{"id":99522,"date":"2025-07-11T09:00:05","date_gmt":"2025-07-11T08:00:05","guid":{"rendered":"https:\/\/alreadyheard.com\/staging\/?p=99522"},"modified":"2025-07-11T00:27:50","modified_gmt":"2025-07-10T23:27:50","slug":"newmusicfriday-july-11th-2025","status":"publish","type":"post","link":"https:\/\/alreadyheard.com\/staging\/newmusicfriday-july-11th-2025\/","title":{"rendered":"#NewMusicFriday: July 11th 2025"},"content":{"rendered":"<div style=\"max-width: 600px; margin: 0 auto 20px auto; padding: 20px; border: 1px solid #000; text-align: center;\">\r\n        <h3>Content Breakdown<\/h3><p>\n<a href=\"#splitchain\">Split Chain \u2013 motionblur<\/a><br \/>\n<a href=\"#calvalouise\">Calva Louise &#8211; Edge of The Abyss<\/a><br \/>\n<a href=\"#bornofosiris\">Born of Osiris &#8211; Through Shadows<\/a><br \/>\n<a href=\"#list\">What is out on this #NewMusicFriday?<\/a><br \/>\n<a href=\"#playlist\">Take me to the Playlist<\/a><\/p>\n<\/div>\n<p>Although the <strong>2000trees Festival<\/strong>, and festival season in general, roll on, this week&#8217;s <strong>#NewMusicFriday<\/strong> releases are still worth checking out.<\/p>\n<p>For starters, there is the debut album from rapidly rising &#8220;nu-gaze&#8221; band, <strong>Split Chain<\/strong>. They release <em>&#8216;motionblur&#8217;<\/em> today, and you can read my thoughts about it below. You can read about the new albums from prog metalcore group\u00a0<strong>Born of Osiris<\/strong> and London-based, multi-national genre-hopping trio\u00a0<strong>Calva Louise<\/strong>.<\/p>\n<p>For those\u00a0<span style=\"box-sizing: border-box; margin: 0px; padding: 0px;\">looking to unwind while lounging in the hot weather, there are releases from\u00a0<strong>Bring Me the<\/strong><\/span><strong>\u00a0Horizon<\/strong> and\u00a0<strong>Hammock<\/strong>. The former release\u00a0<em>&#8216;Lo-files&#8217;<\/em>. It sees the festival-headlining metallers team up with a host of producers from the lo-fi music scene to re-work 23 <span style=\"box-sizing: border-box; margin: 0px; padding: 0px;\"><strong>Bring Me the<\/strong><\/span><strong> Horizon\u00a0<\/strong>tracks. Meanwhile, ambient instrumental specialists <strong>Hammock\u00a0<\/strong>deliver their latest album,\u00a0<em>&#8216;Nevertheless&#8217;<\/em>. It offers melodic motifs that ebbs and flows through states of grief and awakening.<\/p>\n<p>Elsewhere, <strong>Enter Shikari<\/strong> mark last year&#8217;s triumphant UK arena tour with their <em>&#8216;Live at Wembley<\/em>&#8216; album. Often forgotten 2000s post-hardcore\/screamo outfit,\u00a0<strong>Scary Kids Scaring Kids<\/strong>, soldier on with\u00a0<em>&#8216;Maps Written In Water&#8217;<\/em>. New York melodic hardcore punk quartet\u00a0<strong>Somerset Thrower\u00a0<\/strong>deliver their third album,<em> &#8216;Take Only What You Need to Survive&#8217;.\u00a0<\/em>Meanwhile, frenzied London noise-grind trio <strong>Why Patterns\u00a0<\/strong>slice their way through with a second album,\u00a0<em>&#8216;Screamers&#8217;<\/em>.<\/p>\n<hr \/>\n<p><center><script src=\"https:\/\/storage.ko-fi.com\/cdn\/widget\/Widget_2.js\" type=\"text\/javascript\"><\/script><script type=\"text\/javascript\">kofiwidget2.init('Support Already Heard on Ko-fi', '#29abe0', 'J3J4MX03R');kofiwidget2.draw();<\/script><\/center><\/p>\n<hr \/>\n<figure id=\"attachment_98547\" aria-describedby=\"caption-attachment-98547\" style=\"width: 800px\" class=\"wp-caption aligncenter\"><img fetchpriority=\"high\" decoding=\"async\" id=\"splitchain\" class=\"size-large wp-image-98547\" src=\"https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2025\/03\/Split-Chain-800x533.jpg\" alt=\"Split Chain promo photo by Ashlea Bea\" width=\"800\" height=\"533\" title=\"\" srcset=\"https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2025\/03\/Split-Chain-800x533.jpg 800w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2025\/03\/Split-Chain-300x200.jpg 300w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2025\/03\/Split-Chain-768x512.jpg 768w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2025\/03\/Split-Chain-1536x1024.jpg 1536w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2025\/03\/Split-Chain.