{"id":98510,"date":"2025-03-28T14:40:10","date_gmt":"2025-03-28T14:40:10","guid":{"rendered":"https:\/\/alreadyheard.com\/staging\/?p=98510"},"modified":"2025-03-29T23:02:35","modified_gmt":"2025-03-29T23:02:35","slug":"newmusicfriday-march-28th-2025","status":"publish","type":"post","link":"https:\/\/alreadyheard.com\/staging\/newmusicfriday-march-28th-2025\/","title":{"rendered":"#NewMusicFriday: March 28th 2025"},"content":{"rendered":"<div style=\"max-width: 600px; margin: 0 auto; padding: 5px; border: 1px solid #000; text-align: center;\">\n<h3>Content Breakdown<\/h3>\n<p><a href=\"#deafheaven\">Deafheaven &#8211; Lonely People With Power<\/a><br \/>\n<a href=\"#underoath\">Underoath &#8211; The Place After This One<\/a><br \/>\n<a href=\"#greatgrandpa\">Great Grandpa &#8211; Patience, Moonbeam<\/a><br \/>\n<a href=\"#forlorn\">Forlorn &#8211; Aether<\/a><br \/>\n<a href=\"#list\">What is out on this #NewMusicFriday?<\/a><br \/>\n<a href=\"#playlist\">Take me to the Playlist<\/a><\/p>\n<\/div>\n<hr \/>\n<p>To say this week&#8217;s <b>#NewMusicFriday<\/b> is stacked would be an understatement. While it&#8217;s been pretty stressful as an editor, as a music fan, it&#8217;s been somewhat joyous to hear a barrage of notable new releases. I wrote in detail about the new releases <a href=\"https:\/\/alreadyheard.com\/staging\/review-deafheaven-lonely-people-with-power\/\"><strong>Deafheaven<\/strong><\/a> and <strong>Underoath, <\/strong>elsewhere on the site. The former is probably one of my favourite albums of the year so far. While <strong>Underoath<\/strong>&#8216;s <em>&#8216;The Place After This One&#8217;<\/em> is inconsistent.<\/p>\n<p>There is a barrage of returns today. Lowestoft&#8217;s finest rockers,\u00a0<strong>The Darkness<\/strong>, are somehow on their eighth album &#8211;<em>&#8216;Dreams On Toast&#8217;<\/em>. As always, there&#8217;s an element of self-awareness to the quartet&#8217;s classic rock n&#8217; roll style. New Zealand&#8217;s M\u0101ori groove metallers <strong>Alien Weaponry<\/strong> deliver <em>&#8216;Te R\u0101&#8217;<\/em>. As ever, they embrace their indigenous roots and combine it with a dynamic brand of metal. Sweden&#8217;s\u00a0<strong>Arch Enemy<\/strong> add <em>&#8216;Blood Dynasty&#8217;\u00a0<\/em>to their catalogue, providing a routine mix of thunderous thrash metal. If you want something more upbeat, then there is the return of <strong>Orchards<\/strong>. <em>&#8216;<\/em><span style=\"box-sizing: border-box; margin: 0px; padding: 0px;\"><em>Bicker&#8217; <\/em>sees<\/span> the Brighton-based trio vibrantly deliver a vulnerable but infectious collection of math-pop.<\/p>\n<p>On the metalcore front,\u00a0<strong>Memphis May Fire<\/strong> serve up\u00a0<em>&#8216;Shapeshifter<\/em>. Despite nearing two decades of activity, the Texans&#8217; energetic sound more often than not sounds formulaic and, at times, unoriginal. Meanwhile, <strong>Silent Planet<\/strong> and <strong>Invent Animate<\/strong> come together on their collaborative <em>&#8216;Bloom In Heaven&#8217; <\/em>EP.<\/p>\n<p>With so much to listen to, there are sure to be some releases that might fall by the wayside. However, I&#8217;d recommend new releases from <strong>Great Grandpa<\/strong> and\u00a0<strong>Forlorn<\/strong>. You can learn more about both albums further down.<\/p>\n<p>There&#8217;s also new music from drone\/doom outfit\u00a0<strong>Amenra<\/strong>, introspective post-rockers <strong>Telepathy<\/strong>, and Baltimore hardcore punks\u00a0<strong>Jivebomb<\/strong>. You can also find new releases from\u00a0<strong>The Warriors<\/strong>,\u00a0<strong>Lauren Babic<\/strong>,\u00a0<strong>False Heads<\/strong>,\u00a0<strong>Masters of Reality<\/strong>, and much more.