On first listen we fell in love Noyo Mathis and knew that 'Endure' needed to be heard. It's post hardcore meets emo meets indie meets math rock. Take a listen to the full EP right here.
Without a doubt Neck Deep are one of this years breakout bands. After kicking off the year
with the release of their debut LP, 'Wishful Thinking', the Wrexham pop-punk five piece haven’t stopped touring since. From festival appearances throughout the UK and Europe to 2 months in North America as part of the Vans Warped Tour. We caught up with vocalist Ben Barlow and bassist Fil Thorpe-Evans at the Leeds Festival. They discussed their past festival experiences, supporting Blink-182, their up and coming UK headline tour and being
“leaders” of the UK pop-punk movement.
With the festival season more or less over for another year, it’s time for a whole load of
exciting releases to see the light of day. September sees a plethora of exciting releases, so much so that the Already Heard team were spoilt for choices when it came to picking this months must hear releases. Nevertheless they've completed the tricky task and picked out their five must-hear releases for the coming month.
With their combination of refreshingly introspective lyrics, crisp riffs and bouncy choruses, Homebound tick all the right boxes when it comes to promising UK pop-punk bands. Their debut EP, 'Coming of Age' sees the young band make a confident first mark on the ladder to greater things. We spoke to the band to discuss the importance of a debut release, and the comeback of pop-punk.
Packing stadium sized rock anthems with an incredibly striking emotional punch, and graced with one of the most staggeringly unique vocal talents to have graced the UK Rock scene in a long time, Cambridge’s Lonely The Brave have become one of the single most talked about new bands to emerge in recent years. With their debut album ‘The Day’s War’ finally released this week, Already Heard caught up with lead guitarist Mark Trotter and Bassist
Andrew Bushen at last weekend’s Leeds Festival.
We've got a full review, live photos and interviews from one of the highlights of the summer - Leeds Festival.
‘Black Years I’ is, fittingly enough, the first release from Chester based four-piece Black Years. This hardcore meets punk-rock outfit make music that could only soundtrack the most debauched parties, with four tracks of mischief for our delectation on this EP.
Opener ‘Black Years’ bounds along with limitless energy, as Rich O’Brien’s screams of “black fucking years” string the song along. This is disparate but furious hardcore and it is fucking good.
‘Girl Talk’ is next, thundering into life with a sleazy guitar riff and crashing drums. With hints of thrash guitar that make you want to kick stuff over, Black Years demonstrate a brutal and wholly enjoyable sound here. More intelligent musically than a lot of hardcore, the EP rises above the everyday and creates something that is genuinely fun to listen to.
‘Jonestown’ is next and delivers yet another party-inciting three minutes of chaos, with screeching guitars, vocals spat with venom and a sound not unlike early Gallows. By now, there is a sense that Black Years are more than a run of the mill hardcore/punk rock band and that this EP should be taken notice of.
Closer ‘Widows’ opens with the desperate “we can’t save rock ‘n’ roll, we can’t even save ourselves” and bursts into life from there. Halfway through, the chaos ceases for a moment to allow a spoken gang vocal. In what proves to be the calm before the storm, the EP finishes in characteristically rabid fashion. This is undoubtedly the strongest track on the EP and shows a band with a lot of potential starting to emerge.
This is a pleasing enough hardcore rabble that characterises itself as pure rock ‘n’ roll, party music but ends up delivering a lot more than that. There is a charm to Black Years that puts them above many other bands. Clever and vibrant lyrics and a sound that veers just the right side of anarchic DIY make an EP that is worth getting in to.
'Black Years I' by Black Years is out now.
Words by Tom White (@whiteywitters)