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-98547\" class=\"wp-caption-text\">Photo Credit: Ashlea Bea<\/figcaption><\/figure>\n<h2>Split Chain &#8211; motionblur<\/h2>\n<p>It\u2019s safe to say\u00a0<strong>Split Chain<\/strong>\u00a0have exploded over the past 24 months. Their brand of \u201cnu-gaze\u201d has earned the Bristol group impressive streaming numbers, shows on both sides of the Atlantic, and a string of festival slots. They\u2019ve also found a label home on legendary independent,\u00a0<strong>Epitaph<\/strong>. This is perhaps their most impressive achievement for a band who are still in its early days. Nevertheless,\u00a0<strong>Split Chain<\/strong>\u2018s full-length debut,\u00a0<em>\u2018motionblur\u2019,<\/em>\u00a0arrives with plenty of eyes and ears, on them.<\/p>\n<p>On the surface, they\u2019re able to back it up with a concise record, albeit one that is understandably stylistically constrained by the band\u2019s newness.\u00a0<em>\u2018Under The Wire\u2019<\/em>\u00a0bursts out of the gate with crunching guitars and penetrative drums. While an explosive chorus that sees vocalist Bert Mart\u00ednez-Cowles thriving in a newfound purpose, proving doubters wrong. Yet the narrative\u00a0<em>\u2018motionblur\u2019<\/em>\u00a0provides isn\u2019t a constant high. With the band\u2019s origins rooted in Bert helping bassist Tom Davies through addiction, there\u2019s a deeply personal edge to their songwriting, touching on toxic relationships, isolation, regret, and resilience.\u00a0That emotional weight makes the hushed verses and desperate chorus of\u00a0<em>\u2018 I\u2019m Not Dying To Be Here\u2019<\/em>\u00a0even more raw, while\u00a0<em>\u2018SPIT\u2019<\/em>s steely punch and swirling metallic guitars complement Mart\u00ednez-Cowles\u2019s self-destructive words of grief and mental anguish.<\/p>\n<p><a href=\"https:\/\/alreadyheard.com\/staging\/review-split-chain-motionblur\/\"><em>Read the full review here<\/em><\/a><\/p>\n<hr \/>\n<figure id=\"attachment_99566\" aria-describedby=\"caption-attachment-99566\" style=\"width: 800px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" id=\"calvalouise\" class=\"size-large wp-image-99566\" src=\"https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2025\/07\/Calva-Louise-PC-Henry-Calvert-800x533.webp\" alt=\"Calva Louise promotional photography by Henry Calvert\" width=\"800\" height=\"533\" title=\"\" srcset=\"https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2025\/07\/Calva-Louise-PC-Henry-Calvert-800x533.webp 800w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2025\/07\/Calva-Louise-PC-Henry-Calvert-300x200.webp 300w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2025\/07\/Calva-Louise-PC-Henry-Calvert-768x512.webp 768w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2025\/07\/Calva-Louise-PC-Henry-Calvert.webp 1500w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-99566\" class=\"wp-caption-text\">Photo Credit: Henry Calvert<\/figcaption><\/figure>\n<h2>Calva Louise &#8211; Edge of The Abyss<\/h2>\n<p>With its members hailing from all corners of the globe, <b>Calva Louise<\/b> has found a home &#8211; and name, in the UK.For nearly a decade, the trio of vocalist, guitarist, and keyboardist Jess Allanic (Venezuela), bassist Alizon Taho (France), and drummer Ben Parker (New Zealand) have delivered a steady stream of releases defined by a fearless, genre\u2011fusing brand of rock. Their fourth album, <em>&#8216;Edge of The Abyss,&#8217; <\/em> pushes that boundary even further.