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With Queens of the Stone Age in the middle of a UK arena tour, we’ve decided to highlight
five of the bands best tracks for this edition of "Fives".
We've got the new EP from Yorkshire riff merchants NOSE right here! Take a listen to 'Sick
Continuing our Reuben theme from last week’s Fives and in celebration of frontman Jamie Lenman’s new double solo album, we take a look at two of the albums for "Versus". Its
‘Racecar Is Racecar Backwards' against 'In Nothing We Trust'.
Calgary's debut EP 'Fight Fire With Fire' is a bright, warming collection of indie pop songs.
With comparisons to Hellogoodbye and John Mayer, the four tracks showcase a band with pop sensibilities and plenty of potential to breakthrough. We caught up with the band to find out more.
Returning with their first album in six years, 'Balancing' sees Hertfordshire’s The October Game showcase dynamic growth and versatility with a brooding undertone throughout. Already Heard recently spoke to Luke Williams and Nick Kozuch to discuss the album in
more detail; the writing process, its various packages, and working with Scylla Records.
State Faults hail from sunny Santa Rosa, California and this, ‘Desolate Peaks,’ is their debut album. They’re a post-hardcore bands of sorts with a sound reminiscent of 90s emo. They have hints of La Dispute about them definitely, and also Thursday. They are an intriguing prospect and this is definitely a Marmite album.
Opening track ‘Sleepwalker’ has a serenity to it that is quickly dispelled as soon as the vocals kick in. The music and vocals play against each other for supremacy throughout the album and are a shocking juxtaposition. Some may find it grating to listen to, however I think it is a refreshing sound and one that works well for State Faults.
Single ‘Arrowhead’ continues this theme as the honey-drenched guitars slide along smoothly in contrast to the piercing, desperate vocals. Whilst the backing music has something of a Friendly Fires feel to it, the vocals are more reminiscent of At The Drive In. It truly is a bizarre thing to listen to, and it takes a while to adjust. However I think the juxtaposition of sound works really well and creates a memorable listening experience.
Instrumental track ‘Shiver’ is a haunting moment that reaches its crescendo as it crashes into ‘Faultlines,’ a full on assault for the ears. ‘Wayfarer’ continues this theme, and here the music matches the vocals more, with a heavier guitar sound. ‘Teeth and Bones’ offers a truly amazing moment as the contrasts of the record are brought into greater focus. This is State Faults at their most beautiful musically and powerful vocally. It is a track of epic proportions. ‘Skeletons’ offers a powerful and highly memorable sign-off to the album and as you mull over ‘Desolate Peaks,’ you feel compelled to listen to it again.
‘Desolate Peaks’ is an apt title for this album. It is an album of sobriety and isolation, one which has genuinely fantastic high points. It is an intriguing album of vast contrasts and one that is well worth listening to. I certainly enjoyed the unique sound of State Faults. An album of frantic nervous energy and melodic beauty.
'Desolate Peaks' by State Faults is available now on Tiny Engines.
Words by Tom White