<\/p>\n<p><center><script src=\"https:\/\/storage.ko-fi.com\/cdn\/widget\/Widget_2.js\" type=\"text\/javascript\"><\/script><script type=\"text\/javascript\">kofiwidget2.init('Support Already Heard on Ko-fi', '#29abe0', 'J3J4MX03R');kofiwidget2.draw();<\/script><\/center><\/p>\n<hr \/>\n<figure id=\"attachment_97974\" aria-describedby=\"caption-attachment-97974\" style=\"width: 800px\" class=\"wp-caption aligncenter\"><img fetchpriority=\"high\" decoding=\"async\" id=\"deafheaven\" class=\"size-large wp-image-97974\" src=\"https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2025\/01\/Deafheaven-Main-Pub-2025-Nedda-Afsari-800x533.webp\" alt=\"Deafheaven Promo Photo 2025 by Nedda Afsari\" width=\"800\" height=\"533\" title=\"\" srcset=\"https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2025\/01\/Deafheaven-Main-Pub-2025-Nedda-Afsari-800x533.webp 800w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2025\/01\/Deafheaven-Main-Pub-2025-Nedda-Afsari-300x200.webp 300w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2025\/01\/Deafheaven-Main-Pub-2025-Nedda-Afsari-768x512.webp 768w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2025\/01\/Deafheaven-Main-Pub-2025-Nedda-Afsari-1536x1024.webp 1536w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2025\/01\/Deafheaven-Main-Pub-2025-Nedda-Afsari-2048x1366.webp 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-97974\" class=\"wp-caption-text\">Photo Credit: Nedda Afsari<\/figcaption><\/figure>\n<h2>Deafheaven \u2013 Lonely People With Power<\/h2>\n<p>In the 12 years since breaking through with<em>\u00a0\u2018Sunbather\u2019,\u00a0<\/em><strong>Deafheaven<\/strong>\u00a0have continued to evolve beyond their \u201cblackgaze\u201d roots. 2015\u2019s\u00a0<em>\u2018New Bermuda\u2019<\/em>\u00a0and\u00a02018\u2019s\u00a0<em>\u2018Ordinary Corrupt Human Love\u2019<\/em>\u00a0stylistically maintained the post-black metal sound, yet allowed them to explore myriad ideas. However, when it came to\u00a02021\u2019s\u00a0<em>\u2018Infinite Granite\u2019<\/em>, the abrasive intensity was replaced by often dreary shoegaze. Album number six,\u00a0<em>\u2018Lonely People With Power,\u2019<\/em>\u00a0could be seen as either a sign of regression or an opportunity to get things back on track.<\/p>\n<p>On the surface, it sees\u00a0vocalist George Clarke, guitarists Kerry McCoy and Shiv Mehra, bassist Christopher Johnson, and drummer Daniel Tracy, return with feverish ferocity. Early cuts,\u00a0<em>\u2018Doberman\u2019<\/em>\u00a0and\u00a0<em>\u2018Magnolia\u2019,<\/em><em>\u00a0<\/em>are demanding and a vigorous reminder of\u00a0<strong>Deafheaven<\/strong>\u2018s ability to destroy while preserving their layered nuance. The former sees a rambunctious Tracy pummel away as McCoy and Mehra\u2019s relentless guitars go skywards. The latter chugs away as Clarke\u2019s piercing screams erupt amongst the chaos.<\/p>\n<p>Read the full review <a href=\"https:\/\/alreadyheard.com\/staging\/review-deafheaven-lonely-people-with-power\/\">here<\/a>.<\/p>\n<hr \/>\n<figure id=\"attachment_97348\" aria-describedby=\"caption-attachment-97348\" style=\"width: 800px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" id=\"underoath\" class=\"size-large wp-image-97348\" src=\"https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2024\/10\/Underoath-Photo-CreditJimmy-Fontain-800x533.jpg\" alt=\"Underoath | Jimmy Fontain\" width=\"800\" height=\"533\" title=\"\" srcset=\"https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2024\/10\/Underoath-Photo-CreditJimmy-Fontain-800x533.jpg 800w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2024\/10\/Underoath-Photo-CreditJimmy-Fontain-300x200.jpg 300w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2024\/10\/Underoath-Photo-CreditJimmy-Fontain-768x512.jpg 768w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2024\/10\/Underoath-Photo-CreditJimmy-Fontain-1536x1024.jpg 1536w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2024\/10\/Underoath-Photo-CreditJimmy-Fontain-2048x1365.