{"id":95989,"date":"2024-04-12T10:00:00","date_gmt":"2024-04-12T09:00:00","guid":{"rendered":"https:\/\/alreadyheard.com\/staging\/?p=95989"},"modified":"2024-04-11T23:55:04","modified_gmt":"2024-04-11T22:55:04","slug":"newmusicfriday-april-12th-2024","status":"publish","type":"post","link":"https:\/\/alreadyheard.com\/staging\/newmusicfriday-april-12th-2024\/","title":{"rendered":"#NewMusicFriday: April 12th 2024"},"content":{"rendered":"<div style=\"max-width: 600px; margin: 0; padding: 5px; border: 1px solid #000;\">\n<h3>Content Breakdown<\/h3>\n<ul style=\"list-style-type: disc; padding-left: 20px; margin: 0;\">\n<li><a href=\"#aaronwest\">Aaron West and The Roaring Twenties \u2013 In Lieu Of Flowers<\/a><\/li>\n<li><a href=\"#Imminence\">Imminence &#8211; The Black<\/a><\/li>\n<li><a href=\"#Northlane\">Northlane &#8211; Mirror&#8217;s Edge<\/a><\/li>\n<li><a href=\"#list\">What is out on this #NewMusicFriday?<\/a><\/li>\n<li><a href=\"#playlist\">Take me to the Playlist<\/a><\/li>\n<\/ul>\n<\/div>\n<p>After a much-deserved (and short) break (in my opinion), #NewMusicFriday makes it return with the usual round-up of notable releases.<\/p>\n<p>For starters,\u00a0<strong>Linkin Park<\/strong> delivers <em>&#8216;Papercuts&#8217;,\u00a0<\/em>their singles collection. Sure it&#8217;s another way to celebrate the life of Chester Bennington and the band&#8217;s influence, but with only\u00a0<em>&#8216;Friendly Fire&#8217;,<\/em> being the only previously unreleased (or in the case of<em> &#8216;QWERTY&#8217;<\/em> &#8211; widely available) material on here, you have to ask is it really needed?<\/p>\n<p>As for\u00a0<em>actual<\/em> albums being released this week,\u00a0<a href=\"https:\/\/alreadyheard.com\/staging\/review-aaron-west-and-the-roaring-twenties-in-lieu-of-flowers\/\"><strong>Aaron West and The Roaring Twenties<\/strong>&#8216; third outing,\u00a0<em>&#8216;In Lieu of Flowers&#8217;<\/em>,<\/a> proves to be an exceptional example of compelling storytelling. Similarly, <a href=\"https:\/\/alreadyheard.com\/staging\/review-imminence-the-black\/\"><strong>Imminence<\/strong> brings a dramatic flair on <em>&#8216;The Black&#8217;<\/em><\/a>.<\/p>\n<p>On the EP front,\u00a0<strong>Northlane<\/strong> proves to be as dexterous as ever on <em>&#8216;Mirror&#8217;s Edge<\/em>&#8216;. While occasionally forgotten Kentucky post-hardcore group,\u00a0<strong>Greyhaven<\/strong>, return with\u00a0<em>&#8216;Stereo Grief&#8217;<\/em>.<\/p>\n<p>Elsewhere, <strong>Belmont<\/strong> looks to stretch beyond their heavy pop-punk origins on<em> &#8216;Liminal&#8217;<\/em> with an eclectic collection. Aussie instrumental specialists <strong>sleepmakeswaves<\/strong> deliver a musical whirlwind on &#8216;<em>It\u2019s Here, But I Have No Names For It&#8217;<\/em>. Whereas\u00a0<em>&#8216;Eviscerate&#8217; <\/em>by<strong> Eidola<\/strong>\u00a0aims to explore new heavier territory, and &#8220;Madchester Punk&#8221; band <strong>Aerial Salad<\/strong> leans into post-punk on their second album &#8211; <em>&#8216;R.O.I&#8217;<\/em>.\u00a0For fans of hard rock, there are new releases from <strong>GUN<\/strong>, <strong>Kris Barras Band<\/strong>, and <strong>Danko Jones<\/strong>.<\/p>\n<p>Finally, there are new releases from <strong>Letters Sent Home<\/strong>, <strong>BODEGA<\/strong>, and <strong>Smash Into Pieces<\/strong>, among others.