{"id":99360,"date":"2025-06-20T10:00:41","date_gmt":"2025-06-20T09:00:41","guid":{"rendered":"https:\/\/alreadyheard.com\/staging\/?p=99360"},"modified":"2025-06-22T11:09:43","modified_gmt":"2025-06-22T10:09:43","slug":"newmusicfriday-june-20th-2025","status":"publish","type":"post","link":"https:\/\/alreadyheard.com\/staging\/newmusicfriday-june-20th-2025\/","title":{"rendered":"#NewMusicFriday: June 20th 2025"},"content":{"rendered":"<div style=\"max-width: 600px; margin: 0 auto 20px auto; padding: 20px; border: 1px solid #000; text-align: center;\">\r\n        <h3>Content Breakdown<\/h3><p>\n<a href=\"#malevolence\">Malevolence &#8211; Where Only The Truth Is Spoken<\/a><br \/>\n<a href=\"#enmasse\">En Masse &#8211; newviolenttrends<\/a><br \/>\n<a href=\"#list\">What is out on this #NewMusicFriday?<\/a><br \/>\n<a href=\"#playlist\">Take me to the Playlist<\/a><\/p>\n<\/div>\n<hr \/>\n<p>With temperatures rising here in the UK, <b>#NewMusicFriday<\/b> offers up another handful of noteworthy releases. While many will be paying attention to albums from\u00a0<strong>Yungblud<\/strong> and\u00a0<strong>HAIM<\/strong>, for metal fans, the return of\u00a0<strong>Malevolence<\/strong> is hard to ignore. Having become one of the genre&#8217;s must-see live acts, their fourth album, &#8216;<em>Where Only The Truth Is Spoken,&#8217;\u00a0<\/em>promises to take them up the food chain. I shared my thoughts on the album below. You can also read my take on\u00a0<em>&#8216;newviolenttrends,&#8217;<\/em> the new EP from emerging post-hardcore trio\u00a0<strong>En Masse<\/strong>.<\/p>\n<p>Today also sees Midlands crossover crew <strong>Last Hounds<\/strong> bring together their recent singles in the form of\u00a0<em>&#8216;Growing Pains&#8217;<\/em>. Showcasing their blistering angst with the occasional nu-metal groove, the Birmingham quintet deliver five cuts of infectious hardcore. If you want even more bruising heaviness, then there&#8217;s Bay Area heavyweights <strong>Mugshot<\/strong>. The San Jose metalcore\/hardcore juggernauts deliver their second album,\u00a0<em>&#8216;All The Devils Are Here,&#8217;<\/em> today.<\/p>\n<p>Meanwhile,\u00a0Nashville-based rockers\u00a0<strong>Badflower<\/strong> drop &#8216;<em>No Place Like Home,&#8217;\u00a0<\/em>exploring relatable topics such as paranoia, regret, and loss. Ukrainian Riot Grrrls,\u00a0<strong>Death Pill<\/strong>, continue to overcome all adversity by delivering a stellar second album in\u00a0<em>&#8216;Sologamy&#8217;<\/em>. With the trio living in different countries due to the ongoing war with Russia in their homeland,\u00a0<strong>Death Pill<\/strong> persisted to create a diverse record that blends thrash, punk, emo, and the occasional pop melody.<\/p>\n<p>For those wanting some instrumental might, there is the debut album from\u00a0<strong>Hiroe <\/strong>(pronounced hero-way).\u00a0<em>&#8216;Wield&#8217;<\/em> by the Philadelphia-based quintet has found an ideal home on <strong>Pelagic Records<\/strong>. Their brand of post-rock\/-metal seamlessly slots into the Berlin-based label&#8217;s expansive catalogue. As for the album itself,\u00a0<em>&#8216;Wield&#8217;<\/em> provides a triple guitar dynamic, exploring soft and loud tones with a punching percussion.<\/p>\n<p>There are also releases from\u00a0<strong>Anthony Green<\/strong>,\u00a0<strong>Jamie&#8217;s Elsewhere<\/strong>,\u00a0<strong>Hotline TNT<\/strong>,\u00a0<strong>OSMIUM<\/strong>, and more.<\/p>\n<p><center><script src=\"https:\/\/storage.ko-fi.com\/cdn\/widget\/Widget_2.js\" type=\"text\/javascript\"><\/script><script type=\"text\/javascript\">kofiwidget2.init('Support Already Heard on Ko-fi', '#29abe0', 'J3J4MX03R');kofiwidget2.draw();<\/script><\/center><\/p>\n<hr \/>\n<figure id=\"attachment_98498\" aria-describedby=\"caption-attachment-98498\" style=\"width: 800px\" class=\"wp-caption aligncenter\"><img fetchpriority=\"high\" decoding=\"async\" id=\"malevolence\" class=\"size-large wp-image-98498\" src=\"https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2025\/03\/Malevolence_PC_-Ramsey-Ramone-800x539.jpg\" alt=\"Malevolence 2025 promo photo by Ramsey Ramone\" width=\"800\" height=\"539\" title=\"\" srcset=\"https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2025\/03\/Malevolence_PC_-Ramsey-Ramone-800x539.jpg 800w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2025\/03\/Malevolence_PC_-Ramsey-Ramone-300x202.jpg 300w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2025\/03\/Malevolence_PC_-Ramsey-Ramone-768x517.jpg 