{"id":95833,"date":"2024-03-15T10:00:00","date_gmt":"2024-03-15T10:00:00","guid":{"rendered":"https:\/\/alreadyheard.com\/staging\/?p=95833"},"modified":"2024-03-16T08:44:50","modified_gmt":"2024-03-16T08:44:50","slug":"newmusicfriday-march-15th-2024","status":"publish","type":"post","link":"https:\/\/alreadyheard.com\/staging\/newmusicfriday-march-15th-2024\/","title":{"rendered":"#NewMusicFriday: March 15th 2024"},"content":{"rendered":"<div style=\"max-width: 600px; margin: 0; padding: 5px; border: 1px solid #000;\">\n<h3>Content Breakdown<\/h3>\n<ul style=\"list-style-type: disc; padding-left: 20px; margin: 0;\">\n<li><a href=\"#Grieving\">Grieving &#8211; Everything Goes Right, All At Once<\/a><\/li>\n<li><a href=\"#comebackid\">Comeback Kid &#8211; Trouble EP<\/a><\/li>\n<li><a href=\"#greywind\">Greywind &#8211; Antidote<\/a><\/li>\n<li><a href=\"#bedbug\">Bedbug &#8211; pack your bags the sun is growing<\/a><\/li>\n<li><a href=\"#list\">What is out on this #NewMusicFriday?<\/a><\/li>\n<li><a href=\"#playlist\">Take me to the Playlist<\/a><\/li>\n<\/ul>\n<\/div>\n<p>I&#8217;ll admit, on paper, there aren&#8217;t many releases this <strong>#NewMusicFriday<\/strong> that instantly jump out at you. However, if you dig a little deeper, you&#8217;ll find some noteworthy releases. Amongst them is the long-awaited debut full-length from <strong>Grieving<\/strong>. While they&#8217;re far from being a household name, their brand of well-executed post-hardcore and emo is sure to win over admirers, including us.<\/p>\n<p>There are also fleeting returns for <strong>Comeback Kid<\/strong> and\u00a0<strong>Greywind<\/strong>, who both deliver EPs today. Elsewhere,\u00a0<strong>Scott Stapp<\/strong> steps away from the\u00a0<strong>Creed<\/strong> comeback trail with his latest solo effort &#8211;\u00a0<em>&#8216;Higher Power&#8217;<\/em>. Power metal outfit <strong>DragonForce<\/strong> once again deliver an arsenal of squealing guitar solos and nerd-filled lyrical references on <em>&#8216;Warp Speed Warriors&#8217;<\/em>. <strong>Gouge Away<\/strong> return to deliver a hardcore onslaught with <em>&#8216;Deep Sage&#8217;.<\/em><\/p>\n<p>On the heavier side of things, there&#8217;s the debut album from Swiss electro-rockers\u00a0<strong>Nonexister<\/strong>. Abrasive metalcore mob <strong>Indevth<\/strong> show their relentless side with\u00a0<em>&#8216;Drowning&#8217;<\/em>. Whereas\u00a0<em>&#8216;Ombra&#8217;\u00a0<\/em>from Italian progressive death metal outfit <strong>The Moor<\/strong> sees them explore electronica. Finally, Belgium&#8217;s\u00a0<strong>Aborted<\/strong> put their death metal spin on a series of horror movie classics.<\/p>\n<figure id=\"attachment_95235\" aria-describedby=\"caption-attachment-95235\" style=\"width: 800px\" class=\"wp-caption aligncenter\"><img fetchpriority=\"high\" decoding=\"async\" id=\"Grieving\" class=\"size-large wp-image-95235\" src=\"https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2024\/01\/GRIEVING-Photo-Credit-Luana-Martignon-1000x667.jpg\" alt=\"GRIEVING\" width=\"800\" height=\"534\" title=\"\" srcset=\"https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2024\/01\/GRIEVING-Photo-Credit-Luana-Martignon-1000x667.jpg 1000w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2024\/01\/GRIEVING-Photo-Credit-Luana-Martignon-300x200.jpg 300w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2024\/01\/GRIEVING-Photo-Credit-Luana-Martignon-768x512.jpg 768w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2024\/01\/GRIEVING-Photo-Credit-Luana-Martignon-1536x1024.jpg 1536w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2024\/01\/GRIEVING-Photo-Credit-Luana-Martignon.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-95235\" class=\"wp-caption-text\">Photo Credit: Luana Martignon<\/figcaption><\/figure>\n<h2>Grieving &#8211; Everything Goes Right, All At Once<\/h2>\n<p>Cambridge quartet\u00a0<strong>Grieving<\/strong> have been biding their time, even if unwillingly, with delivering\u00a0<em>&#8216;Everything Goes Right, All At Once&#8217;<\/em>. Nevertheless, their debut album was worth the wait. Honing in a hook-laden, post-hardcore that equally lends itself to DC punk as it does to 90&#8217;s emo, with a British tone reminiscent of Hundred Reasons and Hell Is For Heroes.