<\/p>\n<figure id=\"attachment_95283\" aria-describedby=\"caption-attachment-95283\" style=\"width: 800px\" class=\"wp-caption aligncenter\"><img fetchpriority=\"high\" decoding=\"async\" id=\"aaronwest\" class=\"size-large wp-image-95283\" src=\"https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2024\/01\/Aaron-West-and-the-Roaring-Twenties-1000x792.jpg\" alt=\"Aaron West and the Roaring Twenties\" width=\"800\" height=\"634\" title=\"\" srcset=\"https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2024\/01\/Aaron-West-and-the-Roaring-Twenties-1000x792.jpg 1000w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2024\/01\/Aaron-West-and-the-Roaring-Twenties-300x238.jpg 300w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2024\/01\/Aaron-West-and-the-Roaring-Twenties-768x608.jpg 768w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2024\/01\/Aaron-West-and-the-Roaring-Twenties-1536x1217.jpg 1536w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2024\/01\/Aaron-West-and-the-Roaring-Twenties.jpg 1750w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-95283\" class=\"wp-caption-text\">Photo Credit: Mitchell Wojcik<\/figcaption><\/figure>\n<h2>Aaron West and The Roaring Twenties \u2013 In Lieu Of Flowers<\/h2>\n<p><em>\u2018In Lieu Of Flowers\u2019<\/em>\u00a0is the third chapter in the trials and tribulations of\u00a0<strong>Aaron West<\/strong>. Portrayed through\u00a0<strong>The Wonder Years<\/strong>\u2018 Dan Campbell,\u00a0<strong>Aaron West and The Roaring Twenties<\/strong>\u00a0has allowed Campbell to carve out a unique narrative, delivered in meticulous detail. Embedded American folk rock, the story so far has seen the titular character go through a miscarriage and a divorce, the death of his father, and being homeless, before hitchhiking to Los Angeles where he forms\u00a0<strong>The Roaring Twenties<\/strong>. Meanwhile, he begins to find purpose, becoming a father figure to his nephew.<\/p>\n<p><em>\u2018In Lieu Of Flowers\u2019<\/em>\u00a0begins with\u00a0<strong>West<\/strong>\u00a0performing in an L.A. club.\u00a0<em>\u2018Smoking Room\u2019<\/em>\u00a0seemingly receives no response from the uninterested crowd. Nevertheless,\u00a0<strong>The Roaring Twenties<\/strong>\u2018 celebratory brass instrumentation counters the downbeat nature of West\u2019s words.<\/p>\n<p><em><a href=\"https:\/\/alreadyheard.com\/staging\/review-aaron-west-and-the-roaring-twenties-in-lieu-of-flowers\/\">Read our full review here.<\/a><\/em><\/p>\n<p><img decoding=\"async\" id=\"Imminence\" class=\"aligncenter size-full wp-image-95850\" src=\"https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2024\/03\/Imminence.jpg\" alt=\"Imminence Band Promo\" width=\"712\" height=\"564\" title=\"\" srcset=\"https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2024\/03\/Imminence.jpg 712w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2024\/03\/Imminence-300x238.jpg 300w\" sizes=\"(max-width: 712px) 100vw, 712px\" \/><\/p>\n<h2>Imminence &#8211; The Black<\/h2>\n<p>The wave of momentum <strong>Imminence<\/strong> has been riding on in recent years, it&#8217;s easy to suggest\u00a0<em>&#8216;The Black&#8217;<\/em> arrives with a weight of potential. Having carved out a following with their somewhat unique brand of metalcore, their fifth album aims to see them knock on the door of the genre&#8217;s upper echelons. From the outset of\u00a0<em>&#8216;Come Hell or High Water&#8217;<\/em>, there&#8217;s a bold intent. Striking guitar chords complement the gradual build, shadowing the foreboding descent into darkness that erupts at its rapid conclusion.