768w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2025\/03\/Malevolence_PC_-Ramsey-Ramone.jpg 1200w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-98498\" class=\"wp-caption-text\">Photo Credit: Ramsey Ramone<\/figcaption><\/figure>\n<h2>Malevolence &#8211; Where Only The Truth Is Spoken<\/h2>\n<p>As they deliver their fourth album, it feels\u00a0<span style=\"box-sizing: border-box; margin: 0px; padding: 0px;\">like<strong> Malevolence<\/strong><\/span> are stepping up their game. After all, only <em>certain<\/em> bands are given a secret spot at\u00a0<strong>Download<\/strong>. For the Sheffield metallers, the fifteen years of grinding away are paying off. Without a doubt,\u00a0<em>&#8216;Where Only The Truth Is Spoken&#8217;<\/em> arrives with expectations of elevating\u00a0<strong>Malevolence<\/strong>. Thankfully, it&#8217;s a task the Yorkshire quintet take head on, and without ever sacrificing what has taken them this far.<\/p>\n<p>On the surface, it&#8217;s a 46-minute onslaught of crushing metallic hardcore. Yet, if you delve a little deeper, you hear a band utilising their meaty influences and pairing them with technical proficiency. Whether that be Charlie Thorpe&#8217;s rampant drumming assault on\u00a0<em>&#8216;So Help Me God,&#8217;\u00a0<\/em>or Josh Baines&#8217; riveting guitar solo on\u00a0<em>&#8216;Counterfeit,&#8217;<\/em> or him tag teaming with Konan Hill on the thrilling\u00a0<em>&#8216;Demonstration Of Pain&#8217;<\/em>. Meanwhile, bassist Wilkie Robinson aids the band&#8217;s melodic groove. At the forefront is Alex Taylor. Fueled with rage, Taylor&#8217;s words are commanding and bite with plenty of grit, only for Hall to counter with the occasional emotional weight.<\/p>\n<p>As for evidence of\u00a0<strong>Malevolence<\/strong> &#8220;going big,&#8221; you don&#8217;t have to look too far.\u00a0<em>&#8216;If It&#8217;s All The Same To You&#8217;<\/em> is riotous and dizzying with chugging guitars and an anthemic chorus. Throw in a scorching hot solo, and\u00a0<strong>Malevolence<\/strong>&#8216;s intentions are clear. Later on,\u00a0<em>&#8216;Heavens Shake&#8217;<\/em> and\u00a0<em>&#8216;Imperfect Picture&#8217;<\/em> capture the bold brutality that they do so well to a tee. Likewise,\u00a0<em>&#8216;In Spite&#8217;<\/em>s crushing density spirals with confidence (and a helping hand from\u00a0<strong>Lamb of God<\/strong>&#8216;s Randy Blythe).<\/p>\n<p><em>&#8216;Where Only The Truth Is Spoken&#8217;<\/em> is musically and lyrically intense. Take\u00a0<em>&#8216;Trenches&#8217;<\/em> for example. It&#8217;s a frantic, hardcore pit-ready number that is accompanied by Taylor&#8217;s venomous words of unwavering self-preservation. Throughout, Alex paints a raw narrative of lived experiences. From grief and regret (<em>&#8216;Salt The Wound&#8217;<\/em>) to unwavering determination (<em>&#8216;With Dirt From My Grave&#8217;<\/em>), he lays it out there, unfiltered.<\/p>\n<p>Like many bands at a crossroads,\u00a0<strong>Malevolence<\/strong> have doubled down on their integrity. With the help of seasoned producer Josh Wilbur, they&#8217;ve refined their sound without smoothing out the edges.\u00a0<em>&#8216;Where Only The Truth Is Spoken&#8217;\u00a0<\/em>is the sound of a band levelling up on their own terms &#8211; ambitious, grounded, and uncompromising.<\/p>\n<hr \/>\n<figure id=\"attachment_98871\" aria-describedby=\"caption-attachment-98871\" style=\"width: 800px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" id=\"enmasse\" class=\"size-large wp-image-98871\" src=\"https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2025\/05\/En-Masse-Quintin-Fernandez-800x533.webp\" alt=\"\" width=\"800\" height=\"533\" title=\"\" srcset=\"https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2025\/05\/En-Masse-Quintin-Fernandez-800x533.webp 800w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2025\/05\/En-Masse-Quintin-Fernandez-300x200.webp 300w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2025\/05\/En-Masse-Quintin-Fernandez-768x512.webp 768w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2025\/05\/En-Masse-Quintin-Fernandez.webp 1500w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-98871\" class=\"wp-caption-text\">Photo Credit: Quintin Fernandez<\/figcaption><\/figure>\n<h2>En Masse &#8211; newviolenttrends<\/h2>\n<p>When you&#8217;re a relatively new band delivering your second\u00a0<em>proper<\/em> release, you want to leave an instant impact that leaves the listener wanting more. That&#8217;s exactly what\u00a0<strong>En Masse<\/strong> do on\u00a0<em>&#8216;newviolenttrends&#8217;<\/em>. The outfit&#8217;s new EP is four cuts of sonically impressive post-hardcore that wear its influences with pride.