist\"><iframe title=\"Spotify Embed: #NewMusicFriday\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/playlist\/5QJ3ivfXxJG8bc1CvaAjzy?si=fca9a651441d4852&#038;nd=1&#038;utm_source=oembed\"><\/iframe><\/p>\n<p>If you&#8217;re looking for the latest tracks focusing on rock, punk, hardcore, metal, emo, and everything in between, then check out our <em>&#8216;Newish Music&#8217;<\/em> playlist on <a href=\"https:\/\/alreadyheard.com\/staging\/newishmusic\">Spotify<\/a> or <a href=\"https:\/\/alreadyheard.com\/staging\/newishmusicAM\">Apple Music<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Find out what new albums and EPs are out this week including Code Orange, Blood Command, &#8217;68, Grove Street, Koyo, and more.<\/p>\n","protected":false},"author":2,"featured_media":94662,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2329,161],"tags":[17572,19],"class_list":["post-94637","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-features","category-playlists","tag-newmusicfriday","tag-released-this-week"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - 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