<\/p>\n<p>From the outset,\u00a0<em>&#8216;Brian Emo&#8217;<\/em> captures the melodic drive <strong>Grieving<\/strong> can execute. Its momentum is carried through into<em> &#8217;10 x Michelangelo&#8217;<\/em>. As guitars ring out, textured drum fills and a pulsating bass complements its overall urgency. From there on in, you&#8217;re hooked by the tight musical scope that <strong>Grieving<\/strong><strong>\u00a0<\/strong>produces.<\/p>\n<p><em>&#8216;Tarpaulin\u2019<\/em> hypnotic guitars lean into the lyrical uncertainty on show.\u00a0Likewise. <em>&#8216;Old Wives&#8217;<\/em> closes the album at a sharp and stodgy pace as off-kilter pull-offs thrive with a confident pluckiness. On the evidence of\u00a0<em>&#8216;Wiseau&#8217;, <\/em>and\u00a0<em>&#8216;Pristine&#8217;<\/em>, <strong>Grieving<\/strong>&#8216;s bread and butter is surging emotional post-hardcore. It thrives in building up to radiant payoffs, yet is grounded by a fitting rawness.<\/p>\n<p>Although tracks such as\u00a0<em>&#8216;My Friend, The Ghost&#8217; <\/em>and <em>&#8216;Start Young&#8217; <\/em>will be familiar to longtime followers, they are far from being jarred in for good measure. The former breezily strolls in, allowing the guilt-ridden narrative to take centre stage across its five-minute runtime. As for\u00a0<em>&#8216;Start Young&#8217;<\/em>, it&#8217;s a sharp blast of post-hardcore with raw vocals and twisting riffs countering the weathered rhythmic drive. Another older cut, <em>&#8216;Ownership&#8217;<\/em>, is delivered with bass-heavy grittiness, allowing tight-knit guitar melodies to hypnotise you momentarily, before merging into another punk-spirited chorus.<\/p>\n<p>There is no doubt <strong>Grieving<\/strong><strong>\u00a0<\/strong>wears their influences on their collective sleeves, yet <em>&#8216;Everything Goes\u2026&#8217;<\/em> subtly allows them to sonically expand their sound. It&#8217;s eleven songs are threaded together by a mutual love of those who have come before them, however\u00a0<strong>Grieving<\/strong> are purely intimators. &#8216;Everything Goes\u2026&#8217; allows them to carve out an identity through earnest lyricism, and stylistic growth.<\/p>\n<figure id=\"attachment_95835\" aria-describedby=\"caption-attachment-95835\" style=\"width: 800px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" id=\"comebackid\" class=\"size-large wp-image-95835\" src=\"https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2024\/03\/unnamed-2-1000x667.jpg\" alt=\"Comeback Kid\" width=\"800\" height=\"534\" title=\"\" srcset=\"https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2024\/03\/unnamed-2-1000x667.jpg 1000w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2024\/03\/unnamed-2-300x200.jpg 300w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2024\/03\/unnamed-2-768x512.jpg 768w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2024\/03\/unnamed-2.jpg 1200w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-95835\" class=\"wp-caption-text\">Photo Credit: Aaron Schwartz<\/figcaption><\/figure>\n<h2>Comeback Kid &#8211; Trouble<\/h2>\n<p>For <strong>Comeback Kid<\/strong>, it only takes four songs over 12 minutes to remind you of their frenzied raw power. The Canadian hardcore mob have been going strong for 20 years,<\/p>\n<p><em>&#8216;Trouble In The Winner\u2019s Circle&#8217;\u00a0<\/em>arrives with hefty guitars and popping drums, leading the way to a high-octane chorus.\u00a0<em>&#8216;Disruption&#8217;<\/em> pounds its way through with rumbling verses, yet it&#8217;s the distorted hardcore punk guitars that take over.\u00a0<em>&#8216;Chompin\u2019 At The Bit&#8217;<\/em>s low-end throbs early on before stiff guitars charge forward into the verse. However, its major chord-led chorus radiantly takes, even though Andrew Neufeld&#8217;s stinging vocals are maintained. Segueing into\u00a0<em>&#8216;Breaking and Bruised&#8217;<\/em>,\u00a0<strong>Comeback Kid<\/strong> save the best till last. Fist-pumping gang vocals, chugging bass lines, rumbling drums, and an unhinged Neufeld allow the quintet to flourish.<\/p>\n<p>Even though these four tracks could easily be seen as a stop-gap between albums, it&#8217;s allowed\u00a0<strong>Comeback Kid<\/strong> to present a subtle evolution in their sound. For example, <em>&#8216;Disruption&#8217;\u00a0<\/em>bites with its street punk exterior, and <em>&#8216;Breaking and Bruised&#8217;<\/em> utilises &#8220;woah&#8221; harmonies. Collectively, it&#8217;s an all-too-brief reminder of\u00a0<strong>Comeback Kid<\/strong>&#8216;s short and sharp ability to provide fun and ferocious songs.