<\/p>\n<p>Sure, there&#8217;s a clear comparison to Glassjaw and Deftones in what Zack Santiago (vocals), Jari Javier (guitar) and Peter Parkes (bass) produce. However, they are more than merely imitators.\u00a0<em>&#8216;justthisonce&#8217;<\/em> launches like a rocket with its soaring vocals, widescreen guitars, and a crisp rhythm section.\u00a0<em>&#8216;masq&#8217;<\/em> sees Santiago&#8217;s versatile vocals effortlessly lead with erratic aggression and serene melodies. It&#8217;s aided by a relentless urgency and a sharp groove, which is just a joy to hear.<\/p>\n<p>The pacing is reined in on\u00a0<em>&#8216;taketwo&#8217;<\/em>. Floating in with shoegaze guitars and hazy words of isolation and self-destruction. It allows\u00a0<strong>En Masse<\/strong> to produce a more structured offering, compared to energetic rushes that make up the majority of this EP. It closes with\u00a0<em>&#8216;celine&#8217;. <\/em>Charging with volatile energy, it twists and turns before heading skywards with its melodic drive. As Santiago&#8217;s final piercing scream fades away among a sea of feedback, you can&#8217;t help but feel hungry for more.<\/p>\n<p><em>&#8216;newviolenttrends&#8217;<\/em> achieves its aim of showcasing a band with urgency, planting the seed to sonically expand.\u00a0<strong>En Masse <\/strong>have delivered a sharp and cohesive EP that allows each track to stand out on its own, gifting them with plenty of potential.<\/p>\n<hr \/>\n<h2 id=\"list\">What is out on #NewMusicFriday?<\/h2>\n<p>Malevolence &#8211; Where Only The Truth Is Spoken<br \/>\nYungblud &#8211; Idols<br \/>\nHAIM &#8211; I Quit<br \/>\nBadflower &#8211; No Place Like Home<br \/>\nLast Hounds &#8211; Growing Pains<br \/>\nMugshot &#8211; All The Devils Are Here<br \/>\nDeath Pill &#8211; Sologamy<br \/>\nEn Masse &#8211; newviolenttrends<br \/>\nHiroe &#8211; Wield<br \/>\nAnthony Green &#8211; So Long, Avalon<br \/>\nJamie&#8217;s Elsewhere &#8211; Alchemical<br \/>\nScyla &#8211; Redacted<br \/>\nAlready Dead &#8211; I Think It&#8217;s Time to Leave\u2026<br \/>\nHotline TNT &#8211; Raspberry Moon<br \/>\nOSMIUM &#8211; OSMIUM<br \/>\nBehold The Beloved &#8211; Harsh Realities<br \/>\nOverthrone &#8211; Lunar<br \/>\nMission Jupiter &#8211; Aftermath<br \/>\nDestroyer Destroyer &#8211; Void<br \/>\nCaspar Br\u00f6tzmann Massaker &#8211; it&#8217;s a love song<br \/>\nFreeze The Fall &#8211; The Red Garden<br \/>\nUniversity &#8211; McCartney, It&#8217;ll Be OK<br \/>\nLayto &#8211; Feed Me Amnesia<br \/>\nM.U.T.T. &#8211; Toughest Street In Town<br \/>\nREDD. &#8211; RAUNCH.<br \/>\nReflection &#8211; The Battles I Have Won<br \/>\nWater Machine &#8211; God Park<br \/>\nBleeker &#8211; Fuck You I&#8217;m Leaving<br \/>\nWalt Hamburger &#8211; \u2026And Louie!<br \/>\nUpon Stone &#8211; End Time Lightning<\/p>\n<p><em id=\"playlist\">If you think I&#8217;ve missed something or have a new album\/EP\/song to tell us about, tell us about it <a href=\"https:\/\/alreadyheard.com\/staging\/already-heard-playlist-release-submission\/\">here<\/a>.<\/em><\/p>\n<p><iframe title=\"Spotify Embed: #NewMusicFriday\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/playlist\/5QJ3ivfXxJG8bc1CvaAjzy?si=a152801622704497&#038;utm_source=oembed\"><\/iframe><\/p>\n<p>If you&#8217;re looking for the latest tracks focusing on rock, punk, hardcore, metal, emo, and everything in between, then check out our <em>&#8216;Newish Music&#8217;<\/em> playlist on <a href=\"https:\/\/alreadyheard.com\/staging\/newishmusic\">Spotify<\/a> or <a href=\"https:\/\/alreadyheard.com\/staging\/newishmusicAM\">Apple Music<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Today sees new releases from Malevolence, Yungblud, HAIM, Badflower, En Masse, Last Hounds, Death Pill, Hiroe, and more.<\/p>\n","protected":false},"author":2,"featured_media":99362,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2329,161],"tags":[17572],"class_list":["post-99360","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-features","category-playlists","tag-newmusicfriday"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - 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