{"id":98850,"date":"2025-05-09T10:00:32","date_gmt":"2025-05-09T09:00:32","guid":{"rendered":"https:\/\/alreadyheard.com\/staging\/?p=98850"},"modified":"2025-05-10T18:17:50","modified_gmt":"2025-05-10T17:17:50","slug":"newmusicfriday-may-9th-2025","status":"publish","type":"post","link":"https:\/\/alreadyheard.com\/staging\/newmusicfriday-may-9th-2025\/","title":{"rendered":"#NewMusicFriday: May 9th 2025"},"content":{"rendered":"<div style=\"max-width: 600px; margin: 0 auto; padding: 5px; border: 1px solid #000; text-align: center;\">\n<h3>Content Breakdown<\/h3>\n<p><a href=\"#thewonderyears\">The Wonder Years &#8211; Burst &amp; Decay Vol. III<\/a><br \/>\n<a href=\"#mclusky\">mclusky &#8211; the world is still here and so are we<\/a><br \/>\n<a href=\"#raue\">Raue &#8211; too scared to explain<\/a><br \/>\n<a href=\"#list\">What is out on this #NewMusicFriday?<\/a><br \/>\n<a href=\"#playlist\">Take me to the Playlist<\/a><\/p>\n<\/div>\n<hr \/>\n<p>For many, this week&#8217;s <b>#NewMusicFriday<\/b> will be about one release &#8211; the new album from <b>Sleep Token<\/b>. Having become one of the world&#8217;s most talked-about bands following 2023&#8217;s <em>&#8216;Take Me Back to Eden,&#8217;\u00a0<\/em>their fourth album, <em>&#8216;Even in Arcadia&#8217;,<\/em>) arrives with a weight of expectation. Early signs indicate the enigmatic group live up to it, simultaneously crossing genres and expressing anxiety at their newfound stardom.<\/p>\n<p>If you&#8217;re someone who isn&#8217;t fussed about <strong>Sleep Token<\/strong>, then there&#8217;s plenty of musical goodness to sink your teeth into. For starters, there is new music from\u00a0<strong>The Wonder Years<\/strong> , who roll out a third volume of their <em>&#8216;Burst &amp; Decay&#8217;<\/em> series. Meanwhile,\u00a0 noisy Welsh post-hardcore mob\u00a0<strong>mclusky<\/strong> drop their first album in 21 years,\u00a0<em>&#8216;the world is still here and so are we&#8217;<\/em>. You can read about both of these releases below, along with the new EP from promising duo,\u00a0<strong>Raue<\/strong>.<\/p>\n<p>Here are some of this week&#8217;s other <strong>#NewMusicFriday<\/strong> highlights:<\/p>\n<ul>\n<li>Extreme metal giants <strong>Behemoth<\/strong> deliver their 13th album, <em>&#8216;The Shit Ov God&#8217;.<\/em> It sees the Polish group slim down their brand of black metal to eight tracks, yet maintains the occasional grandiose you come to expect.<\/li>\n<li><strong>The Amazons<\/strong> swap indie rock for swaggering rock with <em>&#8217;21st Century Fiction&#8217;<\/em><\/li>\n<li>Nu-metal revivalists <strong>Tetrarch<\/strong> continue to carve out a path of their own on <em>&#8216;The Ugly Side Of Me,&#8217;\u00a0<\/em>yet do it with mixed results.<\/li>\n<li>Finland&#8217;s <strong>Svarta Havet<\/strong> provide an enticing brand of gloomy post-hardcore on<em> &#8216;M\u00e5nen Ska Lysa Din V\u00e4g&#8217;<\/em> (<em>The moon will light your way<\/em>), threading in elements of post-metal and black metal into their atmospheric and abrasive sound.<\/li>\n<li>Underground UK punk group, <strong>Kicked In The Teeth<\/strong>, stay brutally Northern as\u00a0<em>&#8216;Watling Street Chambers&#8217;<\/em> combines pounding rhythms with a melodic aptness.<\/li>\n<li>Rock\/post-hardcore trio\u00a0<strong>Black Map<\/strong> return with\u00a0<em>&#8216;Hex&#8217;<\/em>. Their fourth album sees the San Francisco band explore personal struggle, authenticity, and resilience.<\/li>\n<\/ul>\n<p>There are also releases from\u00a0<strong>Our Last Night<\/strong>,\u00a0<strong>Counting Crows<\/strong>,\u00a0<strong>Haken<\/strong>, <strong>Demeted<\/strong>,\u00a0<strong>O\u2019Phantom<\/strong>, and more.