<\/p>\n<figure id=\"attachment_95355\" aria-describedby=\"caption-attachment-95355\" style=\"width: 800px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" id=\"greywind\" class=\"size-large wp-image-95355\" src=\"https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2024\/01\/Greywind-horizontal-by-Josiah-Van-Dien-1000x667.jpeg\" alt=\"Greywind\" width=\"800\" height=\"534\" title=\"\" srcset=\"https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2024\/01\/Greywind-horizontal-by-Josiah-Van-Dien-1000x667.jpeg 1000w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2024\/01\/Greywind-horizontal-by-Josiah-Van-Dien-300x200.jpeg 300w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2024\/01\/Greywind-horizontal-by-Josiah-Van-Dien-768x512.jpeg 768w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2024\/01\/Greywind-horizontal-by-Josiah-Van-Dien-1536x1024.jpeg 1536w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2024\/01\/Greywind-horizontal-by-Josiah-Van-Dien-2048x1365.jpeg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-95355\" class=\"wp-caption-text\">Photo Credit: Josiah Van Dien<\/figcaption><\/figure>\n<h2>Greywind &#8211; Antidote<\/h2>\n<p><strong>Greywind<\/strong>&#8216;s return to considerable relevance has been a journey of ups and downs. With the industry machine behind their emergence six years ago long gone, the Irish sibling duo return with a renewed outlook.\u00a0<em>&#8216;Antidote&#8217; <\/em>sees them showcasing their brand of alt\/emo-rock to the best of their ability.<\/p>\n<p>Past singles\u00a0<a href=\"https:\/\/alreadyheard.com\/staging\/song-of-the-day-greywind-swing-and-sway\/\"><em>&#8216;Swing and Swag\u2019\u00a0<\/em><\/a>and <em>&#8216;Antidote&#8217;\u00a0<\/em>set the standard early on. Steph O&#8217;Sullivan&#8217;s powerful vocals supercharge the powerful hooks.\u00a0<em>&#8216;Deathwish&#8217;<\/em> is executed with a grandeur tone with Paul O&#8217;Sullivan&#8217;s edgier guitar and Steph&#8217;s distressed lyrics. It&#8217;s a much-welcome change in tone, allowing <strong>Greywind<\/strong> to add a dramatic flair to their broadly melodic sound. As the closing number <em>&#8216;You\u2019re My Medicine&#8217;\u00a0<\/em>shows, the combination of Steph&#8217;s impressive voice and Paul&#8217;s bold sound is where\u00a0<strong>Greywind<\/strong>&#8216;s strengths lie.\u00a0Yet it&#8217;s countered by\u00a0<em>&#8216;Glimmer&#8217;<\/em>, which comes off as somewhat formulaic and forgettable, despite being executed with urgency.<\/p>\n<p>If there is one thing that\u00a0<em>&#8216;Antidote&#8217;\u00a0<\/em>shows is that\u00a0<strong>Greywind<\/strong> have confidentially picked themselves up, and matured as songwriters. Their experiences, and all of the uncertainty they went through, have allowed them to write honest songs.<\/p>\n<p>Whether they&#8217;re able to sustain this renewed interest is yet to be seen, however, <em>&#8216;Antidote&#8217;<\/em> has provided\u00a0<strong>Greywind<\/strong> with a handful of impactful songs that is sure to find an audience.<\/p>\n<figure id=\"attachment_95757\" aria-describedby=\"caption-attachment-95757\" style=\"width: 800px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" id=\"bedbug\" class=\"size-large wp-image-95757\" src=\"https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2024\/03\/Bedbug-Dustin-J-Watson-credit-1000x663.jpg\" alt=\"Bedbug\" width=\"800\" height=\"530\" title=\"\" srcset=\"https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2024\/03\/Bedbug-Dustin-J-Watson-credit-1000x663.jpg 1000w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2024\/03\/Bedbug-Dustin-J-Watson-credit-300x199.jpg 300w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2024\/03\/Bedbug-Dustin-J-Watson-credit-768x509.jpg 768w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2024\/03\/Bedbug-Dustin-J-Watson-credit-1536x1018.jpg 1536w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2024\/03\/Bedbug-Dustin-J-Watson-credit.jpg 1565w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-95757\" class=\"wp-caption-text\">Photo Credit: Dustin J Watson<\/figcaption><\/figure>\n<h2>Bedbug &#8211; pack your bags the sun is growing<\/h2>\n<p>Listening to <em>&#8216;pack your bags the sun is growing&#8217;<\/em>, the new album from indie\/emo quartet <strong>Bedbug<\/strong>, you wouldn&#8217;t consider them to be based out of sun-soaked LA. Nevertheless, having evolved out of a bedroom project of frontperson Dylan Gamez Citron, this is their fourth full-length.