<\/p>\n<p>There are flashes of pulsating electro-rock on <em>&#8216;Tunnel Vision&#8217; <\/em>and <em>&#8216;Impeccable&#8217;<\/em>. <em>&#8216;Aimless&#8217;<\/em> merges South American flair with ferocious alt-metal to striking effect. Semi-titular track <em>&#8216;The Abyss&#8217;<\/em> treads with John Carpenter-esque synths. Building neon\u2011lit tension before <em>&#8216;El Umbral&#8217;<\/em> explodes with razor\u2011sharp industrial blasts and shifting Latin rhythms.<\/p>\n<p>Throughout, Allanic effortlessly switches between English and her native tongue, imbuing the songs with an intimate yet universal energy. She&#8217;s aided by Taho and Parker, who equally add weight to the crushing <em>&#8216;Hate In Me,&#8217;<\/em> dynamism, and\u00a0 <em>&#8216;W.T.F.&#8217; <\/em>drive to <em>&#8216;Barely A Response&#8217;<\/em>. The latter benefits from Parker&#8217;s propulsive drumming and Allanic\u2019s distorted guitar and soaring melodies, delivering a colourful centrepiece.<\/p>\n<p>Allanic\u2019s love of science fiction continues to shape the narrative, exploring the unknown, questioning existence, and searching for purpose. These themes thread through the eleven tracks without ever feeling forced, woven naturally into the music\u2019s fabric. The whirlwind of styles doesn\u2019t always land, but <strong>Calva Louise<\/strong>\u2019s conviction remains undeniable. Their deliberate genre\u2011scattering gives rise to bold hooks and vivid textures. Ultimately, it&#8217;s proof of how far they\u2019ve come and how willing they are to keep pushing forward.<\/p>\n<hr \/>\n<p><img decoding=\"async\" id=\"bornofosiris\" class=\"aligncenter size-large wp-image-99567\" src=\"https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2025\/07\/Born-of-Osiris--800x450.webp\" alt=\"Born of Osiris\" width=\"800\" height=\"450\" title=\"\" srcset=\"https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2025\/07\/Born-of-Osiris--800x450.webp 800w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2025\/07\/Born-of-Osiris--300x169.webp 300w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2025\/07\/Born-of-Osiris--768x432.webp 768w, https:\/\/alreadyheard.com\/staging\/wp-content\/uploads\/2025\/07\/Born-of-Osiris-.webp 1500w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><\/p>\n<h2>Born of Osiris &#8211; Through Shadows<\/h2>\n<p><em>&#8216;Through Shadows&#8217;<\/em> marks the end of a chapter for\u00a0<strong>Born of Osiris<\/strong>. In the lead-up to its release, the band parted ways with Lee McKinney. As the lead guitarist in the technical\/progressive metalcore band, McKinney&#8217;s role is considerably the most important. It also follows the departure of keyboardist Joe Buras last year. Nevertheless, as a collective, <strong>Born of Osiris <\/strong>have proven to be consistent, and <em>&#8216;Through Shadows&#8217;<\/em> ticks all the right boxes from what you expect from a <strong>BOO<\/strong> record.<\/p>\n<p>Tracks such as\u00a0<em>&#8216;Seppuku&#8217;<\/em> and\u00a0<em>&#8216;Transcendence&#8217;\u00a0<\/em>allow McKinney&#8217;s frantic fretplay to shine. Ronnie Canizaro delivers (fairly) routine soaring metalcore choruses on the title track and <em>&#8216;The War That You Are&#8217;.\u00a0<\/em>Yet he&#8217;s versatile and reliable, delivering throat-ripping screams on the dizzying <em>&#8216;A Mind Short Circuiting&#8217;<\/em>. There&#8217;s also the djent-y stabbing and Cameron Losch&#8217;s double bass peddling on <em>&#8216;In Desolation&#8217;\u00a0<\/em>before\u00a0<em>&#8216;Torchbearer&#8217;<\/em> pounces through with a heavy groove.<\/p>\n<p>Flourishes of electronica prove to be beneficial.\u00a0<em>&#8216;Elevate&#8217;<\/em> is one of them, gifting it with a playful synth melody. Meanwhile, <em>&#8216;Activated&#8217;<\/em> sees\u00a0<strong>Underoath<\/strong>&#8216;s Spencer Chamberlain turn up, complementing the track&#8217;s urgency, even if the inclusion of a pastel saxophone is unexpected. Glistening keys subtly ring out on <em>&#8216;Dark Fable&#8217;<\/em>s towering chorus, adding another layer to\u00a0<strong>BOO<\/strong>&#8216;s often textured sound.