<\/p>\n<hr \/>\n<h2>Support Already Heard<\/h2>\n<p><center><script src=\"https:\/\/storage.ko-fi.com\/cdn\/widget\/Widget_2.js\" type=\"text\/javascript\"><\/script><script type=\"text\/javascript\">kofiwidget2.init('Support Already Heard on Ko-fi', '#29abe0', 'J3J4MX03R');kofiwidget2.draw();<\/script><\/center><\/p>\n<hr \/>\n<figure id=\"attachment_98153\" aria-describedby=\"caption-attachment-98153\" style=\"width: 800px\" class=\"wp-caption aligncenter\"><img fetchpriority=\"high\" decoding=\"async\" id=\"thewonderyears\" class=\"size-large wp-image-98153\" src=\"https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2025\/02\/TWY_25_HayleyFearnley-800x451.webp\" alt=\"The Wonder Years | 2025 | Photo Credit: Hayley Fearnley\" width=\"800\" height=\"451\" title=\"\" srcset=\"https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2025\/02\/TWY_25_HayleyFearnley-800x451.webp 800w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2025\/02\/TWY_25_HayleyFearnley-300x169.webp 300w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2025\/02\/TWY_25_HayleyFearnley-768x433.webp 768w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2025\/02\/TWY_25_HayleyFearnley-1536x866.webp 1536w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2025\/02\/TWY_25_HayleyFearnley.webp 2000w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-98153\" class=\"wp-caption-text\">Photo Credit: Hayley Fearnley<\/figcaption><\/figure>\n<h2>The Wonder Years &#8211; Burst &amp; Decay Vol. III<\/h2>\n<p>By now, you&#8217;re probably aware of what to expect from\u00a0<strong>The Wonder Years<\/strong>&#8216;\u00a0<em>&#8216;Burst &amp; Decay&#8217;<\/em> series, but that doesn&#8217;t mean they&#8217;re forgettable acoustic reimaginings. This third volume is a rich and earnest collection that highlights Dan Campbell&#8217;s songwriting and the community <strong>TWY<\/strong> is part of.<\/p>\n<p><em>&#8216;Junebug&#8217;<\/em> is the only original new song, and to an extent, it shows. Its hushed acoustics transition to tight electric riffs and earthly drums. Nevertheless, the warmth of Campbell&#8217;s writing persists, as he sings about his youngest son. The remainder of this nine-track outing sees <strong>TWY<\/strong>, and often The <strong>Little Kruta String Ensemble<\/strong>, reworking fan favourites. <em>&#8216;The Greatest Generation&#8217;<\/em>s\u00a0<em>&#8216;Teenage Parents&#8217;<\/em> fit the expected <em>&#8216;Burst &amp; Decay&#8217; <\/em>mould to a tee; drifting percussion, swooning violins, and laid-back acoustics.<\/p>\n<p>Read the full review <a href=\"https:\/\/alreadyheard.com\/staging\/review-the-wonder-years-burst-decay-vol-iii\/\">here<\/a>.<\/p>\n<hr \/>\n<figure id=\"attachment_98447\" aria-describedby=\"caption-attachment-98447\" style=\"width: 800px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" id=\"mclusky\" class=\"size-large wp-image-98447\" src=\"https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2025\/03\/mclusky_Photo-credit-Damien-Sayell-800x516.jpg\" alt=\"Mclusky | Photo Credit: Damien Sayell\" width=\"800\" height=\"516\" title=\"\" srcset=\"https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2025\/03\/mclusky_Photo-credit-Damien-Sayell-800x516.jpg 800w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2025\/03\/mclusky_Photo-credit-Damien-Sayell-300x193.jpg 300w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2025\/03\/mclusky_Photo-credit-Damien-Sayell-768x495.jpg 768w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2025\/03\/mclusky_Photo-credit-Damien-Sayell.jpg 900w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-98447\" class=\"wp-caption-text\">Photo Credit: Damien Sayell<\/figcaption><\/figure>\n<h2>mclusky &#8211; the world is still here and so are we<\/h2>\n<p>Having influenced the likes of Idles and Metz, the expectation of a comeback for <strong>mclusky<\/strong> is long overdue. Although they&#8217;ve been sporadically playing shows for the past 11 years, it&#8217;s been 21 years since they delivered a full-length album. Yet, for the post-hardcore group, it&#8217;s business as usual.