<\/p>\n<p>Citing genre stalwarts Built To Spill and Cap&#8217;n Jazz amongst their influences, <em>&#8216;pack your bags\u2026&#8217; <\/em>allows Citron and company to evolve. While the lo-fi roughness remains (see <em>&#8216;Halo On The Interstate&#8217;), <\/em>twinkling guitars and lyrical earnestness serve as the album&#8217;s main musical well. <em>&#8216;Postcard&#8217;<\/em> and <em>&#8216;Leave Your Things, The Stars Are Returning&#8217;<\/em> serve as fine examples of this, highlighting <strong>Bedbug<\/strong>&#8216;s breezy and tender style.<\/p>\n<p>One issue with this style is that even though <strong>Bedbug<\/strong> are consistent, their timid nature can send songs such as <em>&#8216;Seasons On The New Coast&#8217; <\/em>into an unfortunate lull. Yet <em>&#8216;The Great Bonfire&#8217;<\/em> hints of urgency with its galloping pacing. Furthermore,<em> &#8216;Sunset (finale)&#8217;<\/em> offers a brief gang singalong before transitioning into a sea of spacy synths.<\/p>\n<p>On paper, <em>&#8216;pack your bags the sun is growing&#8217;<\/em> sounds promising, yet <strong>Bedbug<\/strong> struggle to develop an identity of their own. Instead, it&#8217;s a record that leans too hard into its influences, resulting in a middling record that offers a handful of memorable tracks.<\/p>\n<h2 id=\"list\">What is out on #NewMusicFriday?<\/h2>\n<p>Comeback Kid &#8211; Trouble<br \/>\nNight Verses &#8211; Every Sound Has A Colour in the Valley of the Night (Part 2)<br \/>\nScott Stapp &#8211; Higher Power<br \/>\nDragonForce &#8211; Warp Speed Warriors<br \/>\nKid Kapichi &#8211; There Goes The Neighbourhood<br \/>\nGrieving &#8211; Everything Goes Right, All At Once<br \/>\nGreywind &#8211; Antidote<br \/>\nGouge Away &#8211; Deep Sage<br \/>\nNonexister &#8211; Demons<br \/>\nIndevth &#8211; Drowning<br \/>\nWindwaker &#8211; Enter the Wall<br \/>\nCory Wells &#8211; Harboring The Hurt I&#8217;ve Caused<br \/>\nBedbug &#8211; pack your bags the sun is growing<br \/>\nThe Black Crowes &#8211; Happiness Bastards<br \/>\nChris Shiflett &#8211; Starry Nights &amp; Campfire Lights<br \/>\nThe Dandy Warhols &#8211; Rockmaker<br \/>\nMad Caddies &#8211; Arrows Room 117<br \/>\nSpoken &#8211; Reflection<br \/>\nCrushed &#8211; Extra Life<br \/>\nThe Moor &#8211; Ombra<br \/>\nAborted &#8211; Vault Of Horrors<br \/>\nCrooked Little Sons &#8211; Regenerate<br \/>\nPink Milk &#8211; Night On Earth<br \/>\nChase Tremaine &#8211; Unfall II<br \/>\nDownswing &#8211; Let This Life Devour You<br \/>\nSimulakra &#8211; Reincarnation<br \/>\nSweat &#8211; Love Child<br \/>\nBoeckner &#8211; Boeckner!<\/p>\n<p><em id=\"playlist\">If you think I&#8217;ve missed something or have a new album\/EP\/song to tell us about, tell us about it <a href=\"https:\/\/alreadyheard.com\/staging\/releasesubmission\">here<\/a>.<\/em><\/p>\n<p><iframe title=\"Spotify Embed: #NewMusicFriday\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/playlist\/5QJ3ivfXxJG8bc1CvaAjzy?si=a152801622704497&#038;utm_source=oembed\"><\/iframe><\/p>\n<p>If you&#8217;re looking for the latest tracks focusing on rock, punk, hardcore, metal, emo, and everything in between, then check out our <em>&#8216;Newish Music&#8217;<\/em> playlist on <a href=\"https:\/\/alreadyheard.com\/staging\/newishmusic\">Spotify<\/a> or <a href=\"https:\/\/alreadyheard.com\/staging\/newishmusicAM\">Apple Music<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This week&#8217;s round-up includes releases from Comeback Kid, Grieving, Greywind, and Bedbug.<\/p>\n","protected":false},"author":2,"featured_media":95834,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2329,161],"tags":[17572,19],"class_list":["post-95833","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-features","category-playlists","tag-newmusicfriday","tag-released-this-week"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - 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