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-97348\" class=\"wp-caption-text\">Photo Credit: Jimmy Fontain<\/figcaption><\/figure>\n<h2>Underoath &#8211; The Place After This One<\/h2>\n<p>If you\u2019re like me, you probably discovered <strong>Underoath<\/strong> through their mid-2000s classic <em>\u2018They\u2019re Only Chasing Safety\u2019.\u00a0<\/em>A quick browse through the band&#8217;s subreddit megathread for their new album,\u00a0<em>&#8216;The Place After This One&#8217;<\/em>, suggests that every album since has left some fans yearning for the past. That\u2019s not to say everything the Florida group put out over the last 20 years &#8211; despite an eight-year gap &#8211; has been a total misfire. After all, <strong>Underoath\u00a0<\/strong>are still going strong, albeit at times inconsistent. However, 2022&#8217;s <em>&#8216;Voyeurist&#8217;<\/em> was praised for its versatility, but can its follow-up build on that momentum, or does it fall victim to their more erratic tendencies?<\/p>\n<p><em>&#8216;The Place After This One\u2019 <\/em>captures <strong>Underoath\u00a0<\/strong>at their most industrious.<em> &#8216;<\/em><span style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, 'Helvetica Neue', Arial, 'Noto Sans', sans-serif, 'Apple Color Emoji', 'Segoe UI Emoji', 'Segoe UI Symbol', 'Noto Color Emoji';\"><em>Generation No Surrender&#8217;<\/em> bursts out the gate, serving as a rallying cry against discontent before Timothy McTague&#8217;s guitar unleashes a crushing breakdown. <\/span><em>&#8216;Devil&#8217;<\/em> is equally bombastic, yet it highlights one of <em>&#8216;TPATO&#8217;<\/em>s nagging issues as it rears its head. While on the surface, <strong>Underoath<\/strong>&#8216;s delivery is energetic and driven, their tendency to throw layer upon layer into the mix can feel overwhelming rather than refined.<\/p>\n<p>Read the full review <a href=\"https:\/\/alreadyheard.com\/staging\/category\/reviews\/album-reviews\/\">here<\/a>.<\/p>\n<hr \/>\n<figure id=\"attachment_97386\" aria-describedby=\"caption-attachment-97386\" style=\"width: 800px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" id=\"greatgrandpa\" class=\"size-large wp-image-97386\" src=\"https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2024\/10\/Credit-Rachel-Bennett-800x533.jpg\" alt=\"Great Grandpa\" width=\"800\" height=\"533\" title=\"\" srcset=\"https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2024\/10\/Credit-Rachel-Bennett-800x533.jpg 800w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2024\/10\/Credit-Rachel-Bennett-300x200.jpg 300w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2024\/10\/Credit-Rachel-Bennett-768x512.jpg 768w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2024\/10\/Credit-Rachel-Bennett-1536x1024.jpg 1536w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2024\/10\/Credit-Rachel-Bennett.