<\/p>\n<p>Still fronted by Andy &#8220;Falco&#8221; Falkous, he&#8217;s joined by the band&#8217;s initial run&#8217;s final drummer, Jack Egglestone, with\u00a0Damien Sayell (known as <strong>The St Pierre Snake Invasion<\/strong>&#8216;s vocalist) being the only &#8220;new&#8221; addition. As a trio, they maintain the brazen noise-punk that Falco, etc. delivered the first time around. The quirky song titles, off-kilter riffs, and unhinged lyrics are still in place.<\/p>\n<p><em>&#8216;unpopular parts of a pig&#8217;\u00a0<\/em>opens the album with big guitars before a spoken-sung vocal abruptly (but briefly) halts momentum. Only for Egglestone&#8217;s roomy drums to kick in and lead a jagged, noise-punk onslaught.\u00a0<em>&#8216;cops and coppers&#8217;<\/em> snaps with an angular reggae rhythm as Falco snarls and sneers with jangly guitars threatening to steer off the tracks.<\/p>\n<p>For the most part, &#8216;the<em> world is still here and so are we&#8217;<\/em> rides on a wave of frantic energy. Tracks such as\u00a0<em>&#8216;kafka-esque novelist franz kafka&#8217;\u00a0<\/em>rumble with fantastical lines like <em>&#8220;tell me I&#8217;m Banksy without being Banksy, without me getting caught&#8221;.\u00a0<\/em>Anxious guitars run through <em>&#8216;way of the exploding dickhead&#8217;<\/em> only for\u00a0<em>&#8216;the battle of los angelsea&#8217;<\/em> to rigidly add to the tension.\u00a0<em>&#8216;people person&#8217;<\/em> \u00a0tumbles with aloof lyricism, providing an cockeyed anthem for the anti-social. Likewise,\u00a0<em>&#8216;the competent horse thief&#8217;<\/em> grooves with a catchy quality more than it should.\u00a0Later on,\u00a0<em>&#8216;the digger you deep&#8217;<\/em> blends a grungy edge with a competent melody and blues guitars, demonstrating\u00a0<strong>mclusky<\/strong> subtle variation.<\/p>\n<p>Take &#8216;checkov\u2019s<em> guns&#8217;<\/em> as an example. Stiffly mixing post-punk with experimental Britpop, its brooding surge is implemented convincingly. Meanwhile,\u00a0<em>&#8216;hate the polis&#8217;<\/em> rounds the album off with Falco&#8217;s laid-back crooning being complemented by wiry denseness.<\/p>\n<p><strong>mclusky<\/strong> were never a band made for the masses, and 21 years on, their mindset hasn&#8217;t changed at all. In the intervening years, partly due to other projects like Future of the Left, Falco, and Egglestone have grown as songwriters. It&#8217;s allowed them to maintain their groundedness in unorthodox themes, yet paired it with a wider scope of musical twists and tones. While Sayell effortlessly slots in, occasionally taking over vocals unjarringly.<\/p>\n<hr \/>\n<p><img decoding=\"async\" id=\"raue\" class=\"aligncenter size-large wp-image-98611\" src=\"https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2025\/04\/Raue-800x533.webp\" alt=\"Raue\" width=\"800\" height=\"533\" title=\"\" srcset=\"https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2025\/04\/Raue-800x533.webp 800w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2025\/04\/Raue-300x200.webp 300w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2025\/04\/Raue-768x512.webp 768w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2025\/04\/Raue-1536x1023.webp 1536w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2025\/04\/Raue.webp 1750w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><\/p>\n<h2>Raue &#8211; too scared to explain<\/h2>\n<p>San Diego-based duo <strong>Raue<\/strong> may look young, but their music is mature beyond their years. Their latest EP,\u00a0<em>&#8216;too scared to explain&#8217;<\/em> is a four-track snapshot of\u00a0Paige Kalenian&#8217;s (guitar\/vocals) and Jax Huckle&#8217;s (drums) raw capabilities. Tracks such as <em>&#8216;Are You Bored Yet?