<\/p>\n<p><a href=\"https:\/\/alreadyheard.com\/staging\/review-imminence-the-black\/\"><i>Read our full review here.<\/i><\/a><\/p>\n<figure id=\"attachment_95345\" aria-describedby=\"caption-attachment-95345\" style=\"width: 800px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" id=\"Northlane\" class=\"size-large wp-image-95345\" src=\"https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2024\/01\/Northlane-October-High-Photo-Credit-Kane-Hibberd-1000x749.jpg\" alt=\"Northlane\" width=\"800\" height=\"599\" title=\"\" srcset=\"https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2024\/01\/Northlane-October-High-Photo-Credit-Kane-Hibberd-1000x749.jpg 1000w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2024\/01\/Northlane-October-High-Photo-Credit-Kane-Hibberd-300x225.jpg 300w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2024\/01\/Northlane-October-High-Photo-Credit-Kane-Hibberd-768x575.jpg 768w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2024\/01\/Northlane-October-High-Photo-Credit-Kane-Hibberd-1536x1151.jpg 1536w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2024\/01\/Northlane-October-High-Photo-Credit-Kane-Hibberd-2048x1534.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-95345\" class=\"wp-caption-text\">Photo Credit: Kane Hibberd<\/figcaption><\/figure>\n<h2>Northlane &#8211; Mirror&#8217;s Edge<\/h2>\n<p><em>&#8216;Mirror&#8217;s Edge&#8217;<\/em> is a fitting title for\u00a0<strong>Northlane<\/strong>&#8216;s return. Following 2022&#8217;s <em>&#8216;Obsidian&#8217;<\/em>, inner tensions grew between the quartet. Placed on the edge, a writing retreat in Victoria\u2019s Yarra Valley allows them to reflect collectively, and personally. The result is this six-track offering (five if you exclude the titular instrumental introduction).<\/p>\n<p>&#8220;Proper&#8221; opening track,\u00a0<em>&#8216;Aftermath&#8217;\u00a0<\/em>radiantly bursts into life with\u00a0<strong>Northlane<\/strong>&#8216;s signature djent-y bounce, combing it with soaring synths.\u00a0While Ian Kenny (Birds of Tokyo and Karnivool) is the first of three guest spots, adding to the track&#8217;s heavy bite.\u00a0Next <em>&#8216;Miasma&#8217;<\/em> leans into the electronic side of\u00a0<strong>Northlane<\/strong>&#8216;s evolving sonic arsenal. Aided by Parkway Drive&#8217;s Winston McCall&#8217;s guttural screams in the later stages, it demonstrates\u00a0<strong>Northlane<\/strong>&#8216;s arena-sized brand of progressive metalcore.<\/p>\n<p>Likewise,\u00a0<em>&#8216;Kraft&#8217;<\/em> hints at another electronic-heavy number with jarring results. EDM elements pulsate as former bassist Brendon Padjasek makes a cameo, bouncing off vocalist Marcus Bridge&#8217;s smooth melodies with deathly screams. The tug-of-war between electronica and metal has a hypnotic quality, with the chugging guitars battling with atmospheric synths. Yet it&#8217;s the spiky heaviness that comes out on top.