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-97386\" class=\"wp-caption-text\">Photo Credit: Rachel Bennett<\/figcaption><\/figure>\n<h2>Great Grandpa &#8211; Patience, Moonbeam<\/h2>\n<p>There was a period when the members of <strong>Great Grandpa<\/strong> were uncertain if the band would continue. Nevertheless, with members now scattered between Denmark and California via Seattle, <em>&#8216;Patience, Moonbeam&#8217;\u00a0<\/em>sees the indie rock outfit return after six years. Its 12 tracks have an intimate warmth. Songs such as\u00a0<em>&#8216;Junior&#8217;<\/em> and\u00a0<em>&#8216;Top Gun&#8217;<\/em> comfortably hush with alt-country delivery. However, this is just one shade of <strong>Great Grandpa<\/strong>&#8216;s musical palette.<\/p>\n<p><em>&#8216;Never Rest&#8217;<\/em> is sullen, gradually evolving with a grand richness.\u00a0<em>&#8216;Kiss The Dice&#8217;<\/em> dips its toes in indie-pop territory before\u00a0<em>&#8216;Doom&#8217;<\/em> breezily leans into grungy distortion amid a colourful rhythm.\u00a0<em>&#8216;Ladybug&#8217;<\/em> has a youthful innocence, as plucky instrumentation is complemented by gang vocals.\u00a0<em>&#8216;Ephemera&#8217;<\/em> provides a late foray into trip-hop with a pleasing chill-out delivery. It ends on a poignant, emotional note as bassist and guitarists Carrie and Pat Goodwin mourn a miscarriage on\u00a0<em>&#8216;Kid&#8217;<\/em>. Its delicate narrative is complemented by sweeping strings and piano keys, before a stirring guitar solo and group vocals provide an optimistic finale.<\/p>\n<p><em> &#8216;Patience, Moonbeam&#8217;<\/em> is threaded by tender lyricism, emphasising the quintet&#8217;s care and trust for one another. It sees\u00a0<strong>Great Grandpa<\/strong> succently indulge in a somber brand of indie rock that lyrically celebrates life&#8217;s complexities. As its title suggests, perseverance is needed to truly be shrouded by\u00a0<em>&#8216;Patience, Moonbeam&#8217;<\/em>s beauty.<\/p>\n<hr \/>\n<p><img loading=\"lazy\" decoding=\"async\" id=\"forlorn\" class=\"aligncenter size-large wp-image-98001\" src=\"https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2025\/01\/Forlorn-800x535.jpg\" alt=\"Forlorn | Photo Credit: GLK Media\" width=\"800\" height=\"535\" title=\"\" srcset=\"https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2025\/01\/Forlorn-800x535.jpg 800w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2025\/01\/Forlorn-300x200.jpg 300w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2025\/01\/Forlorn-768x513.jpg 768w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2025\/01\/Forlorn.jpg 1272w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><\/p>\n<h2>Forlorn &#8211; Aether<\/h2>\n<p class=\"p1\">UK metal newcomers <strong>Forlorn\u00a0<\/strong>tap into the four ritual elements of air, fire, water and earth on their debut album &#8211;\u00a0<em>&#8216;Aether&#8217;<\/em>. Opening with\u00a0<em>&#8216;Mother of Moon&#8217;<\/em>s cavernous chanting,\u00a0<em>&#8216;Creatress&#8221;<\/em> metallic riffs, ethereal soundscapes, and Megan Jenkin&#8217;s acrobatic vocals set the tone for this all-too-brief outing.<\/p>\n<p>Although it only consists of eight tracks, three of which come off as interludes, the Southern quintet are still able to demonstrate a versatile brand of metal.\u00a0<em>&#8216;The Wailing&#8217;<\/em> bunkers down with a dirty groove before rising with a spiritual quality. Likewise, <em>&#8216;Funeral Pyre&#8217;<\/em> subtly weaves shoegaze into <strong>Forlorn<\/strong>&#8216;s punchy heaviness.\u00a0<em>&#8216;Keeper of the Well&#8217;<\/em> is underpinned by atmospheric post-rock, countering the gritty, industrial stomps of its chorus.\u00a0It thematically comes to a head on <em>&#8216;Spirit&#8217;<\/em>. Jenkin&#8217;s harmonious vocals and towering riffs glide before crashing down. Tribal drums and haunting vocals build to a djent-esque breakdown, before Jenkin&#8217;s final line of\u00a0<em>&#8216;I weave the web of life&#8217;<\/em> ominously hangs.