&#8217;\u00a0<\/em>and\u00a0<em>&#8216;Escape&#8217;<\/em> allow Kalenian to bear her soul, and pair it with stirring instrumentation. The former utilises reverb guitars and steady drums to allow Kalenian&#8217;s words to breathe. The latter, and EP closer, punches with spirited introspection, allowing both Paige and Jax&#8217;s musicianship to shine, throwing in a subtle earwork melody for good measure.<\/p>\n<p>In the middle is <em>&#8216;Crave&#8217;<\/em> and <em>Poor Kid&#8217;<\/em>. <em>&#8216;Crave&#8217; <\/em>is bolted down by hushed vocals and anticipated grunge-rock bursts, demanding you grab hold of Kalenian&#8217;s whispered words.\u00a0<em>&#8216;Poor Kid&#8217;<\/em> showcases\u00a0<strong>Raue<\/strong>&#8216;s ability to provide bursting melodies, yet retain 90s\/2000s alt-rock grit that is threaded throughout this short outing.<\/p>\n<p>Although it merely consists of four songs, for a rising act,\u00a0<em>&#8216;too scared to explain&#8217;<\/em> serves its purpose by showcasing\u00a0<strong>Raue<\/strong>&#8216;s tonal versatility, demonstrating a raw vulnerability to their songwriting.<\/p>\n<h2 id=\"list\">What is out on #NewMusicFriday?<\/h2>\n<p>Sleep Token &#8211; Even in Arcadia<br \/>\nThe Wonder Years &#8211; Burst &amp; Decay Vol. III<br \/>\nmclusky &#8211; the world is still here and so are we<br \/>\nBehemoth &#8211; The Shit Ov God<br \/>\nPierce The Veil &#8211; The Jaws of Life (Deluxe Edition)<br \/>\nThe Amazons &#8211; 21st Century Fiction<br \/>\nOur Last Night &#8211; Left Alone<br \/>\nTetrarch &#8211; The Ugly Side Of Me<br \/>\nRaue &#8211; too scared to explain<br \/>\nSvarta Havet &#8211; M\u00e5nen Ska Lysa Din V\u00e4g<br \/>\nKicked In The Teeth &#8211; Watling Street Chambers<br \/>\nBlack Map &#8211; Hex<br \/>\nCounting Crows &#8211; Butter Miracle, The Complete Sweets<br \/>\nCatbite &#8211; Doom Garden<br \/>\nDemeted &#8211; Rituals<br \/>\nGhost Bath &#8211; Rose Thorn Necklace<br \/>\nO\u2019Phantom &#8211; O\u2019Phantom<br \/>\nSpacey Jane &#8211; If That Makes Sense<br \/>\nTlooth &#8211; Tlooth<br \/>\nGrowing Horns &#8211; The Essence of Suffering<br \/>\nHaken &#8211; Liveforms: An Evening With Haken<br \/>\nKaleo &#8211; Mixed Emotions<br \/>\nMonument Of A Memory &#8211; Cynical Savior<br \/>\nMy Dementia &#8211; Premoni\u00e7\u00e3o: S\u00f3 Me Arrependo Do Que N\u00e3o Vivi<br \/>\nLittle Low &#8211; Sunshine Guilt<br \/>\nYou Win Again Gravity &#8211; Don&#8217;t Leave Me Here, Pt. 1<br \/>\nStreet Power &#8211; Me Time<br \/>\nThe Chain &#8211; Blind The World<br \/>\nThe Bunny The Bear &#8211; The Moments That Cost<br \/>\nGhost Chant &#8211; Hell May Await Me<br \/>\nAlien Boy &#8211; You Wanna Fade?<\/p>\n<p><em id=\"playlist\">If you think I&#8217;ve missed something or have a new album\/EP\/song to tell us about, tell us about it <a href=\"https:\/\/alreadyheard.com\/staging\/already-heard-playlist-release-submission\/\">here<\/a>.<\/em><\/p>\n<p><iframe title=\"Spotify Embed: #NewMusicFriday\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/playlist\/5QJ3ivfXxJG8bc1CvaAjzy?si=a152801622704497&#038;utm_source=oembed\"><\/iframe><\/p>\n<p>If you&#8217;re looking for the latest tracks focusing on rock, punk, hardcore, metal, emo, and everything in between, then check out our <em>&#8216;Newish Music&#8217;<\/em> playlist on <a href=\"https:\/\/alreadyheard.com\/staging\/newishmusic\">Spotify<\/a> or <a href=\"https:\/\/alreadyheard.com\/staging\/newishmusicAM\">Apple Music<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Today sees new releases from Sleep Token, The Wonder Years, mclusky, Behemoth, The Amazons, Tetrarch, Our Last Night, and more.<\/p>\n","protected":false},"author":2,"featured_media":98851,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2329,161],"tags":[17572],"class_list":["post-98850","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-features","category-playlists","tag-newmusicfriday"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - 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