<\/p>\n<p>The pairing\u00a0<em>&#8216;Transcendence&#8217;<\/em> and\u00a0<em>&#8216;Blackwater&#8217;<\/em> makes for a fitting finale. First,\u00a0<em>&#8216;Transcendence&#8217;\u00a0<\/em>is full of proggy twists, rising orchestral synths, and time signature shifts. It allows Canizaro, McKinney, Losch, and guitarist Nick Rossi to demonstrate their abilities. As space-y keys segue into <em>&#8216;Blackwater,&#8217; <\/em>the mood shifts. Drifting guitars and rolling drums build to a humongous payoff. It sees Canizaro at his most vocally venomous, and\u00a0<strong>BOO<\/strong> as a whole, vibrant. Losch especially attempts to steal the show during its final moments with a kinetic display.<\/p>\n<p>Having been through the ringer with numerous member changes, McKinney&#8217;s departure will be a big void to fill. However, the remaining trio of\u00a0 McKinney, Losch, and Rossi have enough technical prowess to maintain\u00a0<strong>Born of Osiris&#8217;<\/strong> level of consistency. This may be the end of an era, but there&#8217;s still life in <strong>Born of Osiris<\/strong><strong>\u00a0<\/strong>yet,<\/p>\n<hr \/>\n<h2 id=\"list\">What is out on #NewMusicFriday?<\/h2>\n<p>Bring Me The Horizon &#8211; Lo-files<br \/>\nSplit Chain &#8211; motionblur<br \/>\nBorn of Osiris &#8211; Through Shadows<br \/>\nCalva Louise &#8211; Edge of The Abyss<br \/>\nEnter Shikari &#8211; Live at Wembley<br \/>\nBeartooth &#8211; I Was A\u2026 Live<br \/>\nScary Kids Scaring Kids &#8211; Maps Written In Water<br \/>\nHammock &#8211; Nevertheless<br \/>\nWet Leg &#8211; moisturizer<br \/>\nDiamond Head &#8211; Live And Electric<br \/>\nSomerset Thrower &#8211; Take Only What You Need<br \/>\nWhy Patterns &#8211; Screamers<br \/>\nCrown Lands &#8211; Ritual I<br \/>\nAnger Machine &#8211; Human Error<br \/>\nJust Kids &#8211; saccharine EP<br \/>\nKill The Robot &#8211; Kill The Robot<br \/>\nCronos Compulsion &#8211; Lawgiver<br \/>\nEmma Harner &#8211; Taking My Side<br \/>\nWorld&#8217;s First Cinema &#8211; Something Of Wonder<br \/>\ndead7 &#8211; Love What You Can While You Still Got Something Left To Love<br \/>\nFlooding &#8211; object 1<br \/>\nGlacier &#8211; More Distant\/More Violent<br \/>\nStars Go Dim &#8211; Roses<br \/>\nSplit Persona &#8211; War Within Ourselves<br \/>\nPalecurse &#8211; Dark Room<br \/>\nPygmy Lush &#8211; Totem<br \/>\nChalk Talk &#8211; Sun Lies Heavy<\/p>\n<p><em id=\"playlist\">If you think I&#8217;ve missed something or have a new album\/EP\/song to tell us about, tell us about it <a href=\"https:\/\/alreadyheard.com\/staging\/already-heard-playlist-release-submission\/\">here<\/a>.<\/em><\/p>\n<p><iframe title=\"Spotify Embed: #NewMusicFriday\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/playlist\/5QJ3ivfXxJG8bc1CvaAjzy?si=a152801622704497&#038;utm_source=oembed\"><\/iframe><\/p>\n<p>If you&#8217;re looking for the latest tracks focusing on rock, punk, hardcore, metal, emo, and everything in between, then check out our <em>&#8216;Newish Music&#8217;<\/em> playlist on <a href=\"https:\/\/alreadyheard.com\/staging\/newishmusic\">Spotify<\/a> or <a href=\"https:\/\/alreadyheard.com\/staging\/newishmusicAM\">Apple Music<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Today sees new releases from Bring Me The Horizon, Split Chain, Born of Osiris, Calva Louise, Enter Shikari, Hammock, and more.<\/p>\n","protected":false},"author":2,"featured_media":99565,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2329,161],"tags":[17572],"class_list":["post-99522","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-features","category-playlists","tag-newmusicfriday"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - 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