<\/p>\n<p>Conceptually assured, <em>&#8216;Aether&#8217;<\/em> is a coherent introduction to\u00a0<strong>Forlorn<\/strong>. Its five main songs showcase flexibility, embracing various shades of metal&#8217;s diverse sphere: prog, doom, black, and more. Its interludes, <em>&#8216;Matrum Noctem&#8217;\u00a0<\/em>and\u00a0<em>&#8216;Veiled One&#8217;<\/em>, effectively world-build <strong>Forlorn<\/strong>&#8216;s midsummer lore.<\/p>\n<hr \/>\n<h2 id=\"list\">What is out on #NewMusicFriday?<\/h2>\n<p>Deafheaven &#8211; Lonely People With Power<br \/>\nUnderoath &#8211; The Place After This One<br \/>\nThe Darkness &#8211; Dreams On Toast<br \/>\nArch Enemy &#8211; Blood Dynasty<br \/>\nAlien Weaponry &#8211; Te R\u0101<br \/>\nMemphis May Fire &#8211; Shapeshifter<br \/>\nSilent Planet and Invent Animate &#8211; Bloom In Heaven<br \/>\nAmenra &#8211; De Toorn<br \/>\nAmenra &#8211; With Fang and Claw<br \/>\nTelepathy &#8211; Transmissions<br \/>\nGreat Grandpa &#8211; Patience, Moonbeam<br \/>\nOrchards &#8211; Bicker<br \/>\nForlorn &#8211; Aether<br \/>\nJivebomb &#8211; Ethereal<br \/>\nSicksense &#8211; Cross Me Twice<br \/>\nMasters of Reality &#8211; The Archer<br \/>\nThe Warriors &#8211; Burn Yourself Alive<br \/>\nFalse Heads &#8211; Labyrinths<br \/>\nLauren Babic &#8211; Too Much and Never Enough<br \/>\nAdelitas Way &#8211; Deja Vu<br \/>\nDin Of Celestial Birds &#8211; Live At Dunk! Festival &#8217;24 (vinyl only)<br \/>\nTeens in Trouble &#8211; Live in Phoenix!<br \/>\nSam Akpro &#8211; Evenfall<br \/>\nSomebody&#8217;s Child &#8211; When Youth Fades Away<br \/>\nTorn From Oblivion &#8211; Transcend<br \/>\nBackxwash &#8211; Only Dust Remains<br \/>\nSky_A &#8211; Labyrinths<br \/>\nThe Slime &#8211; Crabwalk To Oblivion<br \/>\nLiliths Army &#8211; Doll<br \/>\nBRKN Love &#8211; The Program<br \/>\nAeon Empire &#8211; Aeon Empire<br \/>\nIndustrial Puke &#8211; Alive To No Avail<br \/>\nGalgeberg &#8211; Cerberus<br \/>\nDesert Smoke &#8211; Desert Smoke<br \/>\nWindowhead &#8211; Terrestrials<br \/>\nStreet Stories &#8211; The Best Album In The World<br \/>\nDavid Judson Clemmons &#8211; Everything A War<br \/>\nThis Time For Real &#8211; Fuck Heartbreak, I\u2019m Over It<br \/>\nVaria &#8211; The Changing Of Tides<br \/>\nThe Blue Stones &#8211; Metro<br \/>\nDead Meadow &#8211; Voyager to Voyager<\/p>\n<p><em id=\"playlist\">If you think I&#8217;ve missed something or have a new album\/EP\/song to tell us about, tell us about it <a href=\"https:\/\/alreadyheard.com\/staging\/already-heard-playlist-release-submission\/\">here<\/a>.<\/em><\/p>\n<p><iframe title=\"Spotify Embed: #NewMusicFriday\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/playlist\/5QJ3ivfXxJG8bc1CvaAjzy?si=a152801622704497&#038;utm_source=oembed\"><\/iframe><\/p>\n<p>If you&#8217;re looking for the latest tracks focusing on rock, punk, hardcore, metal, emo, and everything in between, then check out our <em>&#8216;Newish Music&#8217;<\/em> playlist on <a href=\"https:\/\/alreadyheard.com\/staging\/newishmusic\">Spotify<\/a> or <a href=\"https:\/\/alreadyheard.com\/staging\/newishmusicAM\">Apple Music<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Today sees new releases from Deafheaven, Underoath, The Darkness, Arch Enemy, Alien Weaponary, and much more.<\/p>\n","protected":false},"author":2,"featured_media":98511,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2329,161],"tags":[17572],"class_list":["post-98510","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-features","category-playlists","tag-newmusicfriday"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - 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