<\/p>\n<p><em>\u2018Let Me Disappear\u2019<\/em> allows Bridge&#8217;s vocal range to truly shine as Jon Deiley (guitarist, bassist, programmer) flourishes in experimenting with over-the-top electronica. However, it doesn&#8217;t take from Bridge&#8217;s melodic might. Finally,\u00a0<em>&#8216;Dante&#8217;<\/em> showcases\u00a0<strong>Northlane<\/strong>&#8216;s utilisation of groove, allowing it to thrive in its spacious chorus. Its near six-minute run time flies by as <strong>Northlane<\/strong>&#8216;s layered execution allows them to easily mould their sound into different ways.<\/p>\n<p>For the most part,\u00a0<em>&#8216;Mirror&#8217;s Edge&#8217;<\/em> is a snapshot reminder of\u00a0<strong>Northlane<\/strong>&#8216;s versatility, and their ability to embrace elements of various genres; prog metal, EDM, nu-metal, and metalcore. However, its mudded production hinders songs like <em>&#8216;Let Me Disappear&#8217;<\/em> and\u00a0<em>&#8216;Aftermath&#8217;\u00a0<\/em>from absolutely delivering. If you&#8217;re able to look (or listen) past this flaw, you&#8217;ll be satisfied with\u00a0<strong>Northlane<\/strong>&#8216;s return.<\/p>\n<h2 id=\"list\">What is out on #NewMusicFriday?<\/h2>\n<p>Linkin Park &#8211; Papercuts (Singles Collection 2000\u20132023)<br \/>\nNorthlane &#8211; Mirror&#8217;s Edge<br \/>\nImminence &#8211; The Black<br \/>\nAaron West and the Roaring Twenties &#8211; In Lieu Of Flowers<br \/>\nsleepmakeswaves &#8211; It\u2019s Here, But I Have No Names For It<br \/>\nBelmont &#8211; Liminal<br \/>\nEidola &#8211; Eviscerate<br \/>\nLetters Sent Home &#8211; Forever Undone<br \/>\nGUN &#8211; Hombres<br \/>\nKris Barras Band &#8211; Halo Effect<br \/>\nDanko Jones &#8211; Electric Sounds (Deluxe Edition)<br \/>\nHeavy Temple &#8211; Garden of Heathens<br \/>\nSmash Into Pieces &#8211; Ghost Code<br \/>\nBODEGA &#8211; Our Brand Could Be Yr Life<br \/>\nAerial Salad &#8211; R.O.I.<br \/>\nThe Lunar Effect &#8211; Sounds of Green and Blue<br \/>\nAttempt To Somebody&#8217;s Life &#8211; Bridges\/Latencies<br \/>\nBuzzard Buzzard Buzzard &#8211; Skinwalker<br \/>\nLights &amp; Motion &#8211; Wonder<br \/>\nJakobs Castle &#8211; Enter: The Castle<br \/>\nKharma &#8211; A World Of Our Own<br \/>\nManic Eden &#8211; Manic Eden<\/p>\n<p><em id=\"playlist\">If you think I&#8217;ve missed something or have a new album\/EP\/song to tell us about, tell us about it <a href=\"https:\/\/alreadyheard.com\/staging\/releasesubmission\">here<\/a>.<\/em><\/p>\n<p><iframe title=\"Spotify Embed: #NewMusicFriday\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/playlist\/5QJ3ivfXxJG8bc1CvaAjzy?si=a152801622704497&#038;utm_source=oembed\"><\/iframe><\/p>\n<p>If you&#8217;re looking for the latest tracks focusing on rock, punk, hardcore, metal, emo, and everything in between, then check out our <em>&#8216;Newish Music&#8217;<\/em> playlist on <a href=\"https:\/\/alreadyheard.com\/staging\/newishmusic\">Spotify<\/a> or <a href=\"https:\/\/alreadyheard.com\/staging\/newishmusicAM\">Apple Music<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This week sees new releases from Linkin Park, Aaron West\u2026, Imminence, Northlane, sleepmakeswaves, Belmont, and more.<\/p>\n","protected":false},"author":2,"featured_media":95990,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2329,161],"tags":[17572,19],"class_list":["post-95989","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-features","category-playlists","tag-newmusicfriday","tag-released-this-week"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - 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