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Having finally released début album ‘Blood And Chemistry,’ we met up with vocalist/guitarist Andrew Groves to discuss the new album, being compared to Biffy Clyro and more.
Currently on tour with The Summer Set and a new EP set to be released soon, we caught
up with New Forest's Natives to talk about the new EP and album, the UK rock scene, the transition from being Not Advised to becoming Natives and much more.
This week Lansdale, Pennsylvania’s The Wonder Years released their fourth album - ‘The Greatest Generation,’ a record that sees the pop punk quintet reach their creative peak in a number of ways. With a wealth of material in their discography, Already Heard's Sean Reid and Tom Knott took on the tricky task of picking out the five best songs from The Wonder Years. Find out what we picked and let us know if you agree or disagree?
Following the release of their superb 'Signals' album, Mallory Knox have certainly become ones to watch in recent months. We caught up with the band to discuss joining Search & Destroy Records, how vital the festival season and touring are, what it feels like to be a part
of the expanding British rock scene and much more.
Over The Ocean have crafted a compelling, brooding record with their latest effort ‘Be Given To The Soil.’ With intense specific precision and delicate accuracy that echoes the likes of Explosions In The Sky and Sigur Ros. Jesse Hill from the band to discusses how the
album came together, the importance of precision, being compared to post-rock pioneers and more.
After a top ten UK album and an outstanding UK tour with festival dates on both sides of the Atlantic to follow, Bring Me The Horizon are having a fantastic 2013 and are now featured in the latest edition of "Versus." It's ‘There is a Hell, Believe Me I’ve Seen It. There is a Heaven, Let’s Keep it a Secret’ vs the bands latest release, 'Sempiternal.'
State Faults hail from sunny Santa Rosa, California and this, ‘Desolate Peaks,’ is their debut album. They’re a post-hardcore bands of sorts with a sound reminiscent of 90s emo. They have hints of La Dispute about them definitely, and also Thursday. They are an intriguing prospect and this is definitely a Marmite album.
Opening track ‘Sleepwalker’ has a serenity to it that is quickly dispelled as soon as the vocals kick in. The music and vocals play against each other for supremacy throughout the album and are a shocking juxtaposition. Some may find it grating to listen to, however I think it is a refreshing sound and one that works well for State Faults.
Single ‘Arrowhead’ continues this theme as the honey-drenched guitars slide along smoothly in contrast to the piercing, desperate vocals. Whilst the backing music has something of a Friendly Fires feel to it, the vocals are more reminiscent of At The Drive In. It truly is a bizarre thing to listen to, and it takes a while to adjust. However I think the juxtaposition of sound works really well and creates a memorable listening experience.
Instrumental track ‘Shiver’ is a haunting moment that reaches its crescendo as it crashes into ‘Faultlines,’ a full on assault for the ears. ‘Wayfarer’ continues this theme, and here the music matches the vocals more, with a heavier guitar sound. ‘Teeth and Bones’ offers a truly amazing moment as the contrasts of the record are brought into greater focus. This is State Faults at their most beautiful musically and powerful vocally. It is a track of epic proportions. ‘Skeletons’ offers a powerful and highly memorable sign-off to the album and as you mull over ‘Desolate Peaks,’ you feel compelled to listen to it again.
‘Desolate Peaks’ is an apt title for this album. It is an album of sobriety and isolation, one which has genuinely fantastic high points. It is an intriguing album of vast contrasts and one that is well worth listening to. I certainly enjoyed the unique sound of State Faults. An album of frantic nervous energy and melodic beauty.
‘Desolate Peaks’ by State Faults is available